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Connor O'Brien is damaged, inside and out—proof of his dark and dangerous life. Sophy Woodruff has never known a man as devastatingly sexy as Connor. Intense, brooding and distant, he's everything she shouldn't desire…. Despite his vow of noncommitment, Connor can't resist bedding Sophy. But Sophy is a virgin, and once he's undressed her, this billionaire isn't sure he can walk away….
In this New York Times bestseller, brilliant detective Tandy Angel is meeting her lost love in Paris . . . but when he becomes more distant, she starts to question everything she knows. Is there anyone she can trust? After investigating multiple homicides and her family's decades-old skeletons in the closet, Tandy Angel is finally reunited with her lost love in Paris. But as he grows increasingly distant, she is confronted with disturbing questions about him, as well as what really happened to her long-dead sister. With no way to tell anymore who in her life she can trust, how will Tandy ever get to the bottom of the countless secrets her parents kept from her? James Patterson leads this brilliant teenage detective through Paris on a trail of lies years in the making, with shocking revelations around every corner.
In the sequel to the #1 New York Times bestseller Confessions of a Murder Suspect, James Patterson keeps the confessions coming breathlessly as Tandy Angel delves deeper into her own dark history. Wealthy young women are being murdered on Manhattan's exclusive Upper West Side, and the police aren't looking for answers in the right places. Enter Tandy Angel. The first case she cracked was the mystery of her parents' deaths. Now, while she's working to exonerate her brother of his glamorous girlfriend's homicide, she's driven to get involved in the West Side murder spree. One of the recent victims was a student at Tandy's own elite school. She has a hunch it may be the work of a serial killer, but the NYPD isn't listening to her . . . and Tandy can't ignore the disturbing fact that she perfectly fits the profile of the killer's targets. Can she untangle the mysteries in time? Or will she be the next victim?!--EndFragment--
Carolyn Turner, Viscountess Wingate, is absolutely shocked by the Ladies Literary Society of London's latest selection. Memoirs of a Mistress is scandalously explicit and downright wicked . . . and it's stirring feelings within Carolyn that she hasn't felt . . . well, ever! She's sure that this steamy read is the only reason she's succumbing to the charms of notorious rogue Daniel Sutton, Lord Surbrooke. She couldn't possibly be falling for the rascal and his illicit caresses . . . or could she? The last thing Daniel wanted was to be shackled by marriage vows. He lusted after Carolyn, sure, but he never imagined that once he lured her to his bed he'd never want to let her go. Yet only when a murderer targets his beloved will he be spurred to confess his true love . . . and claim Carolyn as his bride.
Author Allen Hornblum tells the strange but true story of Junior Kripplebauer and his Philadelphia-based crew known as the Kripplebauer Gang. Up and down the East Coast, they robbed wealthy suburban residences with assembly line skills of breaking, entering, and bagging the loot. Hornblum describes the transformation of the K&A Gang from a group of blue collar thieves to their work in conjunction with numerous organized crime families and their help to make Philadelphia the "meth" capital of the nation. It is a compelling read about a fascinating bunch of hoodlums.
Confessions explores a woman’s pursuit of the truth about her broken and dysfunctional family. Very early in her childhood, Debbie had discovered that her life was being controlled by some old and very dark secrets. Then one day her father calls and summons her to come back to Missouri to discuss “some family business.” She arrives to find he is in a hospice, dying, and he wants to make a deathbed confession. Upon hearing her father’s story, Debbie believes her father’s actions were justifiable. Then she learns he confessed it once before—to her mother forty years ago. What was in that confession that destroyed her mother? Every time her father visited Debbie, her mother would go into hysterics, sometimes for weeks. Her mother and father had kept secret the story of their romance and his confession from Debbie for decades. Now she had her father’s story. Would her mother be able to tell her side of the story? Confessions as a novel addresses the relationship between a sin, a confession, and forgiveness. Which is worse, the original sin if kept a secret or the confession of the sin to the recipient? We are taught to confess, to seek forgiveness from the person we have sinned against. But is that always the right choice? What if the confession does not generate the forgiveness we desire? What if the confession destroys that person, ruins their life and the lives of others? What if the confession was given for that purpose, not seeking forgiveness but seeking revenge? Confessions have consequences that can’t always be controlled.
At 15, Gloria longs for adventure, something beyond her ordinary suburban life. When a mysterious new boy strolls into school, bent on breaking all the rules, Gloria is ready to fall under his spell. Uman is funny, confident, and smart. He does what he wants without a care for what anyone thinks. The only people for him, he says, are the mad ones, the ones who never yawn or say a commonplace thing but burn, burn, burn. He is everything Gloria wants to be. He can whisk her away and show her a more daring, more exciting life in which the only limits are the boundaries of her own boldness. But Uman is not all he seems. And by the time she learns the truth about him, she’s a long way from home . . . and the whole country wants to know: Where’s Gloria? For fans of Dreamland by Sarah Dessen, Stolen by Lucy Christopher, and the Mara Dyer books by Michelle Hodkin. Praise for Twenty Questions for Gloria “The witty banter . . . will appeal to teens who love books with quirky dialogue and zingy one-liners, which also provide a refreshing and authentic counterpoint to the darker themes that run through the story. . . . For fans of Rainbow Rowell’s Eleanor & Park.”—SLJ “Bedford’s (Never Ending, 2014) skillful writing and unusual format will draw in teens who identify with the urge to cast off the mundane and find their place in the world.”—Booklist “Dropping clues with absolute control over the novel’s trajectory, Bedford builds tension from the initial interview to the surprising final scene.”—Horn Book “Feels like it should be a Sherlock Holmes style novel and I mean that in the best way possible because it has that allure and mystery, and yet still keeps it humble with its quirky characters, romance-on-the-side . . . it’s an amazing novel to read.”—The Guardian, UK “A gripping tale . . . should definitely be on your reading list.”—Escapades of a Bookworm (UK) “An outstanding novel which poses big questions while immersing the reader in a fast-moving narrative.”—The School Librarian (UK)
In the early 1960s, the quiet borough of Queens was rocked by the violent and brutal murders of Barbara Kralik, Annie Mae Johnson, and Kitty Genovese. These murders shocked not only Queens and New York, but the entire nation, especially when newspapers disclosed Kitty's neighbors heard her screams and looked on without calling the police. Two suspects were apprehended and indicted, Winston Moseley for the Genovese murder and Alvin Mitchell for the Kralik murder. Before the trials, Moseley claimed to have committed the Kralik and Johnson murders as well, not taken seriously by the police and DA until Moseley disclosed details only the actual killer could have known. Charles Skoller, the young prosecutor assigned to these trials was now faced with a prosecutor's nightmare. In Twisted Confessions, he details the murders and relives his investigations and trials that followed in the almost impossible task of revealing and convicting the actual killer.
This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. This book explores what is at stake in our confessional culture. Thomas Docherty examines confessional writings from Augustine to Montaigne and from Sylvia Plath to Derrida, arguing that through all this work runs a philosophical substratum - the conditions under which it is possible to assert a confessional mode - that needs exploration and explication. Docherty outlines a philosophy of confession that has pertinence for a contemporary political culture based on the notion of 'transparency'. In a postmodern 'transparent society', the self coincides with its self-representations. Such a position is central to the idea of authenticity and truth-telling in confessional writing: it is the basis of saying, truthfully, 'here I take my stand'. The question is: what other consequences might there be of an assumption of the primacy of transparency? Two areas are examined in detail: the religious and the judicial. Docherty shows that despite the tendency to regard transparency as a general social and ethical good, our contemporary culture of transparency has engendered a society in which autonomy (or the very authority of the subject that proclaims 'I confess') is grounded in guilt, reparation and victimhood.
This edition includes: "History of the Christian Church" is an eight volume account of Christian history written by Philip Schaff. In this great work Schaff covers the history of Christianity from the time of the apostles to the Reformation period. "The Creeds of Christendom, with a History and Critical Notes" is a three volume set in which Schaff is classifying and explaining many different statements of belief and articles of faith throughout the Christian history. He deals with the history of the creeds, starting with the Ecumenical creeds, and moving to Greek and Roman creeds, then Old Catholic Union creeds, and finally to the Evangelical creeds and Modern Protestant creeds.