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Brahmananda Patro (J B Patro) retired as a Deputy Chief Executive from the Nuclear Fuels Complex, Hyderabad (earlier in Bhabha Atomic Research Centre), specialized in the production of Nuclear Fuels for Power Reactors. He is a member of the early pioneering team in the production of natural uranium, right from milling ore to finished fuel for nuclear power reactors operating in India. During his long service he had the chance to interact and participate in a number of scientific seminars in India and abroad. Drawn to the teachings of Lord Krishna right from a very early age, Mr. Patro viewed Bhagavad-Gita as a treatise on the Physics of energy-The Laws of Thermodynamics-the very cosmic laws that govern of our Universe and conduct our lives as the rita of the Vedas. He has compiled, edited and since published Sree MahaBhagavatam in English translated from original Sanskrit by late Swami Ramakrishna Brahmananda. Enchanted by Lord Krishna’s personality and researching into the classical and contemporary literature on Krishna, his book The Life and Times of Krishna- the Deity Who Lived as Man was published by Wisdom Tree in September 2013.While researching on Krishna Mr. Patro was fascinated by the character of Arjuna, the bosom friend of Krishna. Krishna says on a number of occasions in the Epic Mahabharata that Arjuna is his other self, alter ego. And also, the Puranic literature attributes the duo to the legend of ancient rishis Nara Narayan. Arjuna being an avatar of Nara-The primeval Man or eternal spirit pervading the Universe, always associated with Narayana the Supreme Spirit Vishnu/Krishna. Both are considered as Gods or Sages and accordingly called ‘Deva, Rishi, and Tapasao’. This has been the theme of the book on Pandava hero Arjuna entitled as ‘Two Krishnas and One Chariot-The story of Arjuna. It took about two years to research on the subject from Epic Mahabharata and other related literature. Arjuna was a versatile human, intellectual with an enquiring mind, and a peerless warrior, and Lord Krishna rightly selected him to impart his Science of Yoga which has been handed down to us as Bhagavad Gita.
"The introductions in this anthology are meant to be just that: a basic overview of what students need to know before they begin reading, with topics that students can research further. An open access literature textbook cannot be a history book at the same time, but history is the great companion of literature: The more history students know, the easier it is for them to interpret literature. In an electronic age, with this text available to anyone with computer access around the world, it has never been more necessary to recognize and understand differences among nationalities and cultures. The literature in this anthology is foundational, in the sense that these works influenced the authors who followed them. A word to the instructor: The texts have been chosen with the idea that they can be compared and contrasted, using common themes. Rather than numerous (and therefore often random) choices of texts from various periods, these selected works are meant to make both teaching and learning easier. While cultural expectations are not universal, many of the themes found in these works are."--Open Textbook Library.
Queen Kunti, a tragic and heroic figure, emerges from an explosive era in the history of ancient India. Her teachings are simple and illuminating outpourings revealing the deepest transcendental emotions of the heart and the deepest philosophical and theological penetrations of the intellect. At the conclusion of the devastating Kurukshetra war, Queen Kunti approaches Lord Krishna as He prepares to depart the scene of the battle. Kunti's words are words of glorification impelled by a divine love steeped in wisdom. Kunti's spontaneous glorification of Lord Krishna and her description of the spiritual path are immortalized in the Mahabharata and the Bhagavata Purana (Srimad-Bhagavatam), and they have been recited, chanted, and sung by sages and philosophers for thousands of years. As they appear in the First Canto of the Bhagavatam, Queen Kunti's celebrated prayers consist of only twenty-six couplets (verses 18 through 43 of the Eighth Chapter), yet they are considered a philosophical, theological, and literary masterpiece. Let her heartfelt words of wisdom bring solace to your soul.
Mahabharatha is the biggest epic in the world. The epic culminates with the great battle between the Pandavas and Kauravas. The third Pandava - Arjuna was a brilliant warrior and he was also the best friend of Krishna. Krishna is considered to be an avatara of Lord Narayana, who is the Preserver God in Hinduism. One of the eternal companions of Lord Narayana was Sage Nara. It was said that Arjuna was the incarnation of Sage Nara. Krishna and Arjuna were born on the same day and the bond between them went much deeper than friendship. These are a collection of stories of the two warriors. Short Stories from the Mahabharatha.
Gandhari, the blindfolded queen-mother of the Kauravas, sees through it all... Gandhari has one day left to live. As she stares death in the face, her memories travel back to the beginning of her story, to life's unfairness at every point: A fiercely intelligent princess who wilfully blindfolded herself for the sake of her peevish, visually-impaired husband; who underwent a horrible pregnancy to mother one hundred sons, each as unworthy as the other; whose stern tapasya never earned her a place in people's hearts, nor commanded the respect that Draupadi and Kunti attained; who even today is perceived either as an ingratiatingly self-sacrificing wife or a bad mother who was unable to control her sons and was, therefore, partly responsible for the great war of the Mahabharata... In this insightful and sensitive portrayal, Aditi Banerjee rescues Gandhari from being reduced to a mere symbol of her blindfold. She builds her up, as Ved Vyasa did, as an unconventional heroine of great strength and iron will – who, when crossed, embarked upon a complex relationship with Lord Krishna, and became the queen who cursed a God...
I knew there was nothing poetic about death. I knew not that the most horrific battles are fought off the battlefield. Arjun: The idealist in a non-ideal world; the warrior whose deadliest opponent was his conscience. History forgot his voice, but misquoted his silence. My self-esteem originates from me and ends in me. Why does your honor depend on me? Find your own. Draupadi: The untamed tigress, the fragrant flame, the unbridled spirit. Power does not justify sin. Power is not virtue. Virtue is that which lasts in spite of power. Krishn: The enigma whose unique ideology churned the battlefield into a quest for Truth. The Missile …The Trajectory … The Vision. The trio that makes for the core of The Mahabharata (Indian Epic). This is their saga. Insightful, visceral and candid. Find ‘other’ famous Arjuns; compare Arjun vis-a-vis Achilles and Alexander; Explore Myths of Mahabharata. All this and much more in ‘Arjun: Without A Doubt’. First published in 2015 by Leadstart Publishing Pvt. Ltd. Genre: Epic/ Indian Mythology/ History/ Fiction Website: http://sweetyshinde.wordpress.com
Arjuna is the immortal tale of one of IndiaÕs greatest heroes. These pages retell in riveting detail the story of the Pandava Warrior-Prince who has captured the imagination of millions across centuries. This is the intense and human story of his loves, friendship, ambitions, weaknesses and follies, as well as his untimely death and revival, his stint as a eunuch, and the innermost reaches of his thoughts.Told in a refreshingly modern and humourous style and set against the staggering backdrop of the Mahabharata. ArjunaÕs story appeals equally to the average, discerning reader and the scholar. It spans the epic journey from before his birth, when omens foretold his greatness, across the fabled, wondrous landscape that was his life.
Commentary on 'The Bhagavad Geeta' by Swami Mukundananda
The Mahabharata like you’ve never known it before! In this contemporary retelling, Sarita Sharma narrates the story of India’s grandest epic from an insider perspective, in this case, from the perspective of the great warrior-hero, Arjuna. In the last years of their life, Arjuna, his siblings and wife set out to attain moksha. To his shock, Arjuna finds himself in hell, for reasons he cannot fathom. Alone in a numbing darkness, he has all the time to introspect on his life, relationships, accomplishments and failures. Arjuna’s narrative strings together a series of character profiles of his family members and other prominent characters from the epic. It’s a no-holds-barred, psychological interpretation of their personalities, motivation and behaviour, warts and all. Interspersed with these recollections are fascinating, little-known back stories from the epic, set against the backdrop of the cities and forests of Aryavarta. Courage and honour, dharma and power, love and sacrifice, anger and pride—the Mahabharata’s celebrated themes weave through Arjuna’s narrative as it goes back and forth in time, its ancient wisdom enlivened with modern touches.
In a flash, Krishna took out the Sudarshana Chakra from its holder near his waist and threw it at Shishupala. The Chakra took his head off and returned back to Krishna. Krishna Yogeshvara, the second volume in the Lord Krishna Trilogy, seamlessly weaves a mystical, awe-inspiring narrative of the leela of Krishna through the least explored aspect of his life-the years in between the killing of Kamsa and the start of the great war of Mahabharata. Krishna's favourite cousin, Uddhava, through his pristine narration, connects the episodes of how Krishna employs him to reconcile with Radha, leading to Krishna's growing-up years as a student and a warrior yogi. The book traces the evolution of Krishna from a precocious adolescent to a person fully in control of his consciousness-someone who is capable of offering the best solution using the stratagem of sama, dama, danda, bheda to every situation in accordance with Dharma. Krishna's understanding of Dharma is of the highest order, and his understanding transcends to that of the highest yogi. That is why he is revered as the Yogeshvara-one who fulfils Patanjali's definition of a yogi. The book explores the deep recesses of the minds of the various characters and how they interact with Krishna. The author intertwines the narrative of traditional Krishna stories with a touch of realism, using the technique of Uddhava's narration with his own. As the two paths converge, the villains and antagonists of the great epic also come to the fore and are vanquished strategically by Krishna's brilliance. Kutil Dharma, so brutal earlier, transmogrifies into a subtle but more devastating form; yet, he cannot escape the sharp eye of Krishna. The book ends with the Kaurava and the Pandava armies arrayed against each other, with Arjuna refusing to fight, setting the stage for the recital of Bhagavad Gita.