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The final installment in Sam's epic trilogy about coming of age in the South.
Last Night When I Was Young saw me riding thoroughbred racehorses as if I were Doug Smith and Fred Winter. In the same vein, I played football as Jimmy Greaves did for Chelsea and I was a Test Match batsman emulating the great PBH May. I hit the biggest serve as Mike Sangster in the Davis Cup, as well as bobbing and weaving in the boxing ring exactly like my favourite Dick Tiger, the world middleweight champion. I was unstoppable behind the wheel of a racing car as Britain's first world champion Mike Hawthorn but on the speedway track I rode with stylish aplomb interpreting my hero, Ronnie "Mirac" Moore. Swinging a mashie niblick as Peter Alliss was no handicap. Rugby Union at Twickenham when my body swerve was very sharp - Richard Sharp. When the Olympics came around, I ran the race of my life both over long distances and over one lap hurdles respectively as Gordon Pirie and the great David Hemery. With eyes open, I loved watching the upright Dorothy Hyman dip and throw herself over the line whilst I fell in love with Mary Rand hitch-kicking her way into Olympic history. Fantasy is then mixed with fact. The jockeys' journeys from completing exacting apprenticeships to becoming champions on the Flat and the National Hunt. Smith riding two-year-olds on the edge in the One Thousand Guineas and the Two Thousand Guineas. Whereas Winter was jumping off the edge of the world in The Grand National. The trials and tribulations with the relative success of the 1960's Chelsea football team from Drake's ducklings morphing into Docherty's uncut diamonds. A fourteen-year-old boy from New Zealand leaves home to become the first speedway superstar. The fight of the week from the USA brings us a Nigerian boxer who confounds convention and fights his way to the top of two weight divisions. A classical English batsman, an amateur as such who set records as a captain and whose impact on Test cricket is second to one. Birdies and bogeys abound, yet our golfing hero is a true British legend. 152 miles per hour as a world record was a cannonball service that belonged to a British no.1 tennis star that left us far too early. The first British world motor racing champion whose play-boy antics on and off the track caused his untimely death. A brief yet scintillating career as England's fly-half sees a jaw-dropping piece of rugby played over and over - sixty years later. The hackles on the neck rise again through an Olympic television commentary that almost matches the magnitude of the performance and the world record that was set. All are sporting yesterday's, worthy of repeat, a young boy's memory listing every feat.
DIVThe insightful and heartwarming memoir of one of twentieth-century America’s most celebrated frontier writers/divDIV Dee Brown’s fascinating memoir describes a writer’s evolution—and a time when catching rides on trains or seeing the landing of a Curtiss Jenny airplane were simple and profound pleasures. Brown traces his upbringing in Arkansas in the early 1900s, and the oil boom that hit his tiny town. He writes of how he fell under the spell of books and history, and of his eventual work as a journalist and printer before finding his true love—the American West—which would lead to his penning the classic Bury My Heart at Wounded Knee./divDIV /divDIVWritten with gentle humor and a scholar’s curiosity, When the Century Was Young is a wistful look at youth during a poignant moment in American history./divDIV /divDIVThis ebook features an illustrated biography of Dee Brown including rare photos from the author’s personal collection./div
DigiCat Publishing presents to you this special edition of "When the West Was Young" by Frederick R. Bechdolt. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
My Misspent Youth is an incisive collection that marked the start of a new millennium and became a cult classic, from the editor of Selfish, Shallow, and Self-Absorbed and the author of The Unspeakable An essayist in the tradition of Joan Didion, Meghan Daum is one of the most celebrated nonfiction writers of her generation, widely recognized for her fresh, provocative approach with which she unearths the hidden fault lines in the American landscape. From her well remembered New Yorker essays about the financial demands of big-city ambition and the ethereal, strangely old-fashioned allure of cyber-relationships to her dazzlingly hilarious riff in Harper's about musical passions that give way to middle-brow paraphernalia, Daum delves into the center of things while closely examining the detritus that spills out along the way. With precision and well-balanced irony, Daum implicates herself as readily as she does the targets that fascinate and horrify her.
American college students during the Age of Roosevelt confronted two of the gravest crises in the twentieth century: the Great Depression and the growing international tensions that ultimately led to World War II. These crises generated more idealism than despair, politicizing undergraduates, who built the first mass student movement in American history. Led by leftists, this movement responded to the crisis in international relations by organizing national student strikes against war and fascism - which at their height in the mid-1930s mobilized almost half of the undergraduate population in the United States. While battling for peace in the international arena, the student movement responded to the Depression in America by waging a war on poverty. The movement championed a broader and more egalitarian vision of the welfare state than that of the New Dealers. Demanding "scholarships not battleships," Depression-era student activists pushed for federal educational funding and job programs for all needy young Americans. The student movement tested the limits of free speech on campus. Anti-radical college administrators sought to suppress the movement, provoking major battles over political expression. Though Depression-era student protests were almost always nonviolent and lawful, college administrators nonetheless turned over confidential information about their activist students to the Federal Bureau of Investigation - abrogating the First Amendment rights of these young activists. When the Old Left Was Young offers the first comprehensive history of the Depression-era student movement and its activism on behalf of peace, social justice, and free speech. The study explores the role that radicals - and particularly Communists - played in launching and leading the movement. Avoiding the polemics of Cold War-era historiography, When the Old Left Was Young presents Communist students in all their complexity; they emerge on these pages as idealistic champions of egalitarian social change, but also as manipulative political organizers whose eagerness to serve as apologists for the U.S.S.R. ultimately destroyed the student movement in the wake of the Nazi-Soviet pact and the Soviet invasion of Finland. Based upon sources generally ignored by political historians, including student newspapers, university records, FBI documents, and interviews with movement leaders, this book offers new insights into American political life during the Depression era. Revealing fascinating individual stories in this history of student insurgency, When the Old Left Was Young will be of key interest to readers concerned with the history of American education, youth, radicalism, free speech, U.S. and Soviet foreign policy, race relations, and the Great Depression.
A decade after the first Canadian telecasts in September 1952, TV had conquered the country. Why was the little screen so enthusiastically welcomed by Canadians? Was television in its early years more innovative, less commerical, and more Canadian than current than current offerings? In this study of what is often called the 'golden age' of television, Paul Rutherford has set out to dispel some cherished myths and to resurrect the memory of a noble experiment in the making of Canadian culture. He focuses on three key aspects of the story. The first is the development of the national service, including the critical acclaim won by Radio-Canada, the struggles of the CBC's English service to provide mass entertainment that could compete with the Hollywood product, and the effective challenge of private television to the whole dream of public broadcasting. The second deals with the wealth of made-in-Canada programming available to please and inform vviewers - even commercials receive close attention. Altogether, Rutherford argues, Canadian programming reflected as well as enhanced the prevailing values and assumptions of the mainstream. The final focus is on McLuhan's Question: What happens to society when a new medium of communications enters the picture? Rutherford's findings cast doubt upon the common presumptions about the awesome power of television. Television in Canada, Rutherford concludes, amounts to a failed revolution. It never realized the ambbitions of its masters or the fears of its critics. Its course was shaped not only by the will of the government, the power of commerce, and the empire of Hollywood, but also by the desires and habits of the viewers.
A “wonderful memoir” of a woman’s life as a fashion-magazine writer in 1950s and ’60s New York (Publishers Weekly). Mary Cantwell arrived in Manhattan one summer in the early 1950s with eighty dollars, a portable typewriter, a wardrobe of unsuitable clothes, a copy of The Poems of Gerard Manley Hopkins, a boyfriend she was worried might be involved with the Communists, and no idea how to live on her own. She moved to the Village because she had heard of it, and worked at Mademoiselle because that was where the employment agency sent her. In this evocative and unflinching book, Cantwell recalls the city she knew back then by revisiting five apartments in which she lived. Her memoir vividly recreates both a particular golden era in New York City and the sometimes painful, sometimes exhilarating process of forging a self.