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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Bodleian Library (Oxford) N027525 [Dublin]: London: printed, and Dublin re-printed, by James Hoey and George Faulkner, 1730. 24p.; 8°
First published in 1968, The World of Pope’s Satires is a stimulating and challenging book showing how the satires written by Pope during the 1730s were not only expressions of his own .poetic personality but were also responsive to the habits and attitudes of the age. The author considers Pope’s uses of some current conversational technique (especially that of ‘raillery’) and of the closely related social ideal of the cultivated gentleman. Pope’s regard for certain personal attributes and moral values – notably hospitality, integrity, friendship, charity and self-knowledge – is examined in two ways; as it expresses itself positively in the satires, and as it is defined negatively by his antipathy towards courtly self-seeking and hypocrisy, contemporary manifestations of acquisitiveness, and the pride associated with neo-stoicism. The final chapter is wide ranging and shows that although Pope is at times representative, and therefore limited, in his response to the pressures and uncertainties of the age, his satires live because of the subtlety of his treatment of such Augustan commonplaces as Order and Balance and the passion and spirit of his writing. This will be an interesting read for students of English literature.