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What is Indian art? There have been many attempts to define it, but the so-called Santa Fe style of the 1930s?placid, two-dimensional depictions of traditional scenes?set the standard by which subsequent art by Native Americans would be judged. Art that radically challenged the stereotype?the work of Joe Herrera, Fritz Scholder, and T. C. Cannon, for example?met with resistance; questions were raised about its authenticity as Indian art. Today's Indian art has resoundingly overturned old preconceptions: here are cartoon figures in throbbing neon colors, "decorated" grocery bags, messages to America on the Spectacolor billboard in Times Square, delicate abstractions and cubist images, work that ranges from monotype and photography to mixed media and clay, from humor and biting commentary to quiet introspection. I Stand in the Center of Good, the first book of its kind, offers a forum for seventeen contemporary Native American artists to speak about the development of their art, their creative processes, how they define their art, and how it relates to their Indianness. The interviews are handsomely illustrated with works by the artists, who include Rick Glazer-Danay, Shan Goshorn, Hachivi Edgar Heap of Birds, Rick Hill, G. Peter Jemison, Michael Kabotie, Frank LaPena, Carm Little Turtle, Linda Lomahaftewa, George Longfish, Mario Martinez, Nora Naranjo-Morse, Jaune Quick-to-See Smith, Susan Stewart, Frank Tuttle, Kay WalkingStick, and Emmi Whitehorse.
This volume celebrates the contributions of Dr. Eugene Gaffney to the study of turtles, through a diverse and complementary collection of papers that showcases the latest research on one of the most intriguing groups of reptiles. A mix of focused and review papers deals with numerous aspects of the evolutionary history of turtles, including embryonic development, origins, early diversification, phylogenetic relationships, and biogeography. Moreover it includes reports on important but poorly understood fossil turtle assemblages, provides historical perspectives on turtle research, and documents disease and variation in turtles. With its broad scope, which includes descriptions of material and new taxa from Australia, Asia, and Europe, as well as North and South America, this work will be an essential resource for anyone interested in the morphology and evolution of turtles. “This volume’s breadth of time, geography, and taxonomic coverage makes it a major contribution to the field and a ‘must have’ for all vertebrate paleontologists.”, James F. Parham, California State University, CA, USA “A comprehensive and sweeping overview of turtle evolution by the top experts in the field that will interest everyone curious about these unique reptiles.” Jason S. Anderson, University of Calgary, Canada “An invaluable addition to the literature that covers the full spectrum of approaches toward understanding the evolution of these noble creatures.” Ann C. Burke, Wesleyan University, CT , USA “A truly comprehensive volume that both the student of fossil turtles, as well as the general reader interested in these enigmatic creatures, will find fascinating.” Tyler Lyson, Yale University, CT, USA​