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Journalists began to call the Korean War "the Forgotten War" even before it ended. Without a doubt, the most neglected story of this already neglected war is that of African Americans who served just two years after Harry S. Truman ordered the desegregation of the military. Twice Forgotten draws on oral histories of Black Korean War veterans to recover the story of their contributions to the fight, the reality that the military&8239;desegregated in fits and starts, and how veterans' service fits into the long history of the Black freedom struggle. This collection of seventy oral histories, drawn from across the country, features interviews conducted by the author and his colleagues for their American Radio Works documentary, Korea: The Unfinished War, which examines the conflict as experienced by the approximately 600,000 Black men and women who served. It also includes narratives from other sources, including the Library of Congress's visionary Veterans History Project. In their own voices, soldiers and sailors and flyers tell the story of what it meant, how it felt, and what it cost them to fight for the freedom abroad that was too often denied them at home.
The mean maps show average geopotential metric heights for the 850-, 700-, 500-, and 300-mb pressure surfaces at 000 and 1200 GMT for each month of the year. The maps were derived by computer from objectively analyzed grid-point data for November 1961 through January 1969. The use of these maps is briefly described to obtain the average monthly height for any day and 12-hour period
Includes reports of the Board of Regents of the University of Idaho and the State Superintendent of Public Instruction.
Original and thought-provoking, You're Only Young Twice reveals the complexities that underlie even the sparest picture book text and the lessons that reside in even the most familiar family movie plots. Moving from classic texts (The Secret Garden, Goodnight Moon) to ephemera (the Hardy Boys, Goosebumps, and Harry Potter series), from the printed page to the silver screen (Willie Wonka, Jumanji, 101 Dalmatians, Beethoven), Tim Morris employs his experience as a parent and teacher to interrogate children's culture and reveal its conflicting messages. Books and films for children--favorites accepted as wholesome fare for impressionable young minds --do not always teach straightforward lessons. Instead, they reflect the anxieties of the times and the desires of adults. At the heart of many a children's classic lies power, often expressed through racism, sexism, or violence. Under Morris's gaze, revered animal stories like Black Beauty turn into litanies of abuse; fantasies of childhood like Big are revealed as patriarchal struggles. You're Only Young Twice redirects the focus on children's literature, asking not "What messages should children receive?" but "What messages do adults actually send?" For example, Morris recounts his own childhood confusion upon viewing Peter Pan, with its queenish, inept pirate and a grown woman (Mary Martin) in tights who pretends to be a crowing boy. Morris shatters our long-held assumptions and challenges our best intentions, demonstrating how children's literature and films lay bare a troubled and troubling worldview.