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In his 52 years as a lithographer, Taylor (1907-1991) created 142 prints--all of them represented in this catalogue. During his career he was an Academician of the National Academy of Design, was president of the Society of Washington Printmakers, and taught at the American University in Washington D.C. Several essays surveying Taylor's life and work precede the presentation of captioned bandw images. 9.25x12.25" Annotation copyright by Book News, Inc., Portland, OR
In this collection of essays, eight contemporary scholars examine the rich diversity in the subject, style, and geography of printmaking from 1913-1947, a singular period of artistic creation. Also, three distinguished printmakers, who were active during the 1930s and 1940s, share their recollections of those decades, offering rare, firsthand accounts of the political, social,and cultural elements that influenced the artists and their work. David Tatham has chosen two watershed events, the Armory Show of 1913 and the important Brooklyn Museum exhibition of 1947, as the temporal bookends for this collection. Recognizing this era as wholly distinct from what had gone before and what was to come after it in graphic arts, the volume’s contributors illuminate the period’s spirited and vital debate about style, content, and the role of prints in society. Offering fresh assessments and newly understood historical contexts, the essays bring well-deserved attention to artists whose work has often been neglected, while it reexamines the works of well-known artists. This volume represents an important contribution to the study of printmaking by illustrating the way in which historical and contemporary graphic arts occupy a vital and central presence in the culture of our times.
"Characterized as a keen observer of the comedie humaine, Mabel Dwight (1875-1955) emerged as a lithographer at the age of fifty-two and became one of the most noted American printmakers of the 1920s and 1930s. Although best known for her benignly satirical depictions of New York City life, she also produced portraits, evocative mood pieces, architectural scenes, and deeply felt responses to the urgent political and social concerns of the day: the Depression, the rise of fascism, and the imminence of war." "Assembling for the first time all 111 of Dwight's editioned lithographs, this book traces the changes in popular taste and personal vision that enabled her work to fill a growing demand for realistic art based on the experiences of ordinary Americans." "Bringing together Dwight's descriptions of the genesis of many of her works, her essays on lithography and satire, and complete documentation of each print, this comprehensive study illuminates the career of an original voice in printmaking and a humorous, technically assured interpreter of the early twentieth-century urban scene."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
"One of the most praised printmakers of the 1920s and 1930s, Wanda Gag (1893-1946) produced an inventive body of work dealing with the forces of nature and infusing everyday objects with special character and energy. Her work reflects her Minnesota childhood, her Bohemian immigrant roots, and her self-image as a New Woman. Continually struggling with the financial and personal demands of her artistic career, Gag was, ironically, most famous for Millions of Cats (1928), one of her illustrated children's books." "Presenting the first catalogue raisonne of Gag's prints, Audur H. Winnan includes 196 lithographs, wood engravings, linoleum cuts, etchings, and study drawings. Among the featured prints are the well-known Lamplight, Elevated Station, Grandma's Kitchen, Grandma's Parlor, and Stone Crusher. Gag's media and methods are described, often in the artist's own words, including her unusual use of sandpaper as a matrix for lithographs and as a support for brush-and-ink drawings and watercolors. Also featuring many of her watercolors and drawings, the book traces each step of Gag's career and her role in the New York art world." "Winnan completes her portrait with selections from Gag's expressive diaries and letters. With extraordinary candor the artist describes her intimate personal thoughts and experiences and her friendships and encounters with many notable artists and other personalities, including Adolf Dehn, Lewis Gannett, Howard Cook, Rockwell Kent, John Marin, Georgia O'Keeffe, Diego Rivera, Alfred Stieglitz, John Taylor Arms, and Carl Zigrosser. Throughout her personal writings, Gag reflected on her career, the restrictions placed on women by society, and her sexual desires. Wanda Gag reveals both the internationally recognized artist who drew inspiration from van Gogh and Cezanne, and the vibrant, erotic woman who admitted to being amazed by her own passions."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved