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In TV Snapshots, Lynn Spigel explores snapshots of people posing in front of their television sets in the 1950s through the early 1970s. Like today’s selfies, TV snapshots were a popular photographic practice through which people visualized their lives in an increasingly mediated culture. Drawing on her collection of over 5,000 TV snapshots, Spigel shows that people did not just watch TV: women used the TV set as a backdrop for fashion and glamour poses; people dressed in drag in front of the screen; and in pinup poses, people even turned the TV setting into a space for erotic display. While the television industry promoted on-screen images of white nuclear families in suburban homes, the snapshots depict a broad range of people across racial, ethnic, and class backgrounds that do not always conform to the reigning middle-class nuclear family ideal. Showing how the television set became a central presence in the home that exceeded its mass entertainment function, Spigel highlights how TV snapshots complicate understandings of the significance of television in everyday life.
The Many Lives of the Batman (1991) was a pioneer within cultural and comic book scholarship. This fresh new sequel retains the best of the original chapters but also includes images, new chapters and new contributions from the Batman writers and editors. Spanning 75 years and multiple incarnations, this is the definitive history of Batman.
This title presents the systematization and description of accumulated knowledge on oceanic fronts of the Norwegian, Greenland, Barents and Bering Seas. The main fronts of the Norwegian, Greenland and Barents Seas are part of the climatic North Polar Frontal Zone (NPFZ). The work is based on numerous observational data, collected by the authors during special sea experiments directed at the investigation of physical processes and phenomena inside certain parts of the NPFZ and in the northern part of the Bering Sea, on archive data of the USSR Hydrometeocenter and other research institutions, as well as on a wide scientific literature published in Russian and Western editions. The book contains general information on the oceanic fronts of the Subarctic Seas, brief history of their investigation, state of the knowledge, as well as detailed description of the thermohaline structure of all frontal zones in the Norwegian, Greenland, Barents and Bering Seas and of neighboring fronts of Arctic and coastal origin. Special attention is given to the study of the multifrontal character of the NPFZ and of peculiarities of its internal structure at different locations, to the description of diverse oceanic features observed in the NPFZ, as well as to some characteristics of the horizontal and vertical fine structure of hydrophysical fields in the NPFZ. The main features of the northern Bering Sea's summer ecohydrodynamics are investigated with the help of three-dimensional direct and inverse models.
Studios are, at once, material environments and symbolic forms, sites of artistic creation and physical labor, and nodes in networks of resource circulation. They are architectural places that generate virtual spaces—worlds built to build worlds. Yet, despite being icons of corporate identity, studios have faded into the background of critical discourse and into the margins of film and media history. In response, In the Studio demonstrates that when we foreground these worlds, we gain new insights into moving-image culture and the dynamics that quietly mark the worlds on our screens. Spanning the twentieth century and moving globally, this unique collection tells new stories about studio icons—Pinewood, Cinecittà, Churubusco, and CBS—as well as about the experimental workplaces of filmmakers and artists from Aleksandr Medvedkin to Charles and Ray Eames and Hollis Frampton.
Now in its second edition, Communication Law: Practical Applications in the Digital Age is an engaging and accessible text that brings a fresh approach to the fundamentals of mass media law. Designed for students of communication that are new to law, this volume presents its readers with key principles and emphasizes the impact of timely, landmark cases on today’s media world, providing an applied learning experience. This new edition offers a brand new chapter on digital media law, a wealth of new case studies, and expanded discussions of current political, social, and cultural issues.
Perfect for professionals working from home or small business owners looking to build a network, this handbook includes coverage of how to install and configure a router and how to use a SoHo LAN. An entire section is devoted to wireless technologies. This book covers selection and installation of all components of a network.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Lynn Spigel explores historical snapshots of people posing in front of their television sets in the 1950s through the early 1970s, showing how TV snapshots were a popular photographic practice through which people visualized their lives in an increasingly mediated culture.
This book is a printed edition of the Special Issue "Sensors and Actuators in Smart Cities" that was published in JSAN
Winner of the Bronze Medal for Science in the 2016 Independent Publisher (IPPY) Book Awards In this companion volume to John Bisney and J. L. Pickering’s extraordinary book of rare photographs from the Mercury and Gemini missions, the authors now present the rest of the Golden Age of US manned space flight with a photographic history of Project Apollo. Beginning in 1967, Moonshots and Snapshots of Project Apollo chronicles the program’s twelve missions and its two follow-ons, Skylab and the Apollo-Soyuz Test Project. The authors draw from rarely seen NASA, industry, and news media images, taking readers to the Moon, on months-long odysseys above Earth, and finally on the first international manned space flight in 1975. The book pairs many previously unpublished images from Pickering’s unmatched collection of Cold War–era space photographs with extended captions—identifying many NASA, military, and contract workers and participants for the first time—to provide comprehensive background information about the exciting climax and conclusion of the Space Race.