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Reprint of the original, first published in 1845.
Robert South (1634-1716) was one of the great Anglican writers and preachers of his age. A contemporary of Dryden and Locke, he faced the profound political and philosophical changes taking place at the beginning of the Enlightenment in England. Gerard Reedy's book makes a strong case for the importance of his sermons, their complexity, beauty and wit, and their place in the history of post-Restoration English literature. Discussing sermons of South that deal with his theory of politics, language, the sacrament and mystery, Reedy reintroduces us to a lively and seminal master of prose, politics and theology in the late Stuart era.
Charles Wesley (1707-1788) is widely recognized as one of the greatest writers of the English hymn. The importance of Charles, however, extends well beyond his undoubted poetic abilities, for he is a figure of central importance in the context of the birth and early growth of Methodism, a movement which today has a worldwide presence. It was Charles and not John who first started the Oxford 'Holy Club' from which the ethos and structures of organised Methodism were eventually to emerge. It was Charles rather than John who first experienced the 'strange warming of the heart' that characterised the experience of many eighteenth-century evangelicals; and in the early years it was Charles no less than John who sought to spread, mainly through his preaching, the evangelical message across England, Wales, and Ireland. Eye witness testimony suggests that Charles was a powerful and effective preacher whose homiletic work and skill did much to establish and further the early Methodist cause. In this book this other side of Charles Wesley is brought clearly into focus through the publication, for the first time, of all of the known Charles Wesley sermon texts. In the four substantial introductory chapters a case is made for the inclusion of the 23 sermons here presented and there is discussion also of the significant text-critical problems that have been negotiated in the production of this volume. Other chapters present a summary of Charles's life and preaching career and seek to show by example how the sermons, no less than the hymns, are significant vehicles for the transmission of Charles's message. This book hence makes a plea for a reassessment of the place of Charles Wesley in English Church history and argues that he deserves to be recognised as more than just 'The Sweet Singer of Methodism'.
This volume is a study of how the poetry of Chaucer continued to give pleasure in the eighteenth century despite the immense linguistic, literary, and cultural shifts that had occurred in the intervening centuries. It explores translations and imitations of Chaucer's work by Dryden, Pope, and other poets (including Samuel Cobb, John Dart, Christopher Smart, Jane Brereton, William Wordsworth, and Leigh Hunt) from the early eighteenth to the early nineteenth centuries, as well as investigating the beginnings of modern Chaucer editing and biography. It pays particular attention to critical responses to Chaucer by Dryden and the brothers Warton, and includes a chapter on the oblique presence of Chaucer in Samuel Johnson's Dictionary. It explores the ways in which Chaucer's poetry (including several works now known not to be by him) was described, refashioned, reimagined, and understood several centuries after its initial appearance. It also documents the way that views of Chaucer's own character were inferred from his work. The book combines detailed discussion of particular critical and poetic texts, many of them unfamiliar to modern readers, with larger suggestions about the ways in which poetry of the past is received in the future.