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In England, from the Reformation era to the outbreak of the Civil War, religious authority contributed to popular political discourse in ways that significantly shaped the legitimacy of the monarchy as a form of rule as well as the monarch’s ability to act politically. The Power of Scripture casts aside parochial conceptualizations of that authority’s origins and explores the far-reaching consequences of political biblicism. It shows how arguments, narratives, and norms taken from Biblical scripture not only directly contributed to national religious politics but also left lasting effects on the socio-political development of Stuart England.
An introduction to the nose, what it is used for, and how to take care of it.
The message of the old testamentary Maccabees is martial and pernicious as well as already pointed out by Erasmus of Rotterdam. The circumstances in which the Maccabeean literature emerged are complex and have not yet been explored by scholars in all their details; even more complex is the history of its influence, the Wirkungsgeschichte in the sense Hans-Georg Gadamer has given to the term, a history which was to large extent a purely Christian one. The early Christians saw the Maccabees as prototypical martyrs. Later they discovered warrior heroes whose courage was the measure of whoever fought in the name of God or freedom: Saxons, Scots, or citizens of Cologne who rose up against their rulers. This history of influence is the focus of the essays collected in this book, which extend thematically and chronologically from the cult of martyrs in late antiquity to the time of the modern wars of liberation.
The sermons of John Donne are seen to embody the tensions and pressure on public religious discourse 1621 - 25. This book considers the professional contribution of John Donne to an emerging homiletic public sphere in the last years of the Jacobean English Church (1621-25), arguing that his sermons embody the conflicts, tensions, and pressures on public religious discourse in this period; while they are in no way "typical" of any particular preaching agenda or style, they articulate these crises in their most complex forms and expose fault lines in the late JacobeanChurch. The study is framed by Donne's two most pointed contributions to the public sphere: his sermon defending James I's Directions to Preachers and his first sermon preached before Charles I in 1625. These two sermons emerge from the crises of controversy, censorship, and identity that converged in the late Jacobean period, and mark Donne's clearest professional interventions in the public debate about the nature and direction of the Church of England. In them, Donne interrogates the boundaries of the public sphere and of his conformity to the institutions, authorities, and traditions governing public debate in that sphere, modelling for his audience an actively engagedconformist identity. Professor JEANNE SHAMI teaches in the Department of English at the University of Regina.
Blackfriars: Theater, Church, and Neighborhood in Early Modern London is a cultural history of an urban enclave best known in the later sixteenth and seventeenth centuries for the incongruous juxtaposition of playing and godly preaching. As the former site of one of London's great religious houses, the post-Reformation Blackfriars was a Liberty free from mayoral control. The legal exemptions and privileges enjoyed by its residents helped attract an unusual mix of groups and activities. Zealous preachers and puritan parishioners mingled with playhouse workers and playgoers, as well as with the immigrant 'strangers' who settled here. The book focuses on local playhouse-church relations and asks how a theatrical culture was able to flourish in a parish dominated by committed puritans. Physically, the church of St Anne's and the playhouse were virtually next-door, but ideologically they seemed poles apart. Yet despite the occasional efforts of some residents to close the playhouse, godly religion and commercial playing managed to coexist. In explanation, the book examines the conflicting economic and ideological priorities of residents and the overriding desire to promote order and neighborliness. More provocatively, I argue that the Blackfriars pulpit and stage could be mutually reinforcing sites of performance. Preachers as well as playwrights exploited the Liberty's vexed relations with authority to air satirical and dissident views of the established church and state. By examining Blackfriars sermons and plays side-by-side, the book reveals a synergy between two institutions usually considered implacable enemies.