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TV Outside the Box: Trailblazing in the Digital Television Revolution explores the new and exploding universe of on-demand, OTT (Over the Top) networks: Netflix, Amazon, Hulu, Crackle, CW Seed, Vimeo, AwesomenessTV, and many more. Featuring in-depth conversations with game-changing content creators, industry mavericks, and leading cultural influencers, TV Outside the Box is essential reading for anyone interested in the dynamics of a global media revolution – while it’s happening. Readers will discover: How the new "disruptors" of traditional television models are shaping the future of the television and feature film business. You’ll hear directly from the visionaries behind it all – from concept genesis to predictions for the future of streaming platforms; their strategies for acquisitions and development of new original content; and how the revolution is providing unprecedented opportunities for both established and emerging talent. What’s different about storytelling for the progressive, risk-taking networks who are delivering provocative, groundbreaking, binge-worthy content, without the restraints of the traditional, advertiser-supported programming model. Through interviews with the showrunners, content creators, and producers of dozens of trailblazing series – including Orange Is the New Black, House of Cards, Transparent, and many more – you’ll learn how and why the best and the brightest TV content creators and filmmakers are defining the new digital entertainment age – and how you can, too.
Thinking Outside the Box brings together some of the best and most challenging scholarship about TV genres, exploring their genesis, their functions and development, and the interaction of disparate genres. The authors argue that genre is a process rather than a static category and that it signifies much about the people who produce and watch the shows. In addition to considering traditional genres such as sitcoms, soap operas, and talk shows, the contributors explore new hybrids, including reality programs, teen-oriented science fiction, and quality dramas, and examine how many of these shows have taken on a global reach. Identifying historical continuities and envisioning possible trends, this is the richest and most current study of how television genres form, operate, and change.
Choice Outstanding Academic Title for 2008 After occupying a central space in American living rooms for the past fifty years, is television, as we’ve known it, dead? The capabilities and features of that simple box have been so radically redefined that it’s now nearly unrecognizable. Today, viewers with digital video recorders such as TiVo may elect to circumvent scheduling constraints and commercials. Owners of iPods and other portable viewing devices are able to download the latest episodes of their favorite shows and watch them whenever and wherever they want. Still others rent television shows on DVD, or download them through legal and illegal sources online. But these changes have not been hastening the demise of the medium. They are revolutionizing it. The Television Will Be Revolutionized examines television at the turn of the twenty-first century —:what Amanda D. Lotz terms the “post-network” era. Television, both as a technology and a tool for cultural storytelling, remains as important today as ever, but it has changed in fundamental ways as the result of technological innovations, proliferating cable channels targeting ever more specific niche audiences, and evolving forms of advertising such as product placement and branded entertainment. Many of the conventional practices and even the industry’s basic business model are proving unworkable in this new context, resulting in a crisis in norms and practices. Through interviews with those working in the industry, attendance of various industry summits and meetings, surveys of trade publications, and consideration of an extensive array of popular television shows, Lotz takes us behind the screen to explore what is changing, why it’s changing, and why these changes matter.
A study on the positives of limiting and eliminating TV time by Barbara Brock.
This laugh-out-loud poetry collaboration from a New York Times and Publishers Weekly bestselling author and a Caldecott Honor illustrator is anything but ordinary. Dive in to Karma Wilson’s latest collection of more than 100 poems—some humorous, some poignant, and all of them Outside the Box. Illustrated by Caldecott Honoree Diane Goode, Outside the Box has something for everyone. Appealing to kids and parents alike, poems such as “Sick Day,” “My Pet Robot,” “Balloonaphobia,” and “Aliens Under My Bed” are sure to delight and entertain.
His fans have spoken, but despite their requests, Peter Davison has gone ahead and written his autobiography anyway. It wasn’t the book they tried to stop – it was more like the book they didn’t want him to start. An aspiring singer-songwriter, once dubbed Woking’s answer to Bob Dylan (by his mum, who once heard a Bob Dylan song), Peter actually penned a hit for Dave Clark but soon swapped a life on the pub circuit to tread the boards. From colonial roots – his dad was Guyanese and his mother was born in India – the family settled in Surrey where Peter’s academic achievements were unspectacular – he even managed to fail CSE woodwork, eliciting a lament from his astonished teacher (‘All you have to do is recognise wood!’). Despite this, Peter has secured his place in science fiction history, becoming the fifth Doctor Who, although he nearly turned down the role. The Time Lord connection continued with the marriage of his daughter Georgia to Dr Who number ten, David Tennant. The artist formerly known as Peter Malcolm Gordon Moffett has starred in a number of television series including Love for Lydia, A Very Peculiar Practice, At Home with the Braithwaites and The Last Detective and became a national treasure for having his arm up a cow in his role as Tristan Farnon in All Creatures Great and Small. He was also in a Michael Winner movie... He made his first stage appearance with an amateur dramatic company, but The Byfleet Players’ loss was the West End’s gain as he now has a number of musicals to his name, including Legally Blonde, Chicago and Spamalot. Most recently he starred in the box office record-breaking Gypsy where he rubbed shoulders backstage with Dames Meryl Streep, Maggie Smith and Judi Dench – all asking him for directions to Imelda Staunton’s dressing room. One thing is for sure: of all the British screen and stage actors of the last fifty years, Peter Davison is certainly one of them and, within these pages, intrepid readers will at last have the dubious honour of sharing in his life and times – as he despairs over whether there truly ever can be life outside the box.
In an age of slick, computer-generated type and Photoshopped perfection, hand-drawn packing is enjoying a global resurgence. As shorthand for something more authentic, homegrown, handmade, or crafted, hand-drawn packaging is found on everything from supermarket eggs to Chipotle drink cups. In this exhaustive and lavishly illustrated survey, organized by four types—DIY, art, craft, and artisanal—Gail Anderson pulls back the curtain on the working processes and inspirations of forty letterers, illustrators, and designers from all around the world through insightful interviews, process sketches, and her infectious love of the medium.
This all-new edition of the best-selling guide The TV Showrunner’s Roadmap provides readers with the tools for creating, writing, and managing your own hit streaming series. Combining his 30+ years as a working screenwriter and professor, industry veteran Neil Landau expertly unpacks essential insights to the creation of a successful show and takes readers behind the scenes with exclusive and enlightening interviews with showrunners from some of TV’s most lauded series, including Fargo, Better Call Saul, Watchmen, Insecure, Barry, Money Heist, Succession, Ozark, Schitt’s Creek, Euphoria, PEN15, and many more. From conception to final rewrite, The TV Showrunner’s Roadmap is an invaluable resource for anyone seeking to create a series that won’t run out of steam after the first few episodes. This groundbreaking guide features an eResource with additional interviews and bonus materials. So grab your laptop, dig out that stalled spec script, and buckle up. Welcome to the fast lane.
This book takes a deep dive into writing for today’s audiences, against the backdrop of a constantly evolving TV ecosystem. The aim of this 2nd edition is to go beyond an analysis of what makes exceptionally compelling episodic TV series work. It is a master course in the creation of entertainment that does more than meet the standards of modern audiences – it challenges their expectations. The book will help readers discover how to satisfy the satiated viewer, by analyzing the new hybrid genres, trends, and how to make smart initial decisions for a strong, sustainable story. It will also cover the development of iconic characters that foster empathy and entice viewers to bond with characters and generate the sensation that their problems are mutual. Finally, the book will also take a deep dive into creating a lasting, meaningful career in the TV marketplace, by overcoming trips, traps and tropes, the pros and cons of IP, the use of pitch documents, pitch decks, and show “bibles” as proof-of-concept in the marketplace. This will be an essential resource for student and professional writers and is supplemented with a companion website offering additional content, including script excerpts, pitch document/deck/show bible samples, scene analysis and templates, plus useful writing exercises to break new ground and to mine new territory.
Living Outside the Box is a call to action beyond the cliche' of thinking outside the box that typically ends without and action being taken. To change the world takes fearless actions and this book is the guide to how to live your life and change the world for the better.The concept for this book originated with frustrations of a career of seeing corporate executives, boards of directors, politicians, commissions, committees, and nearly every gathering of people for the purpose of seeking solutions to problems culminate in absolutely nothing. The watershed moment when the term "Living Outside the Box" was coined came during my time as the CEO of the Growth Alliance for Greater Evansville when some very specific challenges called for new solutions. Another meeting was about to be scheduled by some members of the executive committee to "think outside the box." My frustrations boiled over at the thought of yet another meeting where the foregone conclusion was that good thoughts would be developed and nothing would be done about them. From my mouth came the words "what good is it to think outside of the box unless we have the courage live outside the box." The room went silent. I did not know if I was about to be fired or if my words had struck a nerve, but the meeting to think outside the box was not scheduled at that moment. Afterward, one of the attendees who represented the University of Southern Indiana came into my office and expressed the opinion that what I had stated was in his opinion quite profound. His role at USI had been to act as a facilitator to help businesses, municipalities, and non-profit agencies engage in outside the box thinking exercises with hopes that planning and actions would come from the exercises. He also expressed many examples of frustrations with the results of his facilitation sessions where little or nothing actually got done. He was so enamored with the phrase "Living Outside the Box" that he did some research to find out if this phrase had been used in the context of a call to action following facilitated sessions of "Thinking Outside the Box." Much to the surprise of both of us, it had not.He began encouraging me to pursue publishing and speaking engagements around the phrase "Living Outside the Box." That was the summer of 2009. It is now 2018 but the phrase and its call to action has never left my mind or my way of living. I work the phrase into every speech that I make whether it is to the Palm Desert Rotary Club, the annual CVEP Economic Summit, or as the keynote at the Chief Innovation Officers Summit in San Francisco. The words "Living Outside the Box" always make an impact and I hope it will make one on the readers of this book. As you will see, it is those who take actions that really change the world. Words inspire, perspectives provoke thoughts but it is only through deliberate actions that progress is made to positively impact the human condition and thus change the world.