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A treasure trove of choral pedagogy! This step-by-step guide will take beginners from unison to two-part singing by focusing on the underlying aural and developmental skills necessary for success. Sequential chapters on unison, echo, round, and partner singing serve as benchmarks along the way to full harmony. Each of ten carefully curated songs is prefaced with a two-page rehearsal guide that targets essential objectives and suggests exercises and activities designed to introduce, explore, and master the pieces. Learn how to anticipate and address musical challenges for this repertoire, then transfer these masterful techniques to your entire program.
The Basic Rudiments Music Theory Answer Book (Ultimate Music Theory) is easy to use and is identical to the Basic Rudiments Music Theory Workbook. Basic Music Theory Answer Book (148 pages) features these concepts and more! MATCHING BOOK - Same orientation and page numbers as workbook EASY FORMAT - Hand written answers to provide effortless reading SAVES TIME - Quick and accurate marking during lesson time CONVENIENT RESOURCE - Instant access to handy answer pages Ultimate Music Theory's time saving accelerated learning techniques will empower you to: Learn Music Faster - Proven Step-by-Step System! Master Musicianship Skills - Excellence in Online Courses! Teach with Passion - UMT Techniques Build Confidence! Make More Money - UMT Certification Course for Teachers! Build Knowledge - Online Music Courses, Music Theory Workbooks & Answers, Theory Exams & Answer Books, Ultimate Music Theory App and More!"Enriching Lives Through Music Education"
-- Stanley Persky, City University of New York
An accessible scientific explanation for the traditional rules of voice leading, including an account of why listeners find some musical textures more pleasing than others. Voice leading is the musical art of combining sounds over time. In this book, David Huron offers an accessible account of the cognitive and perceptual foundations for this practice. Drawing on decades of scientific research, including his own award-winning work, Huron offers explanations for many practices and phenomena, including the perceptual dominance of the highest voice, chordal-tone doubling, direct octaves, embellishing tones, and the musical feeling of sounds “leading” somewhere. Huron shows how traditional rules of voice leading align almost perfectly with modern scientific accounts of auditory perception. He also reviews pertinent research establishing the role of learning and enculturation in auditory and musical perception. Voice leading has long been taught with reference to Baroque chorale-style part-writing, yet there exist many more musical styles and practices. The traditional emphasis on Baroque part-writing understandably leaves many musicians wondering why they are taught such an archaic and narrow practice in an age of stylistic diversity. Huron explains how and why Baroque voice leading continues to warrant its central pedagogical status. Expanding beyond choral-style writing, Huron shows how established perceptual principles can be used to compose, analyze, and critically understand any kind of acoustical texture from tune-and-accompaniment songs and symphonic orchestration to jazz combo arranging and abstract electroacoustic music. Finally, he offers a psychological explanation for why certain kinds of musical textures are more likely to be experienced by listeners as pleasing.
Harmony and voice leading is a textbook in two volumes dealing with tonal organization in the music of the eighteenth and nineteenth centuries.
(Music Instruction). This two-book series includes a wealth of material used to teach harmony and theory in college-level courses by George Heussenstamm, author of the Norton Manual of Musical Notation . Part 2 Chromatic introduces readers to modulation and more advanced harmonies, covering: secondary dominants; borrowed chords; the Neapolitan 6th chord; augmented 6th chords; 9th, 11th and 13th chords; and more. In addition to text, the book features many musical examples that illustrate the concepts, and exercises that allow readers to test and apply their knowledge.
Children are inherently musical. They respond to music and learn through music. Music expresses children's identity and heritage, teaches them to belong to a culture, and develops their cognitive well-being and inner self worth. As professional instructors, childcare workers, or students looking forward to a career working with children, we should continuously search for ways to tap into children's natural reservoir of enthusiasm for singing, moving and experimenting with instruments. But how, you might ask? What music is appropriate for the children I'm working with? How can music help inspire a well-rounded child? How do I reach and teach children musically? Most importantly perhaps, how can I incorporate music into a curriculum that marginalizes the arts?This book explores a holistic, artistic, and integrated approach to understanding the developmental connections between music and children. This book guides professionals to work through music, harnessing the processes that underlie music learning, and outlining developmentally appropriate methods to understand the role of music in children's lives through play, games, creativity, and movement. Additionally, the book explores ways of applying music-making to benefit the whole child, i.e., socially, emotionally, physically, cognitively, and linguistically.
(Music Instruction). George Heussenstamm, composer of more than 85 published works and author of The Norton Manual of Music Notation , taught college-level theory for several decades. Unable to find what he considered a suitable text, he wrote his own, honing it through practical classroom experience. It is now published for the first time as Hal Leonard Harmony & Theory . This book is designed for anyone wishing to expand their knowledge of music theory, whether beginner or more advanced. The first two chapters deal with music fundamentals, and may be skipped by those with music reading experience. Each chapter contains many examples that clearly illustrate the concepts presented. Written exercises at the end of each chapter allow the reader to test and apply their knowledge. Topics include: basic music-reading instruction; triads in root position; triads in inversion; cadences; non-harmonic tones; the dominant seventh chord; other seventh chords; and more.
“In this one-of-a-kind celebration of singing with others, I’d call her pitch nearly perfect.”—The Atlantic For Stacy Horn, regardless of what is going on in the world or her life, singing in an amateur choir—the Choral Society of Grace Church in New York—never fails to take her to a place where hope reigns and everything good is possible. She’s not particularly religious, and her voice is not exceptional (so she says), but like the 32.5 million other chorus members throughout this country, singing makes her happy. Horn brings us along as she sings some of the greatest music humanity has ever produced, delves into the dramatic stories of conductors and composers, unearths the fascinating history of group singing, and explores remarkable discoveries from the new science of singing, including all the unexpected health benefits. Imperfect Harmony is the story of one woman who has found joy and strength in the weekly ritual of singing and in the irresistible power of song.