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Prepare yourself for the sights ahead; a town afflicted by the spider's curse, the infection wrought by an eldritch fungus, the corrupting will of unknowable beings. All this and more in the first collection of short horror stories from trans author Jennifer O'Connell.
Enos A. Mills shares his memories of the bears who had spent years observing them in the wild. He'd follow them not to track and kill them, but to observe and learn their habits. He also rarely, if ever, carried a gun. He was also never threatened by the animals. Excerpt: "One autumn day, while I was watching a little cony stacking hay for the winter, a clinking and rattling of slide rock caught my attention. On the mountain-side opposite me, perhaps a hundred yards away, a grizzly bear was digging in an enormous rock-slide. He worked energetically. Several slabs of rock were hurled out of the hole and tossed down the mountain-side. Stones were thrown right and left. I could not make out what he was after, but it is likely that he was digging for a woodchuck."
Reproduction of the original: The Grizzly by Enos A. Mills
Just three months after his first quest, Abyss and Diana are once again dragged into the bizarre. A group of aliens trying to test humanity and a decisive strike from the Brotherhood of Clerics drag in the opportunistic water-wielder Friedrich Drake. Caught up in strange mutations and injuries once again, the young hero must leap through time, traveling to both the past and present to restore the rifts in the fabric of the universe. As he seals a time loop for the half-mad Witch Dorothy, Abyss furthers his connection with all the Earth's fauna, learning to co-exist with a tentacle buried inside his chest. Thrown into the future, the boy must come face to face with many possibilities, each of them filled with disappointments and shortcomings. And as his journey continues, the ominous Pharaoh and the cynical Diana continue to oversee his development, whilst Inder and Latis are once again sent to assist him. Inevitably, it seems like growing up and maturity mean giving up on many dreams. Always filled with injury and disaster and never quite complete, the new saga of Abyss's story abounds with twists, turns, and a fair share of oddities. For better or for worse, there is no fate that is set in stone.
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He drives her wild. Police officer Raphael Delgado’s Latin smolder could set any woman’s panties on fire. He’s also kinda judgey, and maybe a little damaged. Totally the wrong guy to get tangled up with while keeping the biggest secret of her life. But suddenly he’s everywhere she goes, distracting her from her goal and tempting her to break all her own rules. She drives him crazy. Lusting for your friend’s sister is so wrong. Especially when he’s asked you to play bodyguard after her car gets trashed. But while Lillian Beaumont may seem like just another spoiled heiress, there’s something more hiding beneath that party girl surface. Something intriguing he wants a closer look at. And maybe a little taste of, no matter what his conscience says. They’re both about to hit a blind curve. When petty vandalism turns into something more dangerous, it’s up to Rafe to keep the stubborn woman he’s falling for out of harm’s way. Can he overcome his own demons in time to stop whoever’s determined to send all of Lillian’s dreams up in smoke? Can’t Help Loving You is a fake relationship/forced proximity romantic suspense with a damaged, family-oriented hero and a snarky, family-smothered heroine. Guaranteed HEA and no cliffhangers.
For the first time, poetry, short stories, critical and creative essays, chants, and excerpts of plays by Indigenous Micronesian authors have been brought together to form a resounding—and distinctly Micronesian—voice. With over two thousand islands spread across almost three million square miles of the Pacific Ocean, Micronesia and its peoples have too often been rendered invisible and insignificant both in and out of academia. This long-awaited anthology of contemporary indigenous literature will reshape Micronesia’s historical and literary landscape. Presenting over seventy authors and one hundred pieces, Indigenous Literatures from Micronesia features nine of the thirteen basic language groups, including Palauan, Chamorro, Chuukese, I-Kiribati, Kosraean, Marshallese, Nauruan, Pohnpeian, and Yapese. The volume editors, from Micronesia themselves, have selected representative works from throughout the region—from Palau in the west, to Kiribati in the east, to the global diaspora. They have reached back for historically groundbreaking work and scouted the present for some of the most cited and provocative of published pieces and for the most promising new authors. Richly diverse, the stories of Micronesia’s resilient peoples are as vast as the sea and as deep as the Mariana Trench. Challenging centuries-old reductive representations, writers passionately explore seven complex themes: “Origins” explores creation, foundational, and ancestral stories; “Resistance” responds to colonialism and militarism; “Remembering” captures diverse memories and experiences; “Identities” articulates the nuances of culture; “Voyages” maps migration and diaspora; “Family” delves into interpersonal and community relationships; and “New Micronesia” gathers experimental, liminal, and cutting-edge voices. This anthology reflects a worldview unique to the islands of Micronesia, yet it also connects to broader issues facing Pacific Islanders and indigenous peoples throughout the world. It is essential reading for anyone interested in Pacific, indigenous, diasporic, postcolonial, and environmental studies and literatures.