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Compilation of conference papers on the extent to which patterns of relationship in traditional communities can be used as a basis for modern cooperative development in developing countries - covers rural cooperatives, marketing cooperatives, collective economy farming, rural worker interest groups (peasant organisations), social implications, social structures, etc. Bibliography pp. 373 to 385, references and statistical tables. Conference held in brighton 1969 mar 31 to April 3.
George Aylwin Hogg was a man of remarkable dedication and honour. Though he died in 1945 at the age of thirty, Aylwin’s name and legacy is remembered in China to this day—where as a wise and noble friend to the people of China, he immersed himself in the culture and life of the Chinese people whom he served in his mission. In Blades of Grass: The Story of George Aylwin Hogg, author and nephew of the late Mr Hogg, Mark Aylwin Thomas, explores his uncle’s own letters and writings and shares this astonishing life story of perseverance, service, and dedication. Thomas offers a personal and compelling window into the character of this remarkable man, and Hogg’s own words lend an authentic and distinctive insight into his service—training young Chinese men in their vocations in the remote confines of Northern China in Shandan. George Aylwin Hogg was part of a vision to create a unique form of industrial training on which to base the reconstruction of industry for a new post-war China. While a vignette of Aylwin’s life was portrayed in Roger Spottiswoode’s 2008 film, The Children of Huang Shi, the full picture of this remarkable life—often painted with Aylwin’s own words—shows how this young Englishman’s life was deeply interwoven in the lives of the men and people he served.
Märit Laurens is a young woman of British descent who comes to live with her husband, Ben, on their newly purchased farm along the border of South Africa. Shortly after her arrival, violence strikes at the heart of Märit's world. Devastated and confused but determined to run the farm on her own, Märit finds herself in a simmering tug of war between the local Afrikaner community and the black workers who live on the farm, both vying for control over the land in the wake of tragedy. Märit's only supporter is her black housekeeper, Tembi, who, like Märit, is alone in the world. Together, the women struggle to hold on to the farm, but the quietly encroaching civil war brings out conflicting loyalties that turn the fight for the farm into a fight for their lives. Thrilling to read, A Blade of Grass is a wrenching story of friendship and betrayal and of the trauma of the land that has shaped post-colonial Africa.
"If you want to write good short stories," Lao She once observed, "you have to give it everything you’ve got. The world will allow the existence of a very imperfect novel, but it won’t be that polite with a short story. Art, after all, is not like a pig—the fatter the better." Lao She’s stories proved to be very good indeed, moving and delighting readers for many years and establishing him as a master of classic modern fiction. Thankfully we now have access to a rich collection of his short stories in superb English translations. These stories showcase the varied facets of Lao She’s impressive talent and draw us effortlessly into his world-and we emerge the better for it. This is a writer eternally immersed in and fascinated by the kaleidoscope of humankind. The stories are characterized by humor and by intensely sympathetic explorations of human relationships. Some of them are unsettling. Many are poignant. Most of them make us laugh. All evoke the color and energy of life, for Lao She is also a connoisseur of the everyday with a keen appreciation of the concrete detail. A plate of steaming dumplings, the gleam of gold-capped front teeth, rickshaws dragging along alleys, punishing winter winds, rolls of bright silk, a pair of chopsticks—these things are the stuff of Lao She’s fiction and the essence of his metaphors, and he cherishes such little details of life more than the abstractions of politics or philosophy.