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Fifteenth-century Spain is a richly multicultural society in which Jews, Muslims, and Christians coexist. But under the zealous Christian Queen Isabella, the country abruptly becomes one of the most murderously intolerant places on Earth. It is in this atmosphere that the Benvenistes, a family of scribes, attempt to eke out a living. The family has a secret—they are conversos: Jews who converted to Christianity. Now, with neighbors and friends turned into spies, fear hangs in the air. One day a young man is delivered to their door. His name is Amir, and he wears the robe and red patch of a Muslim. Fifteen-year-old Ramon Benveniste broods over Amir’s easy acceptance into the family. Startling and dramatic events overtake the household, and the family is torn apart. One boy becomes enslaved, the other takes up service for the Inquisitors. Finally, their paths cross again in a stunningly haunting scene.
This book provides a glimpse into the history and evolution of Spanish painting, from its roots in the nation's unique cultural and religious heritage to its development into a distinct artistic style. The book also provides a panoramic view of Spanish painting, covering notable artists such as El Greco, Velasquez, Murillo, and Goya, as well as lesser-known but equally significant figures like Mazo and Carreño. With insightful analysis and visuals, the book offers a glimpse into the history of art and the cultural legacy of Spain.
"From 1501 to 1505, Leonardo da Vinci and Michelangelo Buonarroti both lived and worked in Florence. Leonardo was a charming, handsome fifty year-old at the peak of his career. Michelangelo was a temperamental sculptor in his mid-twenties, desperate to make a name for himself. The two despise each other."--Front jacket flap.
Catalog accompanies an exhibition held at the Queensland Art Gallery, Brisbane, Australia, July 21-Nov. 4, 2012.