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Travel with revered preacher and author Fred Craddock through his early years as he considers what made him take to the pulpit. "For some reason, I felt I had to say 'Yes' or 'No' to the ministry so I could feel free again. My siblings and friends talked almost casually about options and preferences as to careers, but with no evident sense of urgency. Not so with me. I did not then, nor do I now know whether the burden of choice was a trait of personality, a kind of super-conscientiousness, whether the calling to ministry itself carried a weight, a burden, peculiar to the task itself. Rightly or wrongly, when I thought of possibly becoming a journalist, that would be a choice, 100 percent mine. When I considered becoming a minister, that was not totally my decision; I was responding to God's will for me. Of course, I had been told that journalists, lawyers, teachers, merchants, farmers-all could understand their lives as a vocation, a calling, but what I am telling you is that I perceived, I felt, I experienced the idea of being a preacher as different, and that difference was sobering, even burdensome. That's why advice about not being in a hurry, taking my time, was not helpful even if wise. If it was my decision, why could I not make it now; if it was God's decision, why did not God tell me, or at least tell my father or my mother? I prayed for the ache to leave me." -Excerpt from Reflections on My Call to Preach.
""I know for my own part that I have no program, only the inexplicable longing to grasp what I see and feel, and to find for it the purest expression." The words of German Expressionist Karl Schmidt-Rottluff, co-founder of the "Brücke" movement in Dresden, convey the essence of the revolutionary movement in the arts which overthrew the stifling academicism of Kaiser Wilhelm's Germany and led in the years between 1900 and 1914 to an amazing upsurge of creative activity. The German Expressionists sought simplified forms, new rhythms, intenser colors. The name which has been given to their movement (not by them) suggests that they were preoccupied with the expression of violent emotion; in fact, however, such artists as the member of the "Brücke" group, Kirchner, Heckel, Schmidt-Rottluff, Pechstein and Nolde, were concerned above all with sheer liberation. Their work, and that of their great contemporaries and associates Marc, Macke, Jawlensky, Kandinsky, Klee and Kubin in Munich; Feininger, Beckmann, Barlach and Meidner in Berlin; and Kokoschka and Schiele in Vienna, all of whom worked in related styles, is a decisive and immensely rich contribution to the history of the twentieth-century art. The story is told here by a senior curator of the Bavarian State art collections largely in the vivid and intensely revealing words of the artists themselves; these he sets in context with rare sympathy and insight."--
A young girl who longs to study but must run the household and look after her siblings after her mother's death gets an invaluable gift from her brother. One day a week, her brother does her chores so that she can pursue her dream of an education, just as her mother would have wanted, in this tale about overcoming obstacles.
Collection of the monthly climatological reports of the United States by state or region with monthly and annual National summaries.