Download Free Twelve Solos For Cello Or Violin Basso Continuo Sonatas 4 6 Book in PDF and EPUB Free Download. You can read online Twelve Solos For Cello Or Violin Basso Continuo Sonatas 4 6 and write the review.

This wonderful book is written for musicians seeking to build or extend a sonata repertoire. Analyses are given of both well-known and many lesser-known pieces of music, with recommendations on performance as well as descriptions of difficulties. Many are suitable for student or amateur musicians. This is mainly a book for violinists, though; many of the keyboard parts of these pieces are little more than continuo accompaniment. The second volume, detailing the music of Beethoven onward, contains descriptions of music that puts the keyboardist on more equal footing with the violinist.
Drawing on his love and his own appreciation for classical music, Kenneth A. Christensen works to help educate and inspire fellow music lovers regarding numerous composers and their contributions to music throughout the years. Including composer biographies, suggested list of recordings, and music history, Hooked on Classics will surely help amateur music lovers to gain a better, firmer understanding of music. About the Author Kenneth A. Christensen is a private music teacher and church soloist from Crystal Lake, IL. He has won a Lifetime Achievement Award from Marquis Who's Who in America in 2020. He is a graduate of Crystal Lake South High School and McHenry County College in Crystal Lake, IL, and Elmhurst University in Elmhurst, IL. He has served as cantor and assistant choir director to St. John's Lutheran Church in Algonquin, IL and Shepherd of the Hills Lutheran Church in McHenry, IL. He is a prolific composer as well as the author of sixteen books.
Based on primary sources, many of which have never been published or examined in detail, this book examines the music of the late seventeenth-century composers, Biber, Schmeltzer and Muffat, and the compositions preserved in the extensive Moravian archives in Kromeriz. These works have never before been fully examined in the cultural and conceptual contexts of their time. Charles E. Brewer sets these composers and their music within a framework that first examines the basic Baroque concepts of instrumental style, and then provides a context for the specific works. The dances of Schmeltzer, for example, functioned both as incidental music in Viennese operas and as music for elaborate court pantomimes and balls. These same cultural practices also account for some of Biber's most programmatic music, which accompanied similar entertainments in Kromeriz and Salzburg. The many sonatas by these composers have also been misunderstood by not being placed in a context where it was normal to be entertained in church and edified in court. Many of the works discussed here remain unpublished but have, in recent years, been recorded. This book enhances our understanding and appreciation of these recordings by providing an analysis of the context in which the works were first performed.