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Published in conjunction with the exhibition held at The Metropolitan Museum of Art, NYC, Dec. 1989-Apr. 1990. The last great private collection of the art of the School of Paris--81 paintings drawings, and bronzes by Bonnard, Braque, Dali, Dubuffet, Matisse, Miro, Picasso, and Giacometti, among others. With accompanying essays and additional illustrations (a total of 281, 95 in color). 10x121/4". Annotation copyrighted by Book News, Inc., Portland, OR
Photographs of girls and boys from fifty ranching families representing diverse cultural backgrounds.
"Published in conjunction with the exhibition Picasso to Warhol: Fourteen Modern Masters (October 15, 2011-April 29, 2012)"-- T.p. verso.
Publication accompanies the inaugural exhibition at the new Frost Collection, Florida, which looks at the rise to prominence of the New York art scene in the two decades following the Second World War
- The fourth volume of Giorgio de Chirico's Catalogo Generale with 451 paintings, drawings, and watercolours dating from 1913 to 1975 This fourth volume of the Catalogo Generale, published in 2018, features 455 paintings, watercolors, and works on paper dating from 1913 to 1975 by Giorgio de Chirico which have been authenticated and dated by the Fondazione Giorgio e Isa de Chirico. This brings the total number of works published in the complete catalog to 1831. It includes an introductory essay by Lorenzo Canova, a foreword by Paolo Picozza, President of Fondazione Giorgio e Isa de Chirico, a previously unpublished essay by de Chirico entitled Zeuxis the Explorer (1918), a brief biography of the artist, and a summary of the Foundation's activity. The works featured here were not included in Claudio Bruni Sakraischik's original multi-volume catalogue raisonné published between 1971 and 1987. Volume 4 includes a separate bibliography and exhibition history for works that appear in this volume only. Text in English and Italian.
Published in conjunction with an exhibition organized by the Baltimore Museum of Art, the Jewish Museum, New York, and the Vancouver Art Gallery and held at the Jewish Museum, New York, May 6-Sept. 25, 2011 and at the Vancouver Art Gallery.
A timely consideration of African-American artists' rich engagement with the history of art from the twentieth century, this book is the winner of the James A. Porter and David C. Driskell Book Award for African American Art History. Riffs and Relations: African American Artists and the European Modernist Tradition presents works by African American artists of the twentieth and twenty-first centuries together with works by the early-twentieth-century European artists with whom they engaged. Black artists have investigated, interrogated, invaded, entangled, annihilated, or immersed themselves in the aesthetics, symbolism, and ethos of European art for more than a century. The powerful push and pull of this relationship constitutes a distinct tradition for many African American artists who source the master narratives of art history to critique, embrace, or claim their own space. This groundbreaking catalog--accompanying a major exhibition at the Phillips Collection in Washington, D.C.--explores the connections and frictions around modernism in the works of artists such as Romare Bearden, Pablo Picasso, Faith Ringgold, Renee Cox, Robert Colescott, Norman Lewis, Hank Willis Thomas, Carrie Mae Weems and Henri Matisse. The volume explores how blackness has often been conceived from the standpoint of these international and intergenerational connections and presents the divergent and complex works born of these important dialogues.