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Mystery crime fiction written in the Golden Age of Murder It is a dark and misty night—isn't it always?—and bachelors Nicholas and Ian are driving to the ball at Fordings, a beautiful concert hall in the countryside. There waits the charming Dilys Maine, and a party buzzing with rumours of one Rosemary Reeve who disappeared on the eve of this event the previous year, not found to this day. With thoughts of mysterious case ringing in their ears, Dilys and Nicholas strike a stranger on the drive back home, launching a new investigation and unwittingly reviving the search for what really became of Rosemary Reeve. Written in the last years of the author's life, this previously unpublished novel is a tribute to Lorac's enduring skill for constructing an ingenious puzzle, replete with memorable characters and gripping detective work. Crime fiction lovers can't miss the classic golden age mysteries published in the acclaimed British Crime Classics series! "[An] excellent fair-play mystery...this British Library Crime Classic more than deserves that status."—Publishers Weekly, STARRED Review, for Checkmate to Murder, another excellent entry in the acclaimed British Crime Classics mystery series
Mystery crime fiction written in the Golden Age of Murder "A terrifically atmospheric puzzler...the ending is a stunner...like the best Golden Age crime fiction." —Booklist STARRED review '"A man who played about on the fringes of the Black Market, who had fought for Sinn Fein, who lived by his wits—and who finally became dangerous to somebody and was knocked over the head in the blackout. It may prove to be a sordid story, but I certainly find it an interesting one."' London, 1945. The capital is shrouded in the darkness of the blackout, and mystery abounds in the parks after dusk. During a stroll through Regent's Park, Bruce Mallaig witnesses two men acting suspiciously around a footbridge. In a matter of moments, one of them has been murdered; Mallaig's view of the assailant but a brief glimpse of a ghastly face in the glow of a struck match. The murderer's noiseless approach and escape seems to defy all logic, and even the victim's identity is quickly thrown into uncertainty. Lorac's shrewd yet personable C.I.D. man MacDonald must set to work once again to unravel this near-impossible mystery.
Adam Dalgluish is called to the elegant Steen Psychiatric Clinic to investigate why the head of the clinic, Enid Bolan was found with a chisel through her heart.
Bewitched meets Murder She Wrote in this delightful new cozy mystery series featuring Ophelia Jensen, small town librarian and reluctant psychic, and her grandmother Abby, a benevolent witch. Thirty something Ophelia Jensen wants to live a quiet life as a small town librarian. She's created a comfortable existence with her kooky, colorful grandmother Abby, and if it were up to her, they could live out their days—along with Ophelia's dog Lady and cat Queenie—in peace and quiet. But, to Ophelia's dismay, she and Abby aren't a typical grandmother/granddaughter duo. She possesses psychic powers, and Abby is a kindly witch. And while Ophelia would do anything to dismiss her gift—harboring terrible guilt after her best friend was killed and she was unable to stop it—threatening events keep popping up, forcing her to tap into her powers of intuition. To make matters worse, a strange—yet devastatingly attractive—man is hanging around Ophelia's library, and no matter how many times she tells him she's sworn off men forever, he persists. Soon this handsome newcomer reveals he's following a lead on a local drug ring, and then a dead body shows up right in Abby's backyard. And much as Ophelia would like to put away her spells forever, she and Abby must use their special powers to keep themselves, and others, out of harm's way.
In this exciting and atmospheric second entry of this Cold Case Investigation mystery series Detective Lauren Riley is determined to bring the attacker that left her for dead to justice . . . even if it is a fellow police officer. Cold Case Detectives Lauren Riley and her partner Shane Reese are helping the Homicide Squad after a murder earlier in the day left the department short-staffed. As their shift ends, Reese leaves Lauren alone only for her to be savagely beaten and stabbed from behind minutes later. Lauren didn’t see her attacker, but knows it was a fellow police officer from the city-issued boots she glimpsed as she passed out. Stolen during the attack is the Murder Book, which contains evidence on all active cold cases. Without the book, old homicides became almost impossible to track down. Who in police headquarters would try to kill a fellow officer? Why’d they suddenly want the Murder Book? Although hurt and on enforced leave, nothing will stop Lauren from seeking answers . . . but who on the force can she trust and how safe is she within her own home?
"[An] excellent fair-play mystery...this British Library Crime Classic more than deserves that status."—Publishers Weekly, STARRED Review On a dismally foggy night in Hampstead, London, a curious party has gathered in an artist's studio to weather the wartime blackout. As World War II takes its toll around them, a civil servant and a government scientist are matching wits in a game of chess, while an artist paints the portrait of his characterful sitter, bedecked in Cardinal's robes at the other end of the room. In the kitchen, the artist's sister is hosting the charlady of the miser next door. When the brutal murder of said miser is discovered by his nephew, it's not long before Inspector Macdonald of Scotland Yard is at the scene, faced with perplexing alibis and with the fate of the young man in his hands. In the search for the culprit, Macdonald and his team of detectives must figure out if one of the members of the studio party is somehow involved in the death, or if some other scurrilous neighbour could be responsible. The British Library of Crime Classics is pleased to revive this clever, classic mystery for amateur sleuths and fans of British historical fiction.
Secret agent Brad Fairfax is summoned by a mysterious voice to come to Cape Cod to claim the body of his ex-lover and best friend. On site he discovers that Ross was murdered, the first in a string of four corpses to show up. Victims and suspects have two points in common: they are all connected to a gay guesthouse for wealthy clients where anything is permitted, and most have some connection to Buddhism. Although Brad investigates on his own, his boss at the mysterious agency for which he works feels certain the murderer is implicated in an assassination plot against the Dalai Lama, who is to speak soon in New York's Central Park. The possibility of romance comes with the appearance of a young, blue-haired Buddhist. But Brad will have to learn the meaning of trust and to overcome his irrational bouts of jealousy before there can be any hope of a real connection.
Meredith Mitchell is delighted when an old friend from her consular days, Toby Smythe, turns up on leave between foreign postings. But Toby has a problem---or rather his relative Alison Jenner has---and Toby wants to enlist the help of Meredith's fiancé, Detective Superintendent Alan Markby. Alison has been receiving anonymous hate mail in which reference is made to a time twenty-five years earlier when she stood trial for the murder of her aunt, Freda Kemp, but was acquitted. Who is the writer, and how does he or she know about this secret in Alison's past? Markby is reluctant to become involved, not least because Toby is hardly his favorite person. Besides, he and Meredith are planning their wedding, and distractions aren't welcome. But inquiries into a poisoned pen campaign soon turn into a murder investigation. With the help of Inspector Jessica Campbell, a new member of Markby's team, and the non-professional but enthusiastic assistance of Meredith and Toby, the inquiry unravels a twenty-five-year-old mystery and its dreadful legacy of violence.
Torchlight flickers on the elegant marble walls. The sound of a mob echoes in the street. The year is 52 B.C. and the naked body of Publius Clodius is about to be carried through the teaming streets of Rome. Clodius, a rich man turned rabble-rouser, was slain on the most splendid road in the world, the Appian Way. Now Clodius's rival, Milo, is being targeted for revenge and the city teeters on the verge of chaos. An explosive trial will feature the best oration of Cicero and Marc Antony, while Gordianus the Finder has been charged by Pompey the Great himself to look further into the murder. With the Senate House already in ashes, and his own life very much in danger, Gordianus must return to a desrted stretch of the Appian Way - to find the truth that can save a city drunk on power, rent by fear, and filled with the madness and glory of Rome.
Author and Charlene appeared on the Sally Jessy Raphael show on April 11, 2002. Lewis Junior High, now a Middle School, where three hired killers attempted to kill Charlene as she sat waiting in her car for school dismissal. She was like "a sitting duck," said the judge who called Floyd "a pretty greedy husband" who victimized his wife in front of a school, of all places motivated to collect 3/4 of a million dollars." The students at Lewis Junior High School crowded around the exit door but were locked in. They clamored to see who had been shot. "Jericha, look! It's your mother! They got her!" A dating service brought Floyd and Charlene together. During their courtship Floyd charmed, romanced and lied his way into Charlene's heart, convincing her to become his "forever girl". Thus began the story of a woman whose dreams for a long and love-filled marriage became hellish nightmares of threats, violence and eventually, her attempted murder. Using code words was Floyd's way of life. Only Floyd and his best buddies knew what they meant. He even had a code for murder. When the hitmen completed their mission of murder in front of Lewis Junior High School where Charlene was waiting for one of her daughters, they paged him with that code as the contract demanded. But, they botched the job and Floyd got caught. At the trial, snickers floated through the packed courtroom as the defense lawyers derisively repeated "Wahbee, Wahbee", what the prosecution claimed was Floyd's code for the hit. Only it wasn't funny to Charlene. She knew who had made it up and what it meant. The challenge was how to prove it.