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Woolens: A Book of Knitted Accessories includes 11 new patterns by Jared Flood, founder and creative director of Brooklyn Tweed. From hats and cowls to scarves, shawls, and wraps, projects suitable for adventurous beginners and seasoned knitters abound.Several patterns in the book offer multiple design pathways that allow the maker to customize the garment according to personal taste. A thorough techniques section shepherds knitters through the patterns and serves as a valuable standalone reference resource.Flood's lavish photography kindles the imagination and inspires creative knitters to original interpretations. Woolens makes a wonderful gift for a knitting friend and is a worthy addition to any knitting library.
A monograph on the ceramic paintings of Kevin McNamee-Tweed. The book is lavishly-illustrated throughout, and includes two new essays and an interview with the artist.
This collection marks a turning point in the study of the history of American religions. In challenging the dominant paradigm, Thomas A. Tweed and his coauthors propose nothing less than a reshaping of the way that American religious history is understood, studied, and taught. The range of these essays is extraordinary. They analyze sexual pleasure, colonization, gender, and interreligious exchange. The narrators position themselves in a number of geographical sites, including the Canadian border, the American West, and the Deep South. And they discuss a wide range of groups, from Pueblo Indians and Russian Orthodox to Japanese Buddhists and Southern Baptists.
A lively account of the life of a New York legend traces the rise of Boss Tweed, the corrupt party boss who controlled New York politics through a combination of corruption, bribery, and coercion until his own over-reaching destroyed him.
THE TRUE STORY OF UNITED STATES NAVY RADIOMAN GEORGE TWEED AND HIS 31 MONTHS OF SURVIVAL ON JAPANESE-HELD GUAM DURING WORLD WAR II “DANIEL DEFOE would have admired George Ray Tweed, the American seaman whose ingenuity and self-reliance have caught the imagination of modern America as Robinson Crusoe’s fascinated eighteenth century England. Defoe’s hero was engaged almost solely in a struggle for survival against nature. “Crusoe and Tweed were most alike in the genius for contrivance, and Tweed doesn’t suffer from comparison with his famous prototype. To construct his shelter and furniture, Crusoe brought from his ship planks and boards and a complete carpenter’s chest of tools, in addition to two saws, an ax, “an abundance of hatchets,” a hammer, nails and several knives. Tweed built his equipment without benefit of nails, using only a handsaw, a machete, and a pocketknife. He went on to fashion, with crude materials, a lamp, a lantern, and an ingenious alarm system. At one time he had electric lights in a part of the country where not even the best homes enjoyed such luxury. He kept in repair an almost worn-out typewriter, on which he produced a one-page underground newspaper. He tore apart an apparently useless radio, put it together again, and brought in news from a station thousands of miles away. “Tweed was born with common sense. A roustabout life as lumberman, stevedore, and mechanic gave him self-reliance; hunting expeditions in Oregon and California taught him woodsmanship; the Navy instructed him in the techniques of communication. It was as if all his early life had been preparation for the grueling experience which he alone, of those who fled before the invading Japanese, survived. “I am glad to be the one to tell Tweed’s story. In all important respects it is related here exactly as he gave it to me.”
Tartan and Tweed is a comprehensive look at the chequered history of tartan and tweed from their origins in the Scottish Highlands to their reinvention, growing and continued popularity and use in contemporary fashion design, music, art and film. Both tweed and tartan are fabrics with a strong cultural identity and history. But they have been reinvented to create multiple meanings, particularly when used in street fashions and in haute couture to mimic or parody the aristocracy, and to act as a subversive symbol of rebellion. This lavishly illustrated book focuses on fashion over the last century whilst looking back at the journey these fabrics have made from traditional cloth to stylish fabrics. We follow the early popularity of tartan and tweed including the fabrics' connections from crofters and clans to aristocracy, and look at tweed's dramatic recovery during an economic crisis and its subsequent re-invention as desirable luxury fashion fabric. The book explores the use of tartan and tweed in fashion in the collections of leading designers including Vivienne Westwood, Alexander McQueen and Chanel who have used these textiles in a fresh, subversive way, while also paying tribute to their history. Making use of first person sources, historic documents, paintings and fashion photographs, this is a complete overview of tartan and tweed in Scotland and beyond.
Mr. Tweed helps some walruses in need by getting their band back together in this seek and find book.
The story of tweed is tied to a series of social, economic and cultural shifts that have molded its development. This book considers the historical factors that helped to shape the design characteristics and social meanings of the group of fabrics that we call tweed, from their emergence in the 1820s to the present day. Including significant new research on tweeds, from Harris Tweed to the type used by Chanel, this book follows the history of these fabrics from the raw fiber to the finished garment in men's and women's fashion. Exploring rural and urban contexts, this book reveals the important physical and conceptual relationships of tweed with landscape. Anderson shows that, contrary to their strong popular associations with tradition, tweeds emerged in the Romantic era as a response to the dramatic changes associated with industrialization and urbanization. Progressive changes in gender relations are also explored as a major factor in tweed's evolution, from associations with particular ideals of masculinity into what is now a truly adaptable fashion textile worn by both sexes. This is the first book of its kind to recognize the importance of tweed to fashion innovation today.
Harris Tweed is a unique woollen textile that has been hand-woven by islanders off the west coast of Scotland for generations. Worn worldwide, it is cherished both for the clothing made from it and as a fascinating traditional craft. Lara Platman spent a year with the farmers, mill workers, weavers, tailors and designers who are carrying this tradition forward into the twenty-first century and in Harris Tweed: From Land to Street she follows the chain of craftsmen, from the islanders in the Hebrides to the tailors of Savile Row. With an eye for character, colour and light, and an ear for a good story, Lara has created extraordinary portraits of these living national treasures, complemented by evocative images of the landscapes of Harris, the tweed patterns whose textures and colours seem to emerge from the land, and the use of Harris tweed in the work of fashion designers including Vivienne Westwood, Margaret Howell and Paul Smith.Offering insights into a lifestyle whose continued existence may surprise many, this group portrait is a heartfelt celebration of craftsmanship and a way of life.