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Exhibition catalog. Includes bibliographical references and index.
A look at the wider issues of design and industrial culture throughout Europe, Scandinavia, North America, and the Far East. The book explores the way in which 20th-century designs such as the Coca-Cola bottle have affected our culture more than those considered true classics
With 500 plates (half in color) Calloway (design and drawings, Victoria and Albert) illustrates the 20th century devotion to interiors as expressions of individual taste, national characteristics, and artistic and social aspirations. He charts the course of fashion and the influence of designers, decorators, artists, clients, and innovators in interior decoration in both America and Europe. The work is divided by decade each with an introduction discussing the main trends of the period and continues with many and varied illustrations--including photographs, paintings, drawings, and catalogue and magazine illustrations. Annotation copyrighted by Book News, Inc., Portland, OR
At the turn of the 20th century, artists and craftsmen throughout Europe and America were profoundly affected by a new art style that took its inspiration from nature. Generally referred to as Art Nouveau, the trend influenced all manner of creative types, from painters, illustrators, and architects to ironworkers, interior decorators, and designers of furniture and jewelry. Although broad and varied, the style is almost uniformly characterized by abstract, asymmetrical, curvilinear design. This "new art" both elevated the status of crafts to fine arts and brought objects into a harmonious relationship with their environment through the use of lines that were natural, vital, and, most importantly, organic. The decorative images in this volume, reproduced from a rare 1902 portfolio, reflect the era's exotic and imaginative approach to architecture and applied design. Sixty plates, 12 in full color and many with partial and varied color, exhibit the influence of the artwork of naturalist Ernst Haeckel on artist René Binet's designs, especially as related to Binet's "Monumental Door," prepared for the 1900 World's Fair in Paris. Illustrations reflecting the styles of Art Nouveau include a wealth of examples that range from doorbells and keys to stairways, fountains, jewelry, ceramics, and other items. Graphic designers, illustrators, architects, artists, and crafters will find this volume a rich source of ornamental ideas, authentic motifs, and design inspiration.
The most diverse anthology on jewellery, supported by technical information and a concise, authoritative and stimulating essay. The third Skira monograph dedicated to the modern decorative arts, following Italian Art Ceramics 1900-1950 and Twentieth-century Fabrics is an analysis of some 350 jewels by artists and designers operating in Europe and the United States from the beginning of the twentieth century to the present day. The work is organised chronologically, beginning with jewellery designed in the Art Nouveau period by leading figures such as Lalique and Fouquet; works produced during the Secession (in Berlin, Munich, and Vienna) by artists such as Moser and Hoffmann; splendid art deco pieces, with a look at great names such as Cartier, Boucheron, Buccellati, Cleef & Arpels and Tiffany; a study of European and American production from the 1950s; the influences of the informal artistic culture; the use of new materials and new techniques and current influences deriving from extra-European cultures and computer-driven means of expression. The spotlight is on leading art and design figures, and the working methods and styles of the most famous production houses throughout the course of the twentieth century. Key Sales Information * Outstanding photographs illustrate and illuminate examples of elaborate techniques and very original materials. * Eight sections in chronological order, with European and American objects. Every section opening with a brief introduction. * The publication includes a biography of the principal production houses, laboratories, master jewellers and designers, a glossary of technical terms, a bibliography divided by theme and an index of names. * An indispensable tool for the specialist, the collector, or anyone curious about art and jewellery. Author Alba Cappellieri is an architect and design critic. She is an associate professor of jewellery design and is director of the jewelry design specialization course at the Milan Polytechnic.
Spectacularly beautiful, this authoritative book presents jewelry designs of this century. With almost two hundred full-color photographs specially commissioned for this book and archival pictures of pieces that have disappeared into private collections, the volume features the finest artworks in precious metals and jewels from collections around the world, including creations by Lalique, Cartier, Boucheron, Bulgari, Tiffany, and David Webb. The fascinating text surveys the glittering world of gems with an illustrated introductory essay investigating the development of jewelry design at the end of the 1800s, and the shift from Victorian and Art Nouveau works to pieces stamped with the personality and vision of a single designer. The next chapter thoroughly examines the successive revolutions in style of the twentieth century. The balance of the book is a cornucopia of photographs portraying pieces from the beginning of the century through the 1960s: the grand era of commissions and patrons. Here you will find the Duchess of Windsor's famous necklace of diamonds and rubies as well as a fabulous pin in the shape of a World War II tank, and a veritable menagerie of diamond-studded elephants, enameled tigers, and jade dragons. This thorough history is a dazzling jewelbox of a book.
The Nineteenth century and after (London)
The Encyclopedia of Library and Information Sciences, comprising of seven volumes, now in its fourth edition, compiles the contributions of major researchers and practitioners and explores the cultural institutions of more than 30 countries. This major reference presents over 550 entries extensively reviewed for accuracy in seven print volumes or online. The new fourth edition, which includes 55 new entires and 60 revised entries, continues to reflect the growing convergence among the disciplines that influence information and the cultural record, with coverage of the latest topics as well as classic articles of historical and theoretical importance.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Coverage includes architecture, graphics, furniture, lighting, textiles, and appliances from Europe, Asia, and the Americas. Includes biographies of notable designers.