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In TWANG: a novel, former Country Music publicist John Schlimm peels back the industry-crafted cliche of Nashville and its beloved superstars. He takes readers backstage of the sold-out concerts, inside the homes and heads of Nashville's elite, and introduces them to a side of show business that has yet to be revealed. Readers are whisked away on a wild ride to a provocative and quirky place with fictional characters, who seem strikingly familiar, and who will leave the readers shocked, titillated, laughing, and realizing that the real world of Country Music is far more compelling and scandal-ridden than they could ever have imagined.
Twenty-three-year-old Jennifer Clodfelter believes she is destined to be a country music star. When her passion, determination and homemade demo tape were rejected by every music label in Nashville, she refused to give up. In just three years, a combination of guts and raw talent have propelled her on a journey of fame beyond her best dream. Now Jennifer has all she ever wanted, only to discover that there is a dark side to the glitz and number one hits. She will have to decide whether to sing her pain to a loving audience or find the courage to face the music in the private studio of her heart.
Twenty-three-year-old Jennifer Clodfelter believes she is destined to be a country music star. When her passion, determination and homemade demo tape were rejected by every music label in Nashville, she refused to give up. In just three years, a combination of guts and raw talent have propelled her on a journey of fame beyond her best dream. Now Jennifer has all she ever wanted, only to discover that there is a dark side to the glitz and number one hits. She will have to decide whether to sing her pain to a loving audience or find the courage to face the music in the private studio of her heart.
Merging scholarly insight with a professional guitarist's sense of the musical life, Yankee Twang delves into the rich tradition of country & western music that is played and loved in the mill towns and cities of the American northeast. Scholar and musician Clifford R. Murphy draws on a wealth of ethnographic material, interviews, and encounters with recorded and live music to reveal the central role of country and western in the social lives and musical activity of working-class New Englanders. As Murphy shows, an extraordinary multiculturalism sets New England country and western music apart from other regional and national forms. Once segregated at work and worship, members of different ethnic groups used the country and western popularized on the radio and by barnstorming artists to come together at social events, united by a love of the music. Musicians, meanwhile, drew from the wide variety of ethnic musical traditions to create the New England style. But the music also gave--and gives--voice to working-class feeling. Murphy explores how the Yankee love of country and western emphasizes the western, reflecting the longing of many blue collar workers for the mythical cowboy's life of rugged but fulfilling individualism. Indeed, many New Englanders use country and western to comment on economic disenfranchisement and express their resentment of a mass media, government, and Nashville music establishment that they believe neither reflects their experiences nor considers them equal participants in American life.
Long a symbol of American culture, the banjo actually originated in Africa before European-Americans adopted it. Karen Linn shows how the banjo--despite design innovations and several modernizing agendas--has failed to escape its image as a "half-barbaric" instrument symbolic of antimodernism and sentimentalism. Caught in the morass of American racial attitudes and often used to express ambivalence toward modern industrial society, the banjo stood in opposition to the "official" values of rationalism, modernism, and belief in the beneficence of material progress. Linn uses popular literature, visual arts, advertisements, film, performance practices, instrument construction and decoration, and song lyrics to illustrate how notions about the banjo have changed. Linn also traces the instrument from its African origins through the 1980s, alternating between themes of urban modernization and rural nostalgia. She examines the banjo fad of bourgeois Northerners during the late nineteenth century; the African-American banjo tradition and the commercially popular cultural image of the southern black banjo player; the banjo's use in ragtime and early jazz; and the image of the white Southerner and mountaineer as banjo player.
A rough and tumble woman meets her match in a wild cowboy in this Blacktop Cowboys® novel from the New York Times bestselling author of Wrapped and Strapped. Tanna Barker is a world champion barrel racer. But her personal life has been less successful. Her recently widowed father has remarried, and sold the Texas ranch she called home. Now a rodeo injury has left the restless spitfire holed up in Muddy Gap, unsure what her next move should be. Veterinarian August Fletcher has always put his job first. He’s never found a woman who could handle his on-the-road lifestyle. But when sassy, sexy Tanna blows into town, he finally finds the woman of his fantasies. There’s something between them, but Tanna has been burned by love ’em and leave ’em road dogs before. It’ll take some sweet persuasion to convince her that Fletch is committed to their sizzling relationship for the long haul.
A Kirkus Best Fiction of 2019 Pick! A cross between Daniel Woodrell and Annie Proulx, Wyoming is about the stubborn grip of inertia and whether or not it is possible to live without accepting oneself. It’s 1988 and Shelley Cooper is in trouble. He’s broke, he’s been fired from his construction job, and his ex-wife has left him for their next door neighbor and a new life in Kansas City. The only opportunity on his horizon is fifty pounds of his brother’s high-grade marijuana, which needs to be driven from Colorado to Houston and exchanged for a lockbox full of cash. The delivery goes off without a hitch, but getting home with the money proves to be a different challenge altogether. Fueled by a grab bag of resentments and self punishment, Shelley becomes a case study in the question of whether it’s possible to live without accepting yourself, and the dope money is the key to a lock he might never find. JP Gritton’s portrait of a hapless aspirant at odds with himself and everyone around him is both tender and ruthless, and Wyoming considers the possibility of redemption in a world that grants forgiveness grudgingly, if at all.
THE INSTANT #1 NEW YORK TIMES BESTSELLER “Sparkling with mystery, humor and the uncanny, this is a fun read. But beneath its effervescent tone, more complex themes are at play.” —San Francisco Chronicle In his wildly entertaining debut novel, Hank Green—cocreator of Crash Course, Vlogbrothers, and SciShow—spins a sweeping, cinematic tale about a young woman who becomes an overnight celebrity before realizing she's part of something bigger, and stranger, than anyone could have possibly imagined. The Carls just appeared. Roaming through New York City at three a.m., twenty-three-year-old April May stumbles across a giant sculpture. Delighted by its appearance and craftsmanship—like a ten-foot-tall Transformer wearing a suit of samurai armor—April and her best friend, Andy, make a video with it, which Andy uploads to YouTube. The next day, April wakes up to a viral video and a new life. News quickly spreads that there are Carls in dozens of cities around the world—from Beijing to Buenos Aires—and April, as their first documentarian, finds herself at the center of an intense international media spotlight. Seizing the opportunity to make her mark on the world, April now has to deal with the consequences her new particular brand of fame has on her relationships, her safety, and her own identity. And all eyes are on April to figure out not just what the Carls are, but what they want from us. Compulsively entertaining and powerfully relevant, An Absolutely Remarkable Thing grapples with big themes, including how the social internet is changing fame, rhetoric, and radicalization; how our culture deals with fear and uncertainty; and how vilification and adoration spring for the same dehumanization that follows a life in the public eye. The beginning of an exciting fiction career, An Absolutely Remarkable Thing is a bold and insightful novel of now.
THE #1 NEW YORK TIMES BESTSELLER IS NOW A MAJOR-MOTION PICTURE DIRECTED BY RON HOWARD AND STARRING AMY ADAMS, GLENN CLOSE, AND GABRIEL BASSO "You will not read a more important book about America this year."—The Economist "A riveting book."—The Wall Street Journal "Essential reading."—David Brooks, New York Times Hillbilly Elegy is a passionate and personal analysis of a culture in crisis—that of white working-class Americans. The disintegration of this group, a process that has been slowly occurring now for more than forty years, has been reported with growing frequency and alarm, but has never before been written about as searingly from the inside. J. D. Vance tells the true story of what a social, regional, and class decline feels like when you were born with it hung around your neck. The Vance family story begins hopefully in postwar America. J. D.’s grandparents were “dirt poor and in love,” and moved north from Kentucky’s Appalachia region to Ohio in the hopes of escaping the dreadful poverty around them. They raised a middle-class family, and eventually one of their grandchildren would graduate from Yale Law School, a conventional marker of success in achieving generational upward mobility. But as the family saga of Hillbilly Elegy plays out, we learn that J.D.'s grandparents, aunt, uncle, sister, and, most of all, his mother struggled profoundly with the demands of their new middle-class life, never fully escaping the legacy of abuse, alcoholism, poverty, and trauma so characteristic of their part of America. With piercing honesty, Vance shows how he himself still carries around the demons of his chaotic family history. A deeply moving memoir, with its share of humor and vividly colorful figures, Hillbilly Elegy is the story of how upward mobility really feels. And it is an urgent and troubling meditation on the loss of the American dream for a large segment of this country.
Tara Holloway has got your number. A special agent on the IRS's payroll, she's dead-set on making sure that money crimes don't pay... Tax cheats, beware: The Treasury Department's Criminal Investigations Division has a new special agent on its payroll. A recovering tomboy with a head for numbers, Tara's fast becoming the Annie Oakley of the IRS—kicking ass, taking social security numbers, and keeping the world safe for honest taxpayers. Or else. Tara's latest mission finds her in hot pursuit of ice-cream vendor Joseph "Joe Cool" Cullen. Along with frozen treats he's selling narcotics—and failing to report his ill-gotten gains on his tax returns. Over Tara's dead body. Then there's Michael Gryder, who appears to be operating a Ponzi scheme...with banker Stan Shelton...whose lake house is being landscaped by Brett Ellington...who happens to be dating Tara. If following that money trail isn't tough enough, now Tara must face a new conundrum: Should she invest her trust in Brett—or put him behind bars? New love always comes at a cost but justice? Priceless.