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In all cultures and times, the poetic imagination has fed on the natural attributes of islands. An island is either a destination, or a home, or a place of exile and imprisonment, or simply a place to sojourn. It is an ideal vehicle for journeys treated as allegories, or for acts of finding that turn into acts of losing, or the reverse transformation. An island is not a continent; yet it can be an archipelago. An island is both a place in itself and a pretext for imaginings that need a local habitation and a name. It can give relief, and pleasure; or it can frustrate, isolate, and negate. Above all, it both invites and resists - or contains or constrains - the imagination. Poetry and Islands explores how islands become repositories of human longings and desires, a locus for some of our deepest fears and fantasies. It balances historical and geographical reference with a selective approach to poems and poets in English, and in translations into English. The study of particular poems in which islands figure in exemplary ways is balanced by a more detailed discussion of the poets who have played a major role in shaping human responses to islands on a global scale.
"A truly moving book." —John Ashbery Jana Prikryl’s The After Party journeys across borders and eras, from cold war Central Europe to present-day New York City, from ancient Rome to New World suburbs, constantly testing the lingua francas we negotiate to know ourselves. These poems disclose the tensions in our inherited identities and showcase Prikryl’s ambitious experimentation with style. “Thirty Thousand Islands,” the second half of the collection, presents some forty linked poems that incorporate numerous voices. Rooted in one place that fragments into many places—the remote shores of Lake Huron in Canada, a region with no natural resources aside from its beauty—these poems are an elegy that speaks beyond grief. Penetrating, vital, and visionary, The After Party marks the arrival of an extraordinary new talent.
Award-winning poet Diane Glancy's radical approach to the perennial mystery of suffering takes the trials of Job--the just man unjustly punished--into the New World.
This meditative prose conveys the essence of the human place in the world -- past and present.
Poet and author David Whyte looks at the fruitful discipline of finding and asking ever keener and more beautiful questions throughout our lives. These questions ask us to reimagine ourselves, our world and our part in it, and have the potential to reshape our identities, helping us to become larger, more generous and more courageous, equal to the fierce invitations extended to us as we grow and mature.
This anthology includes 179 poets published by university presses in recent years. It seeks to provide a rich overview of the best contemporary American poetry irrespective of publisher, age of poet, aesthetic program, or current status in the literary canon; to celebrate the work of university presses in discovering and supporting that poetry; and to suggest some questions about American poetry--its democratization, canonization, aesthetics, politics, and sociology. The volume includes brief histories of poetry publishing at each press, their poetry lists, and an essay on the American poetry scene of the last 20 years. It features poems by such established poets as John Ashbery, Marge Piercy, Adrienne Rich, and James Wright. ISBN 0-299-12160-7: $29.95.
A groundbreaking reassessment of W. H. Auden’s early life and poetry, shedding new light on his artistic development as well as on his shifting beliefs about political belonging in interwar England. From his first poems in 1922 to the publication of his landmark collection On This Island in the mid-1930s, W. H. Auden wrestled with the meaning of Englishness. His early works are prized for their psychological depth, yet Nicholas Jenkins argues that they are political poems as well, illuminating Auden’s intuitions about a key aspect of modern experience: national identity. Two historical forces, in particular, haunted the poet: the catastrophe of World War I and the subsequent “rediscovery” of England’s rural landscapes by artists and intellectuals. The Island presents a new picture of Auden, the poet and the man, as he explored a genteel, lyrical form of nationalism during these years. His poems reflect on a world in ruins, while cultivating visions of England as a beautiful—if morally compromised—haven. They also reflect aspects of Auden’s personal search for belonging—from his complex relationship with his father, to his quest for literary mentors, to his negotiation of the codes that structured gay life. Yet as Europe veered toward a second immolation, Auden began to realize that poetic myths centered on English identity held little potential. He left the country in 1936 for what became an almost lifelong expatriation, convinced that his role as the voice of Englishness had become an empty one. Reexamining one of the twentieth century’s most moving and controversial poets, The Island is a fresh account of his early works and a striking parable about the politics of modernism. Auden’s preoccupations with the vicissitudes of war, the trials of love, and the problems of identity are of their time. Yet they still resonate profoundly today.