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Josh thought he was living the artist’s dream. The young, ambitious comic book creator had a hip Portland apartment, an affectionate fiancé, and his whole life ahead of him. Until the night he finds himself on Burnside Bridge, willing himself to jump. How did he get here? Two Stories is a confessional graphic memoir that grapples with questions of faith, mental illness, depravity, and, ultimately, redemption in a fallen world.
Virginia Woolf was one of the most influential writers of the twentieth century. With her husband, Leonard Woolf, she started the Hogarth Press in 1917: the list ranged widely in fiction, poetry, politics and psychoanalysis, and published all Virginia Woolf’s own work. Its first publication appeared in 2017: Two Stories, bound in bright Japanese paper, contained a short story from both Virginia and Leonard. Typeset and bound by Virginia, with illustrations by Dora Carrington, 134 copies were printed by Leonard using a small handpress installed in the dining room at Hogarth House, Richmond. To celebrate the 100th anniversary of ‘Publication No. 1’ this new edition of Two Stories takes the original text of Virginia’s story, ‘The Mark on the Wall’ (with illustrations by Dora Carrington), and pairs it with a new story, ‘St Brides Bay’, by Mark Haddon, a lifelong reader of Virginia Woolf. TWO STORIES also includes a portrait of Virginia Woolf by Mark Haddon, and a short introduction from the publisher about the founding of the Press.
From the celebrated, award-winning translators of Anna Karenina and War and Peace a lavish, masterfully rendered volume of stories by one of the most influential short fiction writers of all time. Chekhov's genius left an indelible impact on every literary form in which he wrote, but none more so than short fiction. Now, renowned translators and longtime house authors Richard Pevear and Larissa Volokhonsky give us their peerless renderings of fifty-two Chekhov stories--a full deck These stories, which span the full arc of his career, reveal the extraordinary variety and unexpectedness of his work, from the farcically comic to the darkly complex, showing that there is no one type of "Chekhov story." They are populated by a remarkable range of characters who come from all parts of Russia, all walks of life, and who, taken together, have democratized the short story. Included here are a number of never-before-translated stories, including "Reading" and "An Educated Blockhead." Here is a collection that promises profound delight.
There are two sides to every story. A little girl finds a strange beast in the woods and takes it home as a pet. She feeds it, shows it off to her friends and gives it a hat. But that night it escapes. Then the beast tells the story of being kidnapped by the girl, who forcefed it squirrel food, scared it with a group of beasts and wrapped it in wool. Can the two beasts resolve their differences? An eye-opening story that makes you look at things from a different perspective. 'Roberton's premise is as sublime as it is simple, with a subtle message. [...] Totally delightful.' - Kirkus Reviews
Venture back to a time when fairy tales were dark and terrifying in these modern-day adaptations of classic stories from two New York Times bestselling authors. In The Key by Rachel Hawkins, a girl uses her psychic abilities to look where she has been forbidden to look. And in The Brothers Piggett by Julie Kagawa, a chubby, insecure boy falls for a beautiful girl, with dangerous and devastating results. And look for the full anthology, Grim, edited by Christine Johnson, featuring some of the hottest authors in the young adult market, out March 2014.
Heroes of China’s Great Leap Forward presents contrasting narratives of the most ambitious and disastrous mass movement in modern Chinese history. The objective of the Great Leap, when it was launched in the late 1950s, was to catapult China into the ranks of the great military and industrial powers with no assistance from the outside world; it resulted in a famine that killed tens of millions of the nation’s peasants. Li Zhun’s "A Brief Biography of Li Shuangshuang," written while the movement was underway, celebrates the Great Leap as it was supposed to be: a time of optimism, dynamism, and shared purpose. A spirited young peasant woman, freed from the restrictions of home life, launches a canteen and wins the recognition of authorities and the admiration of her husband. The story—and the film that followed it—made Li Shuangshuang the greatest fictional heroine of the Great Leap. In contrast, Zhang Yigong’s short novel The Story of the Criminal Li Tongzhong, written two decades later, was one of the first works published in China to suggest a much darker side to the Great Leap. A village official leads a raid on a state granary to feed starving peasants; he is later arrested and dies a criminal. Although Zhang stopped short of portraying the horrors of famine, his tone of moral outrage provides a rejoinder to the triumphalism of "Li Shuangshuang." The stories are accompanied by an introduction to the Great Leap and portraits of the two writers, including their recollections of that traumatic time and the creation of their very different heroes.
Scholars and preachers have been approaching Islam and Christianity for centuries as two religions. But what if we set that approach aside and try something new? What if we look at the stories that Islam and Christianity tell? In this book we do exactly that: we go back to the beginning of the stories - Creation - and work our way forward to humanity, Israel, the founders (Jesus and Muhammad), why they founded their communities (the Church and the Umma), what those communities are doing in the world today, and then look down the road to the end of the two stories of everything with their different accounts of the final judgment. Approaching Islam and Christianity as two stories of everything, or metanarratives, produces fresh new insights relevant to any person - whether Christian, Muslim, or of no religion - concerned with the question of how Islam, Christianity, and modernity interact and sometimes clash with each other.
"An intelligent, moving read" (Pages) and "a testament to women’s friendship and to Ann Hood’s talent" (Hilma Wolitzer). After the loss of her only child, Mary Baxter finds herself unable to read or write, the activities that used to be her primary source of comfort. She reluctantly joins a knitting circle as a way to fill her lonely days—not knowing it will change her life. As they teach Mary new knitting techniques, the women in the circle also reveal their own secrets of loss, love, and hope. With time, Mary is finally able to tell her own story of grief, and in so doing finds the spark of life again.
This book tells the story of two friends who write friendly cards to each other. The book includes activities that encourage readers to write friendly cards and notes.
Fiction. Translated by Jessica Sequera. The writing of the late Osvaldo Lamborghini (1940--1985) resists almost any attempt to characterize, let alone summarize. An iconoclastic figure of the Latin American literary milieu of the mid-to-late twentieth century, Lamborghini melded the baroque and the low-brow to often outrageous effect (Bolaño said he could only read a few pages of him at once). Rendered into English for the first time here are two long short stories, The Morning and Just Write Anything!, an accurate sample of his work in much the same way that a bucket of seawater is an accurate sample of the ocean.