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A deeply stirring memoir of fathers, sons, and the oldest bar in New York City. Since it opened in 1854, McSorley's Old Ale House has been a New York institution. This is the landmark watering hole where Abraham Lincoln campaigned and Boss Tweed kicked back with the Tammany Hall machine. Where a pair of Houdini's handcuffs found their final resting place. And where soldiers left behind wishbones before departing for the First World War, never to return and collect them. Many of the bar's traditions remain intact, from the newspaper-covered walls to the plates of cheese and raw onions, the sawdust-strewn floors to the tall-tales told by its bartenders. But in addition to the bar's rich history, McSorley's is home to a deeply personal story about two men: Rafe Bartholomew, the writer who grew up in the landmark pub, and his father, Geoffrey "Bart" Bartholomew, a career bartender who has been working the taps for forty-five years. On weekends, Rafe Bartholomew would tag along for the early hours of his dad's shift, polishing brass doorknobs, watching over the bar cats, and handling other odd jobs until he grew old enough to join Bart behind the bar. McSorley's was a place of bizarre rituals, bawdy humor, and tasks as unique as the bar itself: protecting the decades-old dust that had gathered on treasured artifacts; shot-putting thirty-pound grease traps into high-walled Dumpsters; and trying to keep McSorley's open through the worst of Hurricane Sandy. But for Rafe, the bar means home. It's the place where he and his father have worked side by side, serving light and dark ale, always in pairs, the way it's always been done. Where they've celebrated victories, like the publication of his father's first book of poetry, and coped with misfortune, like the death of Rafe's mother. Where Rafe learned to be part of something bigger than himself and also how to be his own man. By turns touching, crude, and wildly funny, Rafe's story reveals universal truths about family, loss, and the bursting history of one of New York's most beloved institutions.
In this New York Times bestseller, a single father discovers the true nature of unconditional love when a new chance at happiness turns his world upside down. At 32, Russell Green has it all: a stunning wife, a lovable six year-old daughter, a successful career as an advertising executive, and an expansive home in Charlotte. He is living the dream, and his marriage to the bewitching Vivian is at the center of it. But underneath the shiny surface of this perfect existence, fault lines are beginning to appear . . . and no one is more surprised than Russ when every aspect of the life he has taken for granted is turned upside down. In a matter of months, Russ finds himself without a job or a wife, caring for his young daughter while struggling to adapt to a new and baffling reality. Throwing himself into the wilderness of single parenting, Russ embarks on a journey at once terrifying and rewarding -- one that will test his abilities and his emotional resources beyond anything he's ever imagined. When a chance encounter with an old flame tempts him to take a chance on love again, he will navigate this new opportunity with trepidation and wonder. But with the loyal support of his parents, the wisdom of his older sister, Marge, and in the hard-won lessons of fatherhood, Russ will finally come to understand the true nature of unconditional love -- that it is a treasure to be bestowed, not earned.
Putting Two and Two Together is a humorous and quirky collection of unusual, ingenious, and beautiful morsels of mathematics. Authors Burkard Polster (YouTube's Mathologer) and Marty Ross delve into mathematical puzzles and phenomena in engaging stories featuring current events, sports, and history, many flavored with a distinctive bit of Australiana. Each chapter ends with “puzzles to ponder” that will spur further reflection. These stories were written for a general audience, and originally appeared in the Maths Masters column in The Age newspaper. The book offers mathematical entertainment for curious readers of all ages, and assumes a minimum of mathematical background. Polster and Ross are masters of the genre this book represents: a cornucopia of offerings, from across the mathematical spectrum. Their articles are entertaining, captivating, and informative, and will appeal to everyone from interested amateurs to old pros. On top of all that, the prose is clear, concise and a lot of fun—happily with a charmingly Aussie flavo(u)r. Crack the spine and enjoy! —Michael Berg, Loyola Marymount University, Los Angeles The American Mathematical Society must be congratulated on publishing a singularly amusing synthesis of cultural anthropology coupled with mathematical entertainment. —Tushar Das, University of Wisconsin–La Crosse Polster and Ross are as good as the original master, Martin Gardner! They are also as good as that other great popularizer of mathematics, Ian Stewart, who took up Gardner's mantle, and as good as Douglas Hofstedter, who also followed in Gardner's footsteps as popularizers of mathematics within regular columns in “Scientific American”, and elsewhere. I recommend this new book very highly! Like Poster and Ross's first collection of columns, it is one that you can happily read from cover to cover, or dip into at any random point, and find treasures. You will then often return, savouring, and often laughing, while also learning, and responding to thoughtful challenges! —John Gough, Deakin University, Geelong, Australia
No ark since Noah's own has shown such colour and diversity of life as that of Barbara Reid! To save his family from the big flood, Noah builds a boat. It has to be HUGE, because two of every animal are coming to stay for forty days and forty nights. First in a trickle, then in a flood, animals of every colour and kind make their way into the hold. Bees and boas, camels and cats, every pair finds a place in these pages. Two by Two has been a classic for 20 years, and it is now available in a chunky board book format for the youngest readers.
Denise Duhamel's much anticipated new collection begins with a revisionist tale--Noah is married to Joan of Arc--in a poem about America's often flawed sense of history. Throughout Two and Two, doubles abound: Noah's animals; Duhamel's parents as Jack and Jill in a near-fatal accident; an incestuous double sestina; a male/female pantoum; a dream and its interpretation; and translations of advertisements from English to Spanish. In two Möbius strip poems (shaped like the Twin Towers), Duhamel invites her readers to get out their scissors and tape and transform her poems into 3-D objects. At the book's center is "Love Which Took Its Symmetry for Granted," a gathering of journal entries, personal e-mails, and news reports into a collage of witness about September 11. A section of "Mille et un sentiments," modeled on the lists of Hervé Le Tellier, Georges Perec, and George Brainard, breaks down emotions to their most basic levels, their 1,001 tiny recognitions. The book ends with "Carbó Frescos," written in the form of an art guidebook from the 24th century. Innovative and unpretentious, Duhamel uses twice the language usually available for poetry. She culls from the literary and nonliterary, from the Bible and product warning labels, from Woody Allen films and Hong Kong action movies--to say difficult things with astonishing accuracy. Two and Two is second to none.
Six-year-old Teddy and four-year-old Babs move from the city to the country.
"Join the animals aboard Noah's ark as a pair of mischievous monkeys free the zoo! With limbo-ing anacondas and tap-dancing penguins, the monkeys parade their way through the rain"--
“[A] classic story of male adolescence and homophobia . . . this short, richly packed novel may well be [Clark’s] masterpiece.” —DeWitt Henry, author of Falling Two, Two, Lily-White Boys follows the fortunes of two fourteen-year-old Scouts from Ermine Falls—Larry Carstairs, the narrator, and Andy Dellums, Larry’s schoolmate and friend—over the course of six days at Camp Greavy, a Boy Scout camp not far from Traverse City, Michigan. The story’s catalyst and Andy’s tormentor is Russell “Curly” Norrys, a worldly, charismatic seventeen-year-old, a homophobe who suspects that Andy is a homosexual. Mercurial, protean, possibly sociopathic, Curly engineers conflicts that accelerate as the days wear on, eventually culminating in tragedy. Passive-aggressive Larry, moved to action at last, must choose between self-preservation and justice. “In this rite of passage story set at a Boy Scout summer camp, Clark’s protagonist, Larry Carstairs, meets up with Curly Norrys, a curious blend of humor, intellectual acumen, nihilism, and sheer malevolence. Clark makes us feel, full strength, Larry’s struggle with the nature of ambiguity. Clark’s fiction here, as elsewhere, is a compelling mix of straight realism and black humor.” —Jack Smith, author of If Winter Comes “Geoffrey Clark’s Two, Two, Lily-White Boys soberly pierces the Scout Camp Greavey’s character-building scrim of perseverance, steadfastness, and patriotism to reveal what disquiets the minds and hearts of those about to enter the straits of manhood . . . One emerges from this evocative work recalling that daunting passage in past time when we ceased to reason like a child and put childish ways behind us.” —Dennis Must, author of Banjo Grease
Giordano Bruno and the Geometry of Language brings to the fore a sixteenth-century philosopher's role in early modern Europe as a bridge between science and literature, or more specifically, between the spatial paradigm of geometry and that of language. Arielle Saiber examines how, to invite what Bruno believed to be an infinite universe-its qualities and vicissitudes-into the world of language, Bruno forged a system of 'figurative' vocabularies: number, form, space, and word. This verbal and symbolic system in which geometric figures are seen to underlie rhetorical figures, is what Saiber calls 'geometric rhetoric.' Through analysis of Bruno's writings, Saiber shows how Bruno's writing necessitates a crafting of space, and is, in essence, a lexicon of spatial concepts. This study constitutes an original contribution both to scholarship on Bruno and to the fields of early modern scientific and literary studies. It also addresses the broader question of what role geometry has in the formation of any language and literature of any place and time.