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Why watch TV when you can read about it? Featuring more than 600 previously unpublished photos, TVparty! offers fascinating, untold stories from TV's golden age.
Originally broadcast on American television between 1952 and 1969, the 30 situation comedies in this work are seldom seen today and receive only brief and often incomplete and inaccurate mentions in most reference sources. Yet these sitcoms (including Angel, The Governor and J.J., It's a Great Life, I'm Dickens ... He's Fenster and Wendy and Me), and the stories of the talented people who made them, are an integral part of television history. With a complete list of production credits and rare publicity stills, this volume, based on multiple screenings of episodes, corrects other sources and expand our knowledge of television history.
This book looks at the origins and growth of television through the pages of TV Guide and covers the complete run of this American icon from the first guides in 1953 to the last issue in guide format on October 9, 2005. It includes full color reproductions of every cover ever printed, and is both a collector's guide with pricing included, and a retrospective view of the medium.
The creator of CSIdelves into the mysteries of his father’s tragic death and his own unlikelyrise in Hollywood using the very techniques he has honed by working on his hitshows, CSI, CSI: Miami,and CSI: New York.Deeply felt and insightful, Anthony Zuiker’s searingmemoir of dreams and losses, successes and heartbreaks, is not only abehind-the-scenes look at television’s most-watched drama, but an essentialguide for aspiring script writers and filmmakers, featuring practical tips andinspiring lessons to help tomorrow’s writers succeed today. Fans of crimedramas, anyone who dreams of unraveling the mysteries of their own story, andeveryone who dreams of making it big will find themselves immediately drawn inby the one-of-a-kind story of the man who made it: Mr. CSI.
ER, Law & Order, and The Sopranos are just a few of the dramas that launched a new era of television at the tum of the millennium. TV Creators gives scholars and fans alike an exclusive, firsthand account of the lives, philosophies, and contributions of the writers and producers responsible for these and other outstanding prime time programs. James Longworth affords twelve outstanding creators of television drama an open, uncensored forum in which they discuss everything from their work ethic to the political and social issues affecting the television industry.
Unsold Television Pilots is a detailed compilation of all the unsold television series concepts that, from 1955 through 1988, reached the development stage at the networks--but didn't sell. Pilots are listed by year and title and include production credits, plot synopsis and when applicable, air dates. The Introduction explains what a pilot is, and how the television marketplace works now and has worked in the past. An exhaustive index (actors, writers, directors, producers and pilots) and separate lists of pilots that are based on movies, pilots that are continuations of cancelled series, and pilots that are spin-offs of characters from other series are also included.
Billy Eye covered the Punk, New Wave and East L.A. underground music scene in Los Angeles for Data-Boy magazine, a Los Angeles gay publication that began in 1968. These rock columns appeared between 1980 and 1983, detailing a tumultuous environment where Fear, Black Flag, Red Wedding, Missing Persons, Red Hot Chili Peppers, Los Illegals, and The Stains banged away in smoky clubs like The Starwood, Brave Dog, Al's Bar, Vex and Cathay De Grande. It was a world almost no one else was writing about at the time. Take a close look at two bands that were popular in Los Angeles in the early 1980s-the city's first openly gay group, underground post-punkers Red Wedding, and Missing Persons, the first superstars of a newly launched MTV. This book explores what it was like to live openly gay in the 1970s and early 1980s, the parallax between brutal police suppression, rampant gay bashing, the widening acceptance of queer culture, and the discovery of AIDS. And then there's the sorted sordid world of pornography and prostitution the author finds himself confronted with. When one of your clients is accused of bludgeoning four people to death in one of the bloodiest crime scenes history maybe it's time to reassess your life. You would think... It's a filthy, sordid tale the whole family can enjoy!
Downtown Film and TV Culture, 1975-2001 brings together essays by filmmakers, exhibitors, cultural critics, and scholars from multiple generations of the New York Downtown scene to illuminate individual films and filmmakers and explore the creation of a Downtown Canon, the impact of AIDS on younger filmmakers, community access cable television broadcasts, and the impact of the historic downtown scene on contemporary experimental culture. The book includes J. Hoberman's essay "No Wavelength: The Parapunk Underground," as well as historical essays by Tony Conrad and Lynne Tillman, interviews with filmmakers Bette Gordon and Beth B., and essays by Ivan Kral and Nick Zedd.
The Sesame Street Muppets watch a holiday television program showing how children around the world celebrate the New Year.
"The first survey dedicated to the work of the McKimson brothers, this book offers a rare behind-the-scenes look at the upper echelon of 20th-century animation and examines the creative process behind the making of numerous popular characters and classic programs. Featuring original artwork from the golden age of animation, this book includes a wealth of material from many professional archives--screen captures, original drawings, reproductions of animation cels, illustrations from comic books, lobby cards, and other ephemera from the author's collection--while surveying the careers of three groundbreaking animators whose credits include Looney Tunes, the Pink Panther, and Mr. Magoo. Beginning in the 1920s and then tracing the brothers' work together at Warner Brothers Cartoons in the following decades, this history details Robert McKimson's creation of such beloved characters as Foghorn Leghorn, the Tasmanian Devil, and Speedy Gonzales; Tom McKimson's work at Warner Brothers, Dell Comics, and Golden Books; and Chuck McKimson's long career working in comic books and then later at Pacific Title, creating animated film titles and commercials, including his award-winning work on Music Man, Cleopatra, and The Sound of Music"--