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This is a new release of the original 1926 edition.
The essays in this volume, some reprinted in their original form and some extensively revised, are concerned with the Arthurian traditions associated with Glastonbury Abbey. Certain of the essays are analytic and others provide editions of hitherto unknown texts. They all examine ways in which legendary materials and historical facts interconnected in the process by which Glastonbury Abbey came to present itself, nationally and internationally, as the custodian of King Arthur's relics and the burial place of Joseph of Arimathea, and the importance, political and ecclesiastical, that it derived from the connection. Professor JAMES CARLEY is the author of Glastonbury Abbey: The Holy House at the Head of the Moors Adventurous and a past editor of Arthurian Literature. Topics: Glastonbury Legends (WATKIN, GRANSDEN), Legend of St Joseph of Glastonbury (LAGORIO), Guinevere at Glastonbury (WOOD), Vera Historia de Morte Arthuri (BARBER, LAPIDGE), Was Mordred buried at Glastonbury? (BARBER), Glastonbury in Welsh Vernacular Tradition (LLOYD-MORGAN), Second Exhumation of Arthur's Remains, 1278 (PARSONS), Abbey Memorial Plate (GOODALL), Arthur's Epitaph/s (CARLEY, BROWN, WRIGHT, WITHRINGTON), Hardyng and Holy Grail (KENNEDY, RIDDY), Henry V and Joseph of Arimathea's Bones, Holy Cross of Waltham at Montacute, Excavation of Arthur's Grave (CARLEY), Perlesvaus (Wells fragment), Quedam Narracio de nobili rege Arthuro, De Origine Gigantum (CARLEY, CRICK, EVANS), Glastonbury tablets (KROCHALIS), Relics in 14th Century (CARLEY, HOWLEY).
John of Glastonbury's chronicle represents an attempt to summarise the lore and learning about Glastonbury Abbey and its past available in the fourteenth century, a body of knowledge which changed very little before the Reformation. The author drew on a large number of sources and edited these skilfully to form his narrative, while preserving the earlier text almost intact. The result is the fullest medieval account of the abbey and its legends. A translation is included, which makes the important text available in English for the first time, and the whole volume is designed as a companion to John Scott's edition and translation of William of Malmesbury's twelfth-century account of the abbey's history.
The Holy Thorn of Glastonbury is the stuff that legends are made of. Stories grow on it like fruit and wrap around it like creepers. It’s a shape-shifter. It’s been Catholic, Protestant, Pagan, universal. It’s succoured royalty, loyalty, defiance and subversion. It’s been condemned as patriarchal and revered as a feminine spirit. It’s been harnessed by imperialists and peacemakers and nationalists and universalists. It’s stood for better times and better days. For Christmas cheer and better nature, for all trees and all nature, for peace and for hope. This book is the biography of a symbol. “surely the definitive work on its beloved and important subject” Ronald Hutton "permanently changes our understanding of the mutable mythos without undermining our heart-felt connection to it" Paul Weston "a gem of historical writing" Maria Nita, Material Religion "a coherent and gripping narrative" Charles Watkins, Journal of Historical Geography "If you care about Glastonbury's history, and the origins of its legends, you need this book" Yuri Leitch "utterly accessible, written with flow and humour, zest and zeal" Johanna van Fessem, Glastonbury Oracle "a fusion of critical acumen and human sympathy" Jeremy Harte, Fortean Times "an amazing story unfolds from a hugely impressive mass of sources" Robert Dunning, The Local Historian Adam Stout is a writer and historian, and has been a Visiting Research Fellow at the Universities of Wales, Leicester, Exeter and Southampton. He has written and lectured widely on the idea of Glastonbury.
An Irish quarterly review.
The Holy Grail is one of the most fascinating themes in medieval literature. It was described as the vessel used by Jesus to celebrate the first Eucharist and it became the object of the greatest quest undertaken by King Arthur’s knight. This book examines the traditions attached to the Holy Grail from its first appearance in medieval romance through its transformation into an object of mystical significance in modern literature and film. It is a journey filled with knightly quests, mystics and holy relics, poets and novelists, outlandish speculation and serious thought.