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In Two Months in the Camp of Big Bear, the accounts of Theresa Delaney and Theresa Gowanlock were made to conform to the literary convention of the "Indian captivity narrative." Sarah Carter's scholarly introduction provokes a careful reconsideration of the text.
Learn about the real-life story of Theresa Delaney and Theresa Gowanlock, whose names were on everyone's lips after they were held captive together with seventy-eight other hostages two months in 1885 by the Plains Cree. Rumors circulated about their mistreatment during captivity, but the two women emerged unharmed and insisted that the rumors were unfounded. Despite their firsthand account, the published narrative of their experience, 'Two Months in the Camp of Big Bear', followed the literary conventions of the Indian captivity narrative, creating simplified heroes and villains and contributing to a narrow and one-sided representation of the events of 1885. This book is a complicated legacy of past perspectives that were commonly held by many at the time.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Settler Feminism and Race Making in Canada engages in a discursive analysis of three 'texts' - the narratives of Anna Jameson (Winter Studies and Summer Rambles in Canada), Theresa Gowanlock and Theresa Delaney (Two Months in the Camp of Big Bear), and the 'Janey Canuck' books of Emily Murphy - in order to examine how, in the context of a settler colony, white women have been part of the project of its governance, its racial constitution, and its role in British imperialism. Using Foucauldian theories of governmentality to connect these first-person narratives to wider strategies of race making, Jennifer Henderson develops a feminist critique of the ostensible freedom that Anglo-Protestant women found within nineteenth-century liberal projects of rule. Henderson's interdisciplinary approach - including critical studies in law, literature, and political history - offers a new perspective on these women that detaches them from the dominant colony-to-nation narrative and shows their importance in a tradition of moral regulation. This project not only redresses problems in Canadian literary history, it also responds to the limits of postcolonial, nationalist, and feminist projects that search for authentic voices and resistant agency without sufficient attention to the layers of historical sedimentation through which these voices speak.
A biography of the Plains Cree chief who challenged Canadian authorities and became a warrior of legend. When Big Bear was young, in the first half of the nineteenth century, he overcame smallpox and other hardships—and eventually followed in the footsteps of his father, Black Powder, engaging in warfare against the Blackfoot. The time would come for him to draw on these experiences and step into a leadership role, as the buffalo began to disappear and his people suffered. This rich historical biography tells of Big Bear’s role as chief of a Plains Cree community in western Canada in the late nineteenth century, at a time of transition between the height of Plains Indian culture and the modern era. During the 1870s and early 1880s, Big Bear became the focal point of opposition for Cree and Saulteaux bands that did not wish to make treaty with Canada. During the early 1880s, he spearheaded a Plains diplomatic movement to renegotiate the treaties in favor of the Aboriginal groups whose way of life had been devastated. Although Big Bear personally favored peaceful protest, violent acts by some of his followers during the North-West Rebellion of 1885 provided the federal government with the opportunity to crush him by prosecuting him for treason. His story provides fascinating insight into this era of North American history.
When the white settlers came to western Canada, Big Bear realized that the Cree Indians' way of life was threatened, and he fought to prevent his people from being reduced to poverty-stricken outcasts in their own land. Although his protests were peaceful, he was labelled a troublemaker. Years of frustration and rage exploded when his followers killed the white people of Frog Lake, a tragedy Big Bear was powerless to stop. The old chief stood trial for inciting rebellion--though all he had sought was justice and freedom.
Challenging Frontiers: The Canadian West is a multidisciplinary study using critical essays as well as creative writing to explore the conceptions of the "West," both past and present. Considering topics such as ranching, immigration, art and architecture, as well as globalization and the spread of technology, these articles inform the reader of the historical frontier and its mythology, while also challenging and reassessing conventional analysis.
This is the first book that comprehensively examines Indigenous filmmaking in North America, as it analyzes in detail a variety of representative films by Canadian and US-American Indigenous filmmakers: two films that contextualize the oral tradition, three short films, and four dramatic films. The book explores how members of colonized groups use the medium of film as a means for cultural and political expression and thus enter the dominant colonial film discourse and create an answering discourse. The theoretical framework is developed as an interdisciplinary approach, combining postcolonialism, Indigenous studies, and film studies. As Indigenous people are gradually taking control over the imagemaking process in the area of film and video, they cease being studied and described objects and become subjects who create self-controlled images of Indigenous cultures. The book explores the translatability of Indigenous oral tradition into film, touching upon the changes the cultural knowledge is subject to in this process, including statements of Indigenous filmmakers on this issue. It also asks whether or not there is a definite Indigenous film practice and whether filmmakers tend to dissociate their work from dominant classical filmmaking, adapt to it, or create new film forms and styles through converging classical film conventions and their conscious violation. This approach presupposes that Indigenous filmmakers are constantly in some state of reaction to Western ethnographic filmmaking and to classical narrative filmmaking and its epitome, the Hollywood narrative cinema. The films analyzed are The Road Allowance People by Maria Campbell, Itam Hakim, Hopiit by Victor Masayesva, Talker by Lloyd Martell, Tenacity and Smoke Signals by Chris Eyre, Overweight With Crooked Teeth and Honey Moccasin by Shelley Niro, Big Bear by Gil Cardinal, and Atanarjuat: The Fast Runner by Zacharias Kunuk.
ReCalling Early Canada is the first substantial collection of essays to focus on the production of Canadian literary and cultural works prior to WWI. Reflecting an emerging critical interest in the literary past, the authors seek to retrieve the early repertoire available to Canadian readers-fiction and poetry certainly, but family letters, photographs, journalism, and captivity narratives are also investigated. Filling a significant gap in Canadian criticism, the authors demonstrate that to recall the past is not only to shape it, but also to reshape the present. This fresh interest in the cultural past, informed by new approaches to historical inquiry, has resulted in a unique and diverse investigation of more than two centuries of a little known "early Canada." Foreword by Carole Gerson.
These biographies of Canadians are arranged chronologically by date of death. Entries in each volume are listed alphabetically, with bibliographies of source material and an index to names.