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"The first Italian translation of the Book of Common Prayer was made in 1608 by William Bedell (the chaplain to James I's ambassador in Venice) with the help of Fulgenzio Micanzio and Paolo Sarpi. This translation was part of an English propaganda plan to instigate a schism in the Church of Venice, at a time of conflict between the court of Rome and the Venetian Republic. This chapter reconstructs the relationships between Sarpi and Micanzio and the English embassy in Venice. As far as we know, Bedell's translation remained a manuscript with no known copies extant"--
The correspondence of William Laud, archbishop of Canterbury from 1633 to 1645, provides revealing insights into his mind, methods and activities, especially in the 1630s, as he sought to remodel the church and the clerical estatein the three kingdoms.
Early Modern Ireland: New Sources, Methods, and Perspectives offers fresh approaches and case studies that push the field of early modern Ireland, and of British and European history more generally, into unexplored directions. The centuries between 1500 and 1700 were pivotal in Ireland’s history, yet so much about this period has remained neglected until relatively recently, and a great deal has yet to be explored. Containing seventeen original and individually commissioned essays by an international and interdisciplinary group of leading and emerging scholars, this book covers a wide range of topics, including social, cultural, and political history as well as folklore, medicine, archaeology, and digital humanities, all of which are enhanced by a selection of maps, graphs, tables, and images. Urging a reevaluation of the terms and assumptions which have been used to describe Ireland’s past, and a consideration of the new directions in which the study of early modern Ireland could be taken, Early Modern Ireland: New Sources, Methods, and Perspectives is a groundbreaking collection for students and scholars studying early modern Irish history.
William Perkins and the Making of Protestant England presents a new interpretation of the theology and historical significance of William Perkins (1558-1602), a prominent Cambridge scholar and teacher during the reign of Queen Elizabeth I. Though often described as a Puritan, W. B. Pattersonargues that Perkins was in fact a prominent and effective apologist for the established church whose contributions to English religious thought had an immense influence on an English Protestant culture that endured well into modern times. The English Reformation is shown to be a part of theEuropean-wide Reformation, and Perkins himself a leading Reformed theologian.In A Reformed Catholike (1597), Perkins distinguished the theology upheld in the English Church from that of the Roman Catholic Church, while at the same time showing the considerable extent to which the two churches shared common concerns. His books dealt extensively with the nature of salvationand the need to follow a moral way of life. Perkins wrote pioneering works on conscience and "practical divinity". In The Arte of Prophecying (1607), he provided preachers with a guidebook to the study of the Bible and their oral presentation of its teachings. He dealt boldly and in down-to-earthterms with the need to achieve social justice in an era of severe economic distress. Perkins is shown to have been instrumental to the making of a Protestant England, and to have contributed significantly to the development of the religious culture not only of Britain but also of a broad range ofcountries on the Continent.
History of Universities XXXVI/2 contains the customary mix of learned articles and book reviews which makes this publication an indispensable tool for the historian of higher education.
Jean-Louis Quantin shows how the appeal to Christian antiquity played a key role in the construction of a new confessional identity, 'Anglicanism', maintaining that theologians of the Church of England came to consider that their Church occupied a unique position, because it alone was faithful to the beliefs and practices of the Church Fathers.
This book argues that Walton's practice, in his Lives, was crucial in shaping modern expectations of biography: how it should be organised, how it should treat evidence, how seriously it should regard narrative coherence, and most particularly in the modern expectation of an intimaterelationship between author, reader, and subject. Dr Martin considers Walton's biographical ethics in relation to the tributary genres influencing him as they emerged from post-Reformation commendatory practice after 1546, most particularly classical funeral oratory and the emergent Protestantfuneral sermon, the Plutarchan parallel, the didactic Character, martyrological narrative, and finally Walton's direct model, the exemplary biographical commemoration of the conformist minister.Dr Martin considers how Walton develops his literary inheritance, arguing that his lay status required him to initiate a different kind of mediation between reader and subject from the straightforwardly imitative. Walton presents himself as a channel for the words and acts of an authoritativesubject, a preference implicitly followed both in his stress on personal connections with his subjects (which spectacularly particularizes his portraits) and in his very extensive use of their own writings. His Lives attempt posthumous autobiography. They are also considered as prominent andaccomplished examples of the many politically intended narratives which exploit a consensual interpretation of private virtue to support, without having to argue for, a sectarian interpretation of public rectitude.