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Once, a shooter walked alone through the front doors of an unsuspecting high school in Burke, Virginia. He was young. Troubled. Tormented. Drowning in a cavernous abyss so deep that light itself seemed no longer to exist. It is an all-too-familiar story these days. After all, once a shooter enters a school or another public space, chaos always follows. Or does it? Once A Shooter chronicles the astonishing story of TJ Stevens, a suicidal high school gunman who unexpectedly experiences a miraculous transformation in the exact moment he is about to execute nine hostages and then himself. All author royalties will be donated to a charity that hosts events for troubled teens.
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A bomb explodes in a police station, killing nine officers and a civilian. Those responsible are never caught, but police, press and public are quick to condemn a group of eleven immigrants. This story could have been ripped from today's headlines. In fact, it comes from a 1917 case in Milwaukee, Wisconsin; a miscarriage of justice examined for the first time by Dean Strang, the lawyer whose passionate defence of alleged murderer Steven Avery was at the heart of the hit Netflix series Making a Murderer. Days after the explosion, the eleven suspects went to court on unrelated charges. The spectre of the larger, uncharged crime haunted the proceedings and against the backdrop of the First World War and amid a prevailing hatred and fear of immigrants, a fair trial was impossible. In its focus on a moment when patriotism and terror swept the nation, Worse than the Devil exposes broad concerns that persist today, and failures in the American justice system that will resonate with anyone who has followed the Avery trial.
From Gerald Ford's preemptive pardon of Richard Nixon and Donald Trump's claims that as president he could pardon himself to the posthumous royal pardon of Alan Turing, the power of the pardon has a powerful hold on the political and cultural imagination. In Theaters of Pardoning, Bernadette Meyler traces the roots of contemporary understandings of pardoning to tragicomic "theaters of pardoning" in the drama and politics of seventeenth-century England. Shifts in how pardoning was represented on the stage and discussed in political tracts and in Parliament reflected the transition from a more monarchical and judgment-focused form of the concept to an increasingly parliamentary and legislative vision of sovereignty. Meyler shows that on the English stage, individual pardons of revenge subtly transformed into more sweeping pardons of revolution, from Shakespeare's Measure for Measure, where a series of final pardons interrupts what might otherwise have been a cycle of revenge, to later works like John Ford's The Laws of Candy and Philip Massinger's The Bondman, in which the exercise of mercy prevents the overturn of the state itself. In the political arena, the pardon as a right of kingship evolved into a legal concept, culminating in the idea of a general amnesty, the "Act of Oblivion," for actions taken during the English Civil War. Reconceiving pardoning as law-giving effectively displaced sovereignty from king to legislature, a shift that continues to attract suspicion about the exercise of pardoning. Only by breaking the connection between pardoning and sovereignty that was cemented in seventeenth-century England, Meyler concludes, can we reinvigorate the pardon as a democratic practice.
"A crocodile loves food so much that she can't stop eating. What's more, she has really bad table manners! How can her friends convince her to eat more sensibly, and stop burping?"--Page [4] cover.
#1 NEW YORK TIMES BEST SELLER • In his final hours in the Oval Office, the outgoing President grants a controversial last-minute pardon to Joel Backman, a notorious Washington power broker who has spent the last six years hidden away in a federal prison. What no one knows is that the President issues the pardon only after receiving enormous pressure from the CIA. It seems Backman, in his power broker heyday, may have obtained secrets that compromise the world’s most sophisticated satellite surveillance system. Backman is quietly smuggled out of the country in a military cargo plane, given a new name, a new identity, and a new home in Italy. Eventually, after he has settled into his new life, the CIA will leak his whereabouts to the Israelis, the Russians, the Chinese, and the Saudis. Then the CIA will do what it does best: sit back and watch. The question is not whether Backman will survive—there is no chance of that. The question the CIA needs answered is, who will kill him? Don’t miss John Grisham’s new book, THE EXCHANGE: AFTER THE FIRM!
“A haunting novel that will make readers wonder.”-Orlando Sentinel Nemo's mother and father left him behind to enter "the Bin"—joining twelve billion uploaded personalities who live in crime-free, disease-free and deathless virtual societies. Nemo has come of age on a dangerous, near-deserted planet populated by a handful of stragglers: religious fundamentalists and rebels, the creeps and the crazies. Now he is twenty-one. And on a rare, reluctant visit to the parents who abandoned flesh and son for cyber-utopia, Nemo has met the perfect woman: a new Bin arrival named Justine, a beautiful pop singer who dreams other people's dreams in the virtual night. Now an inconvenient attraction is leading two lovers into a perilous mire of irreversible choice. For Justine has no body to return to. And Nemo the renegade has sworn never to sacrifice his own; to live, age, and die instead in a bleak earthly hell. Because, as an outsider, he may enter the Bin for short periods of time. But if he ever decides to stay...there will be no way out again. “EARTHLY AND SPIRITUAL DELIGHTS AROUND… DENNIS DANVERS'S MOVE TO SF IS A WELCOME ONE."-Washington Post "A wild ride."-Details "Danvers isn't exactly a household name in SF circles... CIRCUIT OF HEAVEN may change that."- Locus