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Told in their own words, Turtle Lung Woman?s Granddaughter is the unforgettable story of several generations of Lakota women who grew up on the open plains of northern Nebraska and southern South Dakota. Delphine Red Shirt has delicately woven the life stories of her mother, Lone Woman, and Red Shirt?s great-grandmother, Turtle Lung Woman, into a continuous narrative that succeeds triumphantly as a moving, epic saga of Lakota women from traditional times in the mid?nineteenth century to the present. Especially revealing are Turtle Lung Woman?s relationship with her husband, Paints His Face with Clay, her healing practice as a medicine woman, Lone Woman?s hardships and celebrations growing up in the early twentieth century, and many wonderful details of their domestic lives before and during the early reservation years.
Told in their own words, Turtle Lung Woman's Granddaughter is the unforgettable story of several generations of Lakota women who grew up on the open plains of northern Nebraska and southern South Dakota. Delphine Red Shirt has delicately woven the life stories of her mother, Lone Woman, and Red Shirt's great-grandmother, Turtle Lung Woman, into a continuous narrative that succeeds triumphantly as a moving, epic saga of Lakota women from traditional times in the mid-nineteenth century to the present. Especially revealing are Turtle Lung Woman's relationship with her husband, Paints His Face with Clay, her healing practice as a medicine woman, Lone Woman's hardships and celebrations growing up in the early twentieth century, and many wonderful details of their domestic lives before and during the early reservation years.
Long before vacationers discovered BC’s Sunshine Coast, the Sliammon, a Coast Salish people, called the region home. In this remarkable book, Sliammon elder Elsie Paul collaborates with a scholar, Paige Raibmon, and her granddaughter, Harmony Johnson, to tell her life story and the history of her people, in her own words and storytelling style. Raised by her grandparents who took her on their seasonal travels, Paul spent most of her childhood learning Sliammon ways, teachings, and stories and is one of the last surviving mother-tongue speakers of the Sliammon language. She shares this traditional knowledge with future generations in Written as I Remember It.
Empire’s Tracks boldly reframes the history of the transcontinental railroad from the perspectives of the Cheyenne, Lakota, and Pawnee Native American tribes, and the Chinese migrants who toiled on its path. In this meticulously researched book, Manu Karuka situates the railroad within the violent global histories of colonialism and capitalism. Through an examination of legislative, military, and business records, Karuka deftly explains the imperial foundations of U.S. political economy. Tracing the shared paths of Indigenous and Asian American histories, this multisited interdisciplinary study connects military occupation to exclusionary border policies, a linked chain spanning the heart of U.S. imperialism. This highly original and beautifully wrought book unveils how the transcontinental railroad laid the tracks of the U.S. Empire.
A Broken Flute is a book of reviews that critically evaluate children's books about Native Americans written between the early 1900s and 2003, accompanied by stories, essays and poems from its contributors. The authors critique some 600 books by more than 500 authors, arranging titles A to Z and covering pre-school, K-12 levels, and evaluations of some adult and teacher materials. This book is a valuable resource for community and educational organizations, and a key reference for public and school libraries, and Native American collections.
The American West is rich in lore, cultural roots, and iconic images. The subject of countless movies, books, and songs, in many ways it embodies the American spirit. This lively two-volume set presents the stories of some of the most influential and representative Western icons—those that have captured the nation's imagination since the early days of westward exploration and that continue to do so within the environmental and technological frontier that is the modern West. This accessible treatment of the untamed enterprise of the 'Old West'—including cowboys, wild west shows, and gun battles—and the continued entrepreneurial imagination of the paradisical 'New West'—including environmentalists and the incorporation of national parks—elevates the reader's understanding of oft-romanticized subjcts and the conflicts and cultural changes that made them icons. Narrative entries include: ; Chief Joseph ; George Armstrong Custer ; Gold Rush ; Winchester Model 1873 ; Frederic Remington ; John Muir ; Las Vegas ; Bill Gates ; Disneyland ; Yellowstone National Park ; Sierra Club With vibrant photos and descriptive sidebars, this comprehensive set is a must-have for students of American history and culture.
In Defense of Loose Translations is a memoir that bridges the personal and professional experiences of Elizabeth Cook-Lynn. Having spent much of her life illuminating the tragic irony of being an Indian in America, this provocative and often controversial writer narrates the story of her intellectual life in the field of Indian studies. Drawing on her experience as a twentieth-century child raised in a Sisseton Santee Dakota family and under the jurisdictional policies that have created significant social isolation in American Indian reservation life, Cook-Lynn tells the story of her unexpectedly privileged and almost comedic “affirmative action” rise to a professorship in a regional western university. Cook-Lynn explores how different opportunities and setbacks helped her become a leading voice in the emergence of Indian studies as an academic discipline. She discusses lecturing to professional audiences, activism addressing nonacademic audiences, writing and publishing, tribal-life activities, and teaching in an often hostile and, at times, corrupt milieu. Cook-Lynn frames her life’s work as the inevitable struggle between the indigene and the colonist in a global history. She has been a consistent critic of the colonization of American Indians following the treaty-signing and reservation periods of development. This memoir tells the story of how a thoughtful critic has tried to contribute to the debate about indigenousness in academia.
Rights Remembered is a remarkable historical narrative and autobiography written by esteemed Lummi elder and culture bearer Pauline R. Hillaire, Scälla–Of the Killer Whale. A direct descendant of the immediate postcontact generation of Coast Salish in Washington State, Hillaire combines in her narrative life experiences, Lummi oral traditions preserved and passed on to her, and the written record of relationships between the United States and the indigenous peoples of the Northwest Coast to tell the story of settlers, government officials, treaties, reservations, and the colonial relationship between Coast Salish and the white newcomers. Hillaire’s autobiography, although written out of frustration with the status of Native peoples in America, is not an expression of anger but rather represents, in her own words, her hope “for greater justice for Indian people in America, and for reconciliation between Indian and non-Indian Americans, based on recognition of the truths of history.” Addressed to indigenous and non-Native peoples alike, this is a thoughtful call for understanding and mutual respect between cultures.
Stories from Saddle Mountain recounts family stories that connected the Tongkeamhas, a Kiowa family, to the Saddle Mountain community for more than a century. Henrietta Apayyat (1912-93) grew up and married near Saddle Mountain, where she and her husband raised five sons and five daughters. She began penning her memoirs in 1968, including accounts about a Peyote meeting, revivals and Christmas encampments at Saddle Mountain Church, subsistence activities, and attending boarding schools and public schools. When not in school, Henrietta spent much of her childhood and adolescence close to home, working and occasionally traveling to neighboring towns with her grandparents, whereas her son Raymond Tongkeamha left frequently and wandered farther. Both experienced the transformation from having no indoor plumbing or electricity to having radios, televisions, and JCPenney. Together, their autobiographies illuminate dynamic changes and steadfast traditions in twentieth-century Kiowa life in the Saddle Mountain countryside.
At the beginning of the twentieth century, Indian Territory, which would eventually become the state of Oklahoma, was a multicultural space in which various Native tribes, European Americans, and African Americans were equally engaged in struggles to carve out meaningful lives in a harsh landscape. John Milton Oskison, born in the territory to a Cherokee mother and an immigrant English father, was brought up engaging in his Cherokee heritage, including its oral traditions, and appreciating the utilitarian value of an American education. Oskison left Indian Territory to attend college and went on to have a long career in New York City journalism, working for the New York Evening Post and Collier?s Magazine. He also wrote short stories and essays for newspapers and magazines, most of which were about contemporary life in Indian Territory and depicted a complex multicultural landscape of cowboys, farmers, outlaws, and families dealing with the consequences of multiple interacting cultures. Though Oskison was a well-known and prolific Cherokee writer, journalist, and activist, few of his works are known today. This first comprehensive collection of Oskison?s unpublished autobiography, short stories, autobiographical essays, and essays about life in Indian Territory at the turn of the twentieth century fills a significant void in the literature and thought of a critical time and place in the history of the United States.