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A Domestic Bliss Mystery #8 “Sparkles with charm, design lore, and a sleuth with a great mantra. Cozy fans will embrace the Domestic Bliss series.” —Carolyn Hart, Edgar Award-winning author of Letters from Home “TREND: For killer decorating tips, pick up Death by Inferior Design...advice is woven into this whodunit featuring rival designers as sleuths.” –House and Garden Magazine With her nuptials less than 3 weeks away, Erin Gilbert is designing a wine cellar for Aunt Bea—Steve Sullivan's honorary “Aunt” (who Steve privately calls “the loon from the family closet”). But Erin, not as much of a skeptic as Steve, fears that Aunt Bea's prediction that they “unleashed an evil spirit” during construction in her cellar could come true!! Drew, Steve’s best man, loses all of his money and Steve loans him what he needs to finish his restaurant, which touches off a pre-wedding argument between Gilbert and Sullivan. Drew, now a reckless ladies’ man and depraved partier, seems to be intentionally exacerbating the tension between bride and groom... When the new chef, the colorful Lucas LeBlanc, crashes the couple's wedding shower and brings his own hors d'oeuvres to serve, Erin’s wedding planner collapses—his face bright red—and dies. The police discover a sapphire necklace in his pocket—a family a gift from Aunt Bea that has caused family disquiet before...and suddenly, everyone’s a suspect!! If she doesn’t find the real killer soon, Erin fears that the wedding she so carefully planned, will end in ruin!
Inspired by the website that the New York Times hailed as "redefining mourning," this book is a fresh and irreverent examination into navigating grief and resilience in the age of social media, offering comfort and community for coping with the mess of loss through candid original essays from a variety of voices, accompanied by gorgeous two-color illustrations and wry infographics. At a time when we mourn public figures and national tragedies with hashtags, where intimate posts about loss go viral and we receive automated birthday reminders for dead friends, it’s clear we are navigating new terrain without a road map. Let’s face it: most of us have always had a difficult time talking about death and sharing our grief. We’re awkward and uncertain; we avoid, ignore, or even deny feelings of sadness; we offer platitudes; we send sympathy bouquets whittled out of fruit. Enter Rebecca Soffer and Gabrielle Birkner, who can help us do better. Each having lost parents as young adults, they co-founded Modern Loss, responding to a need to change the dialogue around the messy experience of grief. Now, in this wise and often funny book, they offer the insights of the Modern Loss community to help us cry, laugh, grieve, identify, and—above all—empathize. Soffer and Birkner, along with forty guest contributors including Lucy Kalanithi, singer Amanda Palmer, and CNN’s Brian Stelter, reveal their own stories on a wide range of topics including triggers, sex, secrets, and inheritance. Accompanied by beautiful hand-drawn illustrations and witty "how to" cartoons, each contribution provides a unique perspective on loss as well as a remarkable life-affirming message. Brutally honest and inspiring, Modern Loss invites us to talk intimately and humorously about grief, helping us confront the humanity (and mortality) we all share. Beginners welcome.
The link between weddings and death—as found in dramas ranging from Romeo and Juliet to Lorca's Blood Wedding—plays a central role in the action of many Greek tragedies. Female characters such as Kassandra, Antigone, and Helen enact and refer to significant parts of wedding and funeral rites, but often in a twisted fashion. Over time the pressure of dramatic events causes the distinctions between weddings and funerals to disappear. In this book, Rush Rehm considers how and why the conflation of the two ceremonies comes to theatrical life in the tragedies of Aeschylus, Sophokles, and Euripides. By focusing on the dramatization of important rituals conducted by women in ancient Athenian society, Rehm offers a new perspective on Greek tragedy and the challenges it posed for its audience. The conflation of weddings and funerals, the author argues, unleashes a kind of dramatic alchemy whereby female characters become the bearers of new possibilities. Such as formulation enables the tragedians to explore the limitations of traditional thinking and acting in fifth-century Athens. Rehm finds that when tragic weddings and funerals become confused and perverted, the aftershocks disturb the political and ideological givens of Athenian society, challenging the audience to consider new, and often radically different, directions for their city. Rush Rehm is Assistant Professor of Drama and Classics at Standford University and a free-lance theater director. He is the author of Greek Tragic Theatre (Routledge) and Aeschylus' Oresteia: A Theatre Vision (Hawthorn). Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
When journalist Jill Smolowe buried her husband, sister, mother, and mother-in-law in the space of seventeen months, she assumed that it was only a matter of time before she fell apart. That’s what all the movies and memoirs say will happen, after all. But when she never “lost it”—and when friends began to insist that her strength was amazing and unusual—she began to think there might be something freakish about her way of grieving, so she did what any self-respecting journalist would: she researched it. In Four Funerals and a Wedding, Smolowe jostles preconceptions about caregiving, defies clichés about losing loved ones, and reveals a stunning bottom line: far from being uncommon, resilience like hers is the norm among the recently bereaved. With humor and quiet wisdom, and with a lens firmly trained on what helped her tolerate so much sorrow and rebound from so much loss in her own life, she offers answers to questions we all confront in the face of loss, and ultimately reminds us all that grief is not only about endings—it’s about new beginnings.
Richard Curtis's romantic comedies have been watched in cinemas, on televisions, even on airplanes the world over. This illustrated book features the screenplays of 'Four Weddings and a Funeral' and 'Notting Hill', and the original shooting script of 'Love Actually'. It includes an introduction by Curtis himself.
Depicted in eight distinct vignettes-the final one painting the author-Six Funerals and a Wedding tells the often heartbreaking, often touching story of Mary Odgers, a woman whose life is punctuated by profound tragedy, yet also by profound gifts, heartening insight, and hard-won wisdom, after the loss of six entities she deeply loved.
In Four Funerals, No Marriage: A Memoir of Love, Care giving and Loss Keren gives his readers an inside look at his unexpected foray into caregiving to his sick and dying parents and in-laws. Often funny and always poignant, the story begins when his loving but difficult parents announce they are moving back to New Jersey from their retirement home in North Carolina because they "never really liked it there." Within days of arriving on a house-hunting trip, his father is hospitalized with a stroke and his mother with another in a series of heart attacks. At the same time, his partner's mother is recuperating from a hysterectomy and struggling with chemotherapy after a diagnosis of ovarian cancer. Keren is seriously challenged by what he sees as an uncaring health care delivery system, one from which he had previously fled, leaving his career as a clinical psychologist when he felt too frustrated by the organizations in which he worked. Additionally, he must deal with the unhappy marriage between his parents, sibling relationships that have often been his undoing, a homophobic world, and his own lifetime of affective dysregulation.
The three children of an Irish-American family in Long Island are witnesses to the cycles of dissatisfaction, bitterness and recurring affection that make up the lives of their extended family. A tender, sad and funny book from the author of the National Book Award-nominated That Night and Charming Billy
Ben Moss and his family move from Norwich, England, to the quaint and idyllic village of Greolieres in south-eastern France. Falling in love with the picturesque tranquility of the French countryside but unable to find a property that is both suitable and affordable, the family decide to embark upon the task of building their home from scratch.