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Caleb Woolf has designs on the basket of food that Cassie Cloak takes to her grandmother every Sunday, so they set a trap to teach him a lesson.
Caleb Woolf has designs on the basket of food that Cassie Cloak takes to her grandmother every Sunday, so they set a trap to teach him a lesson.
In this modern version of Beauty and the Beast, unhappy fifteen-year-old Carlo has been living in the basement of his family's mansion ever since his father died--until beautiful fifteen-year-old Belle shows up to pay for the rose her father picked in the garden.
For fourteen years Dandelion has lived in a house with the witch she thinks is her mother, but when she shows signs of growing up the witch locks her in a tower in the woods--where a boy named Arthur hears her singing.
Hansen and Gracie are orphaned twins, but their ability to hear each other even when they are not together has made them strange, and prevented them from being adopted--so when the evil officials from the orphanage abandon them in the woods they set out to find a home of their own.
In this modern version of Jack and the beanstalk, Jack trades his bike for some magic beans, and climbs the beanstalk to the apartment of Mr. Briareus, a large man with a magic chicken and a singing harp.
Eira is left in a New York City alley. When seven thieves find her, she'll have to trust them.
There's a house in the hills that no one has gone into in a hundred years.
In this modern version of Cinderella, Chantella Verre is being treated like a servant by her oblivious father's new wife and her awful twins--but Chantella gets a chance to sing at the Next Teen Star audition when her former nanny shows up to set things right.
From personal loss to phantom diseases, The Empathy Exams is a bold and brilliant collection, winner of the Graywolf Press Nonfiction Prize A Publishers Weekly Top Ten Essay Collection of Spring 2014 Beginning with her experience as a medical actor who was paid to act out symptoms for medical students to diagnose, Leslie Jamison's visceral and revealing essays ask essential questions about our basic understanding of others: How should we care about each other? How can we feel another's pain, especially when pain can be assumed, distorted, or performed? Is empathy a tool by which to test or even grade each other? By confronting pain—real and imagined, her own and others'—Jamison uncovers a personal and cultural urgency to feel. She draws from her own experiences of illness and bodily injury to engage in an exploration that extends far beyond her life, spanning wide-ranging territory—from poverty tourism to phantom diseases, street violence to reality television, illness to incarceration—in its search for a kind of sight shaped by humility and grace.