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In 1942, two nations switch sides—and World War II takes a horrifying new course. In the real world, England and France allowed Adolf Hitler to gobble up the Sudetenland in 1938. Once Hitler finished dismembering Czechoslovakia, he was ready to go to war over Poland a year later. But Hitler had always been eager to seize Czechoslovakia, no matter the consequences. So what if England and France had stood up to the Nazis from the start, and not eleven months later? That is the question behind the War That Came Early series. Four years later, the civil war in Spain drags on, even after General Franco’s death. The United States, still neutral in Europe, fights the Japanese in the Pacific. Russia and Germany go toe-to-toe in Eastern Europe—yet while Hitler stares east, not everything behind him is going as well as he would like. But nothing feeds ingenuity like the fear of losing. The Germans wheel out new tanks and planes, Japan deploys weapons of a very different sort against China, and the United States, England, and France do what they can to strengthen themselves against imminent danger. Seen through the eyes of ordinary citizens caught in the maelstrom, this is a you-are-there chronicle of battle on land and sea and in the air. Here are terrifying bombing raids that shatter homes, businesses, and the rule of law. Here are commanders issuing orders that, once given, cannot be taken back. And here are the seeds of rebellion sown in blood-soaked soil. In a war in which sides are switched and allies trust one another only slightly more than they trust their mortal enemies, Nazi Germany has yet to send its Jews to death camps, and dangerous new nationalist powers arise in Eastern Europe. From thrilling submarine battles to the horror of men fighting men and machines all through Europe, Two Fronts captures every aspect of a brilliantly reimagined conflict: the strategic, the political, and the personal force of leaders bending nations to their wills. BONUS: This edition includes an excerpt from Harry Turtledove's The War That Came Early: Last Orders. Praise for Two Fronts “[Harry] Turtledove has another major twist in store for the readers and his alternative world.”—SF Site “Turtledove’s new variation on the theme of WWII is departing more and more from the original, sometimes in subtle ways and sometimes in less subtle ones. . . . What’s next is anybody’s guess, except that it will almost certainly be more surprises.”—Booklist “Turtledove is the standard-bearer for alternate history.”—USA Today Praise for Harry Turtledove “If you like alternate histories, you’re going to like this series a lot.”—The San Diego Union-Tribune “Turtledove is the standard-bearer for alternate history.”—USA Today
During the Vietnam War, young African Americans fought to protect the freedoms of Southeast Asians and died in disproportionate numbers compared to their white counterparts. Despite their sacrifices, black Americans were unable to secure equal rights at home, and because the importance of the war overshadowed the civil rights movement in the minds of politicians and the public, it seemed that further progress might never come. For many African Americans, the bloodshed, loss, and disappointment of war became just another chapter in the history of the civil rights movement. Lawrence Allen Eldridge explores this two-front war, showing how the African American press grappled with the Vietnam War and its impact on the struggle for civil rights. Written in a clear narrative style, Chronicles of a Two-Front War is the first book to examine coverage of the Vietnam War by black news publications, from the Gulf of Tonkin incident in August 1964 to the final withdrawal of American ground forces in the spring of 1973 and the fall of Saigon in the spring of 1975. Eldridge reveals how the black press not only reported the war but also weighed its significance in the context of the civil rights movement. The author researched seventeen African American newspapers, including the Chicago Defender, the Baltimore Afro-American, and the New Courier, and two magazines, Jet and Ebony. He augmented the study with a rich array of primary sources—including interviews with black journalists and editors, oral history collections, the personal papers of key figures in the black press, and government documents, including those from the presidential libraries of Lyndon Johnson, Richard Nixon, and Gerald Ford—to trace the ups and downs of U.S. domestic and wartime policy especially as it related to the impact of the war on civil rights. Eldridge examines not only the role of reporters during the war, but also those of editors, commentators, and cartoonists. Especially enlightening is the research drawn from extensive oral histories by prominent journalist Ethel Payne, the first African American woman to receive the title of war correspondent. She described a widespread practice in black papers of reworking material from major white papers without providing proper credit, as the demand for news swamped the small budgets and limited staffs of African American papers. The author analyzes both the strengths of the black print media and the weaknesses in their coverage. The black press ultimately viewed the Vietnam War through the lens of African American experience, blaming the war for crippling LBJ’s Great Society and the War on Poverty. Despite its waning hopes for an improved life, the black press soldiered on.
Now a Netflix original documentary series, also written by Mark Harris: the extraordinary wartime experience of five of Hollywood's most important directors, all of whom put their stamp on World War II and were changed by it forever Here is the remarkable, untold story of how five major Hollywood directors—John Ford, George Stevens, John Huston, William Wyler, and Frank Capra—changed World War II, and how, in turn, the war changed them. In a move unheard of at the time, the U.S. government farmed out its war propaganda effort to Hollywood, allowing these directors the freedom to film in combat zones as never before. They were on the scene at almost every major moment of America’s war, shaping the public’s collective consciousness of what we’ve now come to call the good fight. The product of five years of scrupulous archival research, Five Came Back provides a revelatory new understanding of Hollywood’s role in the war through the life and work of these five men who chose to go, and who came back. “Five Came Back . . . is one of the great works of film history of the decade.” --Slate “A tough-minded, information-packed and irresistibly readable work of movie-minded cultural criticism. Like the best World War II films, it highlights marquee names in a familiar plot to explore some serious issues: the human cost of military service, the hypnotic power of cinema and the tension between artistic integrity and the exigencies of war.” --The New York Times
Former army ranger Nate Self, a hero from the Robert’s Ridge rescue in Afghanistan, tells his whole story—from the pulse-pounding battle in the mountains of Afghanistan to the high-stakes battle he has waged against post traumatic stress disorder. This book will become a go-to book for understanding the long-term effects of the war on terror. Thousands of families are fighting this battle, and Nate opens up his life—including his successes, tragedies, struggles with thoughts of suicide—to show how his faith and his family pulled him through. Includes 8 pages of color photos. In a nutshell: Excellent book for military familes trying to cope with the family pressures of a soldier's active duty. Inspirational book for a soldier struggling with post traumatic stress disorder . Helps readers understand the importance of faith in dealing with the war. An up-close-and-personal account of the war on terror; and the story of one soldier’s faith. An insider’s account of Robert’s Ridge Rescue in Afghanistan.
In 1941 Winston Churchill was Hitler’s worst enemy. Then a Nazi secret agent changed everything. What if Neville Chamberlain, instead of appeasing Hitler, had stood up to him in 1938? Enraged, Hitler reacts by lashing out at the West, promising his soldiers that they will reach Paris by the new year. Instead, three years pass, and with his genocidal apparatus not fully in place, Hitler barely survives a coup, while Jews cling to survival, and England and France wonder whether the war is still worthwhile. The stage is set for World War II to unfold far differently from the history we know—courtesy of Harry Turtledove, wizard of “what if?,” in the continuation of his thrilling series: The War That Came Early. Through the eyes of characters ranging from a brawling American serving with the Abraham Lincoln Brigade in Spain to a woman who has seen Hitler’s evil face-to-face, The Big Switch rolls relentlessly forward into 1941. As the Germans and their Polish allies slam into the gut of the Soviet Union in the west, Japan pummels away in the east. Meanwhile, in the trenches of France, French and Czech forces are outmanned but not outfought by their Nazi enemy. Then the stalemate is shattered. In England Winston Churchill dies suddenly, leaving the gray men wondering who their real enemy is. And as the USSR makes peace with Japan, the empire of the Rising Sun looks westward—its war with America about to begin.
“Turtledove is the standard-bearer for alternate history.”—USA Today The novels of Harry Turtledove show history balancing on single moments: One act of folly. One poor decision. One moment of rage. In this astounding new series, the unthinkable has come to pass. The Cold War turns hot—and the United States and the Soviet Union unleash their nuclear arsenals upon each other. Millions die. Millions more are displaced. Germans battle side by side with Americans, Polish freedom fighters next to Russian fascists. The genie is out of the bottle. And there’s no telling what fresh hell will come next. At the heart of Fallout are Harry Truman and Josef Stalin. Even as Joe McCarthy rises in power, the U.S. president is focused elsewhere, planning to cut off the head of the Soviet threat by taking out Stalin. It’s a daring gambit, but the Soviets have one of their own. Meanwhile, Europe’s weak sisters, France and Italy, seem poised to choose the winning side, while China threatens to overrun Korea. With Great Britain ravaged and swaths of America in ruins, leaders are running out of options. When the United States drops another series of bombs to slow the Russian advance in Europe, Stalin strikes back—with horrifying results. These staggering events unfold through the eyes of a sprawling cast of characters: a Holocaust survivor in a displaced persons camp in Washington; the wife of a bomber pilot and her five-year-old daughter starting a new existence; a savage Soviet fighter waging war by his own rules; a British pub owner falling in love with an American pilot. In the masterly hands of Harry Turtledove, this epic chronicle of war becomes a story of human struggle. As the armies of the world implode, the next chapter will be written by the survivors—those willing to rise up for an uncertain future. Praise for Fallout “Turtledove proves, yet again, that he is the best when it comes to rewriting history!”—Suspense Magazine “Turtledove, the master of alternate history, has done well again.”—Shelf Awareness “No one writes alternate-history novels quite like Turtledove. . . . Expect epic political stakes as well as personal and heartfelt stories of war.”—BookTrib
A WWII German memoir of major importance, recalling the wartime career of a professional soldier and Knight's Cross winner. Significance. This book gives it to the reader 'with the bark on', is utterly devoid of self-serving, selective amnesia or embellishments, and conveys a sense of eminent humanity. Far from being consistently perfect examples of military efficiency or martial valour, the characters in this book cover the spectrum from coward and incompetent dolt, to eccentric, to near-saint and lionhearted warrior. Similarly, the quality of planning, support, and decision-making the author observed spans the range from imbecilic to uninspired to brilliant. Grossjohann never imagined his story would be published, but rather, strove to leave his honest account behind for his progeny. Thanks to the efforts of his widow, Edeltraud Grossjohann, and Ulrich Abele, the work's gifted translator, this story is now available to English-speaking students of WWII. Most importantly, this book covers several of the 'sideshow' battles and campaigns of WWII in Europe, and exposes the reader to a German Army that many readers will be surprised to find existed. The late Georg Grossjohann (1911-19
History is changed by one small act. In an extraordinary saga of nations locked in war, master storyteller Harry Turtledove examines a very different World War II—one which erupts eleven months earlier, and over Czechoslovakia rather than Poland. Now comes the final installment in this landmark series. Hitler’s Plan A was to win in a hurry, striking hard and deep into France. There was no Plan B. Now the war grinds on. Countries have been forced into strange alliances. The Nazis fortify thin lines with Hungarian and Romanian troops. England, finding its footing after the suspicious death of Winston Churchill and a coup d’état, fights back in Europe and on the seas of the North Atlantic. Jews fight on both sides of the war—in secret in German uniform, openly in Spain, France, and Russia. Into the standoff come new killing tools, from tanks to bazookas. In the Pacific, Japan prepares bombs filled with macabre biological concoctions to be dropped on Hawaii. For the U.S., the only enemy is Japan, as there has been no casus belli for America in Europe. Then Hitler becomes desperate and declares war on the United States. But is it too late? His own people are rising up in revolt. The German military may have to put down the violence, even perhaps bomb its own cities. In this epic drama, real men and women are shaped by the carnage, and their individual acts in turn shape history. Drawing on the gritty, personal reality of war and on a cast of unforgettable characters, Harry Turtledove has written an alternate history that intrigues, fascinates, and astounds. Praise for Last Orders “From our perspective seventy years later, we’re accustomed to thinking of WWII’s outcome as being inevitable. Not so, says [Harry] Turtledove. . . . Disdaining broad brush strokes, Turtledove’s focus on the characters serves to fill out the big picture with patient, nitty-gritty detail. It’s all quite plausible. . . . Armchair warriors will have much to ponder.”—Kirkus Reviews Praise for Harry Turtledove “If you like alternate histories, you’re going to like this series a lot.”—The San Diego Union-Tribune “Turtledove is the standard-bearer for alternate history.”—USA Today Coup d’Etat “This is what alternative history is all about.”—Historical Novel Society The Big Switch “The Hugo Award winner continues to delight in exploring the world of ‘what if?’”—Library Journal West and East “There’s plenty to satisfy fans of military strategy, tactics, and armaments.”—Publishers Weekly Hitler’s War “Turtledove is always good, but this return to World War II . . . is genuinely brilliant. . . . The characterizations in particular bring the book to extraordinary life.”—Booklist
In 1944, William Mann, an American mercenary, finds himself stranded in Nazi occupied Germany. Although he has tried to maintain a low profile, he is suddenly thrust into the middle of the war after he inadvertently saves a high-ranking member of the Nazi party. Now reluctantly working in Hitler's service, he struggles to free himself and return home. As the war begins its closing act, William is assigned a final task that the Germans believe will reverse the fortunes of a war that is going very much against them. Will demons from William's past prevent him from completing his task and returning home?
In his acclaimed novels of alternate history, Harry Turtledove has scrutinized the twisted soul of the twentieth century, from the forces that set World War I in motion to the rise of fascism in the decades that followed. Now, this masterly storyteller turns his eyes to the aftermath of World War II and asks: In an era of nuclear posturing, what if the Cold War had suddenly turned hot? Bombs Away begins with President Harry Truman in desperate consultation with General Douglas MacArthur, whose control of the ground war in Korea has slipped disastrously away. MacArthur recognizes a stark reality: The U.S. military has been cut to the bone after victory over the Nazis—while China and the USSR have built up their forces. The only way to stop the Communist surge into the Korean Peninsula and save thousands of American lives is through a nuclear attack. MacArthur advocates a strike on Chinese targets in Manchuria. In actual history, Truman rejected his general’s advice; here, he does not. The miscalculation turns into a disaster when Truman fails to foresee Russia’s reaction. Almost instantly, Stalin strikes U.S. allies in Europe and Great Britain. As the shock waves settle, the two superpowers are caught in a horrifying face-off. Will they attack each other directly with nuclear weapons? What countries will be caught in between? The fateful global drama plays out through the experiences of ordinary people—from a British barmaid to a Ukrainian war veteran to a desperate American soldier alone behind enemy lines in Korea. For them, as well as Truman, Mao, and Stalin, the whole world has become a battleground. Strategic strikes lead to massive movements of ground troops. Cities are destroyed, economies ravaged. And on a planet under siege, the sounds and sights of nuclear bombs become a grim harbinger of a new reality: the struggle to survive man’s greatest madness. Praise for Bombs Away “A fascinating and compelling story of real people caught in forces beyond their control . . . [Harry Turtledove is] the unrivaled monarch of alternate history.”—Analog “Turtledove is an undisputed centerpiece of the alternate-history genre, and now, to his already grand display, he’s adding the ambitious tale of a WWIII that could have happened.”—Booklist “This is Turtledove at his best.”—SFRevu “Alternate-world warrior extraordinaire Turtledove delivers the opening barrage of a new speculative conflict.”—Kirkus Reviews