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A classic Christmas story featuring all the magic of Santa combined with the magic of your favorite city, state, or country. It's the night before Christmas and you're nestled snug in your bed. Your stocking is hung by the chimney with care--will Santa visit your house? Follow Santa's journey in this magical retelling of a Christmas classic starring the locations and landmarks that make the place where you live special!
A glittering celebration of queer families puts Pride gently in perspective—honoring those in the LGBTQ+ community who fought against injustice and inequality. Pride’s . . . a day that means “Together, we are strong!” This joyful picture-book homage to a day of community and inclusion—and to the joys of anticipation—is also a comprehensive history. With bright, buoyant illustrations and lyrical, age-appropriate rhyme modeled on “’Twas the Night Before Christmas,” it tackles difficult content such as the Stonewall Riots and the AIDS marches. On the night before Pride, families everywhere are preparing to partake. As one family packs snacks and makes signs, an older sibling shares the importance of the march with the newest member of the family. Reflecting on the day, the siblings agree that the best thing about Pride is getting to be yourself. Debut author Joanna McClintick and Pura Belpré Award–winning author-illustrator Juana Medina create a new classic that pays homage to the beauty of families of all compositions—and of all-inclusive love.
Investigating the origins of Santa Claus, a cynical reporter comes to believe that his fiancee, whom he spurned for believing in Santa, may have been right, in a warm-hearted tale of Christmas wonder and love.
Santa's deliveries are delayed by fierce winds and traffic in Chicago until somone special helps him out.
Mr. Boddington's Studio delivers a stylish and modern illustrated reimagining of the most iconic Christmas picture book story using the words of the Clement Clarke Moore's poem "A Visit from St. Nicholas." A perennial bestseller and timeless gift in the holiday season, multiple adaptations exist of this classic holiday tale, almost exclusively illustrated in bold classic colors. Mr. Boddington's Studio provides a fresh take by using the same poem and updating the style with a sophisticated and modern color palette. Children and parents alike will delight in revisiting this classic holiday tale with the iconic and fresh Mr. Boddington's style.
A poem about the visit that Santa Claus pays to the children of the world during the night before every Christmas.
Young mateys will find plenty of holiday joy in this humorous, colorful, and thoroughly piratical version of the beloved Clement C. Moore classic. On this ship of mischievous brigands—who have visions of treasure chests, not sugarplums, dancing in their heads—you wouldn’t expect a visit from nice St. Nick. Instead, here comes Sir Peggedy, with his peg leg and hook arm, cracking his whip and driving eight giant seahorses: Salty, Scurvy, Sinbad, Mollie, Cutthroat, Cross-Eyes, Roger, and Jolly. Philip Yates’ rollicking rhymes and Sebastià Serra’s sprightly, fun-filled pictures—featuring whimsically multicolored seahorses, stockings hung on the ship’s bowsprit with tar, child-friendly pirates, and a complete treasure map—turn this Christmas perennial into a jubilant celebration!
Beautiful gift edition features the yuletide classic as interpreted by The Wizard of Oz illustrator, W. W. Denslow, whose expressive full-color illustrations add a whole new dimension to the familiar tale.
Penned by one of America's best-known daily theatre critics and organized chronologically, this lively and readable book tells the story of Broadway's renaissance from the darkest days of the AIDS crisis, via the disaster that was Spiderman: Turn off the Dark through the unparalleled financial, artistic and political success of Lin-Manuel Miranda's Hamilton. It is the story of the embrace of risk and substance. In so doing, Chris Jones makes the point that the theatre thrived by finally figuring out how to embrace the bold statement and insert itself into the national conversation - only to find out in 2016 that a hefty sector of the American public had not been listening to what it had to say. Chris Jones was in the theatres when and where it mattered. He takes readers from the moment when Tony Kushner's angel crashed (quite literally) through the ceiling of prejudice and religious intolerance to the triumph of Hamilton, with the coda of the Broadway cast addressing a new Republican vice-president from the stage. That complex performance - at once indicative of the theatre's new clout and its inability to fully change American society for the better - is the final scene of the book.
An adaptation of the poem by Clement Clark Moore, with pop-up pages and movable pull-tabs.