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On July 28, 1851, Nathaniel Hawthorne's wife Sophia and daughters Una and Rose left their house in Western Massachusetts to visit relatives near Boston. Hawthorne and his five-year-old son Julian stayed behind. How father and son got along over the next three weeks is the subject of this tender and funny extract from Hawthorne's notebooks. "At about six o'clock I looked over the edge of my bed and saw that Julian was awake, peeping sideways at me." Each day starts early and is mostly given over to swimming and skipping stones, berry-picking and subduing armies of thistles. There are lots of questions ("It really does seem as if he has baited me with more questions, references, and observations, than mortal father ought to be expected to endure"), a visit to a Shaker community, domestic crises concerning a pet rabbit, and some poignant moments of loneliness ("I went to bed at about nine and longed for Phoebe"). And one evening Mr. Herman Melville comes by to enjoy a late-night discussion of eternity over cigars. With an introduction by Paul Auster that paints a beautifully observed, intimate picture of the Hawthornes at home, this little-known, true-life story by a great American writer emerges from obscurity to shine a delightful light upon family life—then and now.
The short fiction of a writer who helped to shape the course of American literature. With a determined commitment to the history of his native land, Nathaniel Hawthorne revealed, more incisively than any writer of his generation, the nature of a distinctly American consciousness. The pieces collected here deal with essentially American matters: the Puritan past, the Indians, the Revolution. But Hawthorne was highly - often wickedly - unorthodox in his account of life in early America, and his precisely constructed plots quickly engage the reader's imagination. Written in the 1820s, 30s, and 40s, these works are informed by themes that reappear in Hawthorne's longer works: The Scarlet Letter, The House of the Seven Gables and The Blithedale Romance. And, as Michael J. Colacurcio points out in his excellent introduction, they are themes that are now deeply embedded in the American literary tradition.
The first major Hawthorne biography to be published in two decades, featuring original scholarship on both unpublished and published sources The Life of the Author: Nathaniel Hawthorne presents a rich and nuanced portrait of one of America’s greatest writers, exploring the thoughts and ideas of a man whose profound insights about the human condition continue to resonate in the modern day. Accessible to those with little knowledge of Hawthorne, this unique volume uses a new biographical approach based on exhaustive primary research that provides readers with a better understanding of the artist and his work. Author Dale Salwak challenges the presumption that Hawthorne was a reclusive, eccentric, and alienated man whose relevance to modern times is diminishing. Drawing from his forty-five years’ experience reading, studying, and teaching Hawthorne, the author reveals a more approachable Hawthorne. In-depth and reflective chapters explore topics such as the circumstances that led Hawthorne to become a writer, the influence of Sophia Hawthorne on her husband’s work, the theory of the unfulfilled homoerotic relationship between Hawthorne and Herman Melville, and more. Offers a fresh reading of Hawthorne’s life and work from birth to death Provides new perspectives on Hawthorne and stories surrounding his work Draws from a wide variety of sources, including novels, tales, children’s books, notebooks, and personal letters to and from Hawthorne Suggests new strategies for teaching Hawthorne to today’s students Includes a detailed index and comprehensive introductory and concluding chapters Highlighting Hawthorne’s special contributions to American literature, The Life of the Author: Nathaniel Hawthorne is essential reading for scholars, lecturers, and college students taking courses including Literary History, American Literature, and History of the Novel as well as anyone interested in biography, literature, and creativity. “Dale Salwak has assimilated vast amounts of scholarship on Hawthorne and his circle, and he’s crafted a highly readable and brilliant biography. The lines in Hawthorne’s astonishing life have never been more clearly drawn. A wonderful book, highly recommend.” Jay Parini, author of Robert Frost: A Life and Borges and Me. “Dale Salwak has assimilated vast amounts of scholarship on Hawthorne and his circle, and he’s crafted a highly readable and brilliant biography. The lines in Hawthorne’s astonishing life have never been more clearly drawn. A wonderful book, highly recommend.” - Jay Parini, author of Robert Frost: A Life and Borges and Me.
A fascinating look at the stories behind the dedications of 50 literary classics. Mary Shelley dedicated Frankenstein to her father, her greatest champion. Charlotte Brönte dedicatedJane Eyre to William Makepeace Thackeray for his enthusiastic review of the book’s first edition. Dostoyevsky dedicated The Brothers Karamazov to his typist-turned-lover Anna Grigoyevna. And, as this collection’s title indicates, F. Scott Fitzgerald dedicated his masterpiece The Great Gatsby to his wife Zelda. Often overlooked, a novel’s dedication can say much about an author and his or her relationship to the person for whom the book was consecrated. Once Again to Zelda explores the dedications in fifty iconic books that are an intrinsic part of both literary and pop culture, shedding light on the author’s psyche, as well as the social and historic context in which the book was first published.
Bove's tale of a World War I veteran living in postwar Paris, searching for friendship and warmth, is an ironic, entertaining masterpiece by one of France's favorite authors. My Friends is Emmanuel Bove’s first and most famous book, and it begins simply, though unusually, enough: “When I wake up, my mouth is open. My teeth are furry: it would be better to brush them in the evening, but I am never brave enough.” Victor Baton is speaking, and he is a classic little man, of no talent or distinction or importance and with no illusions that he has any of those things, either; in fact, if he is exceptional, it is that life’s most basic transactions seem to confound him more than they do the rest of us. All Victor wants is to be loved, all he wants is a friend, and as he strays through the streets of Paris in search of love or friendship or some fleeting connection, we laugh both at Victor’s meekness and at his odd pride, but we feel with him, too. Victor is after all a kind of everyman, the indomitable knight of human fragility. And, in spite of everything, he, or at least his creator, is some kind of genius, investing the back streets and rented rooms of the city and the unsorted moments of daily life with a weird and unforgettable clarity.
Years ago, Jane Weatherby had a torrid affair with John Pomfret, the husband of her best friend. Divorces ensued. World War II happened. Prewar partying gave way to postwar austerity, and Jane and John’s now-grown children, Philip and Mary, both as serious and sober as their parents were not, seem earnestly bent on marriage, which John and Jane consider a mistake. The two old lovers conspire against the two young lovers, and nothing turns out quite as expected. Nothing, like the closely related Doting, is a book that is almost entirely composed in dialogue, since in these late novels nothing so interested Green as how words resist, twist, and expose our intentions; how they fail us, lead us on, make fools of us, and may, in spite of ourselves, even save us, at least for a time. Nothing spills over with the bizarre and delicious comedy and poetry of human incoherence.
The first-ever collection of essays from across Elizabeth Hardwick's illustrious writing career, including works not seen in print for decades. A New York Times Notable Book of 2017 Elizabeth Hardwick wrote during the golden age of the American literary essay. For Hardwick, the essay was an imaginative endeavor, a serious form, criticism worthy of the literature in question. In the essays collected here she covers civil rights demonstrations in the 1960s, describes places where she lived and locations she visited, and writes about the foundations of American literature—Melville, James, Wharton—and the changes in American fiction, though her reading is wide and international. She contemplates writers’ lives—women writers, rebels, Americans abroad—and the literary afterlife of biographies, letters, and diaries. Selected and with an introduction by Darryl Pinckney, the Collected Essays gathers more than fifty essays for a fifty-year retrospective of Hardwick’s work from 1953 to 2003. “For Hardwick,” writes Pinckney, “the poetry and novels of America hold the nation’s history.” Here is an exhilarating chronicle of that history.
A coming of age story that is a classic of gay literature, now in English for the first time An NYRB Classics Original Ernesto is a classic of gay literature, a tender and complex tale of sexual awakening by one of Italy’s most admired poets. Ernesto is a sixteen-year-old boy from an educated family who lives with his mother in Trieste. His mother is eager for him to get ahead and has asked a local businessman to give him some workplace experience in his warehouse. One day a workingman makes advances to Ernesto, who responds with willing curiosity. A month of trysts ensues before the boy begins to tire of the relationship, finally escaping it altogether by engineering his own dismissal. And yet his experience has changed him, and as Umberto Saba’s unfinished, autobiographical story breaks off, Ernesto has struck up a new, oddly romantic attachment to a boy his own age.