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Say this ten times fast: Big bedbugs bite pet pugs’ butts! Featuring the funniest things in life––like barf, drool, mucus, pus, and gas––Twisted Tongues is an excellent collection of more than 150 tongue twisters, all sure to gross out your parents. Use the Twist Level meters to gauge your skill and challenge others in mouth-mangling twister games. Then enjoy riddles told by two talking boogers! There’s loads to learn, too: Did you know that ancient Romans scraped off their skin’s oil and sweat and sold it as medicine? Ewwwww.
Cultural creolization, métissage, hybridity, and the in-between spaces of postcolonial thought are now fundamental terms of reference within contemporary critical thought. Entwisted Tongues explores the sociohistorical and cultural basis for writing in creole languages from a comparative framework. The rise of self-defining literatures in Atlantic creoles offers parallels with the development of national literatures elsewhere, but the status of creole languages imposes particular conditions for literary creation. After an introduction to the history of the term creole, Entwisted Tongues surveys the history of the languages which are its focus: the Crioulo of Cape Verde, Sierra Leone Krio, Surinamese Sranan, Papiamentu (spoken in the Netherlands Antilles), and the varieties of French-based Kreyol in the Caribbean. The chapter Deep Speech turns around a trope ubiquitous in creoles, one conveying the sense that their authentic registers are at the furthest remove from the high cultures with which they are in contact; Diglossic Dilemma explores the contradictions inherent in this trope. The remaining analysis explores numerous nooks and crannies of these marginal but fascinating literatures, submitting that creoles and literature in them are prima facie evidence of the human will to articulate speech and verbal art, even in the face of slavery, oppression and penury.
Two award-winning and bestselling novelists--and authors of "This Scepter'd Isle"--collaborate once again for another enticing new fantasy set in pre-Elizabethan England.
What happens when people say a tongue twister? Do their tongues really twist? To understand tongue twisters, you first need to know how humans make sound. The brain, mouth, lungs, larynx, and vocal words must all work together in order for humans to speak. Featuring TIME For Kids content, this 6-Pack of nonfiction readers introduces students to the "science" behind tongue twisters. This high-interest title includes detailed photos, stimulating facts, and clear, informational text to engage students as they build their critical literacy skills. The books include text features such as bold font, captions, a table of contents, a glossary, and sidebars to increase understanding, improve academic vocabulary, and prompt critical thinking. This title prepares students for college and career and is aligned with state and national standards. This 6-Pack includes six copies of this title and a lesson plan.
Collection of new and traditional tongue-twisters; section of twisters in other languages. Grades 3-7.
Shadows prowl the night. A dark warlock musters power. Evil lurks in every corner. The world needs heroes. What they get... is a few misfits. A couple failed squires. A jinxed wizard. A banished spirit of the forest. A childlike demon and her teddy bear. They are outcasts, failures, oddballs. They might just save the world.
This book proposes that there is no better, no more complex way to access a community, a society, an era and its cultures than through literature. For millennia, literature from a wide variety of geocultural areas has gathered knowledge about life, about survival, and about living together, without either falling into discursive or disciplinary specializations or functioning as a regulatory mechanism for cultural knowledge. Literature is able to offer its readers knowledge through direct participation in the form of step-by-step intellectual and affective experiences. Through this ability, it can reach and affect audiences across great spatial and temporal distances. Literature – what different times and cultures have been able to understand as such in a broad sense – has always been characterized by its transareal and transcultural origins and effects. It is the product of many logics, and it teaches us to think polylogically rather than monologically. Literature is an experiment in living, and living in a state of experimentation. About the author Ottmar Ette has been Chair of Romance Literature at the University of Potsdam, Germany, since 1995. He is Honorary Member of the Modern Language Association of America (MLA) (elected in 2014), member of the Berlin-Brandenburg Academy of Sciences and Humanities (elected in 2013), and regular member of the Academia Europaea (since 2010).