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Told in their own words, Turtle Lung Woman?s Granddaughter is the unforgettable story of several generations of Lakota women who grew up on the open plains of northern Nebraska and southern South Dakota. Delphine Red Shirt has delicately woven the life stories of her mother, Lone Woman, and Red Shirt?s great-grandmother, Turtle Lung Woman, into a continuous narrative that succeeds triumphantly as a moving, epic saga of Lakota women from traditional times in the mid?nineteenth century to the present. Especially revealing are Turtle Lung Woman?s relationship with her husband, Paints His Face with Clay, her healing practice as a medicine woman, Lone Woman?s hardships and celebrations growing up in the early twentieth century, and many wonderful details of their domestic lives before and during the early reservation years.
After centuries of colonization, this important new work recovers the literary record of Oceti Sakowin (historically known to some as the Sioux Nation) women, who served as their tribes’ traditional culture keepers and culture bearers. In so doing, it furthers discussions about settler colonialism, literature, nationalism, and gender. Women and land form the core themes of the book, which brings tribal and settler colonial narratives into comparative analysis. Divided into two parts, the first section of the work explores how settler colonizers used the printing press and boarding schools to displace Oceti Sakowin women as traditional culture keepers and culture bearers with the goal of internally and externally colonizing the Dakota, Nakota, and Lakota nations. The second section focuses on decolonization and explores how contemporary Oceti Sakowin writers and scholars have started to reclaim Dakota, Nakota, and Lakota literatures to decolonize and heal their families, communities, and nations.
For centuries indigenous communities of North America have used carriers to keep their babies safe. Among the Indians of the Great Plains, rigid cradles are both practical and symbolic, and many of these cradleboards—combining basketry and beadwork—represent some of the finest examples of North American Indian craftsmanship and decorative art. This lavishly illustrated volume is the first full-length reference book to describe baby carriers of the Lakota, Cheyenne, Arapaho, and many other Great Plains cultures. Author Deanna Tidwell Broughton, a member of the Oklahoma Cherokee Nation and a sculptor of miniature cradles, draws from a wealth of primary sources—including oral histories and interviews with Native artists—to explore the forms, functions, and symbolism of Great Plains cradleboards. As Broughton explains, the cradle was vital to a Native infant’s first months of life, providing warmth, security, and portability, as well as a platform for viewing and interacting with the outside world for the first time. Cradles and cradleboards were not only practical but also symbolic of infancy, and each tribe incorporated special colors, materials, and ornaments into their designs to imbue their baby carriers with sacred meaning. Hide, Wood, and Willow reveals the wide variety of cradles used by thirty-two Plains tribes, including communities often ignored or overlooked, such as the Wichita, Lipan Apache, Tonkawa, and Plains Métis. Each chapter offers information about the tribe’s background, preferred types of cradles, birth customs, and methods for distinguishing the sex of the baby through cradle ornamentation. Despite decades of political and social upheaval among Plains tribes, the significance of the cradle endures. Today, a baby can still be found wrapped up and wide-eyed, supported by a baby board. With its blend of stunning full-color images and detailed information, this book is a fitting tribute to an important and ongoing tradition among indigenous cultures.
Empire’s Tracks boldly reframes the history of the transcontinental railroad from the perspectives of the Cheyenne, Lakota, and Pawnee Native American tribes, and the Chinese migrants who toiled on its path. In this meticulously researched book, Manu Karuka situates the railroad within the violent global histories of colonialism and capitalism. Through an examination of legislative, military, and business records, Karuka deftly explains the imperial foundations of U.S. political economy. Tracing the shared paths of Indigenous and Asian American histories, this multisited interdisciplinary study connects military occupation to exclusionary border policies, a linked chain spanning the heart of U.S. imperialism. This highly original and beautifully wrought book unveils how the transcontinental railroad laid the tracks of the U.S. Empire.
2021 Nebraska Book Award Never Caught Twice presents the untold history of horse raiding and stealing on the Great Plains of western Nebraska. By investigating horse stealing by and from four Plains groups—American Indians, the U.S. Army, ranchers and cowboys, and farmers—Matthew S. Luckett clarifies a widely misunderstood crime in Western mythology and shows that horse stealing transformed plains culture and settlement in fundamental and surprising ways. From Lakota and Cheyenne horse raids to rustling gangs in the Sandhills, horse theft was widespread and devastating across the region. The horse’s critical importance in both Native and white societies meant that horse stealing destabilized communities and jeopardized the peace throughout the plains, instigating massacres and murders and causing people to act furiously in defense of their most expensive, most important, and most beloved property. But as it became increasingly clear that no one legal or military institution could fully control it, would-be victims desperately sought a solution that would spare their farms and families from the calamitous loss of a horse. For some, that solution was violence. Never Caught Twice shows how the story of horse stealing across western Nebraska and the Great Plains was in many ways the story of the old West itself.
“Grandchildren meet their grandparents at the end,” Denise Low says, “as tragic figures. We remember their decline and deaths. . . . The story we see as grandchildren is like a garden covered by snow, just outlines visible.” Low brings to light deeply held secrets of Native ancestry as she recovers the life story of her Kansas grandfather, Frank Bruner (1889–1963). She remembers her childhood in Kansas, where her grandparents remained at a distance, personally and physically, from their grandchildren, despite living only a few miles away. As an adult, she comes to understand her grandfather’s Delaware (Lenape) legacy of persecution and heroic survival in the southern plains of the early 1900s, where the Ku Klux Klan attacked Native people along with other ethnic minorities. As a result of such experiences, the Bruner family fled to Kansas City and suppressed their non-European ancestry as completely as possible. As Low unravels this hidden family history of the Lenape diaspora, she discovers the lasting impact of trauma and substance abuse, the deep sense of loss and shame related to suppressed family emotions, and the power of collective memory. Low traveled extensively around Kansas, tracking family history until she understood her grandfather’s political activism and his healing heritage of connections to the land. In this moving exploration of her grandfather’s life, the former poet laureate of Kansas evokes the beauty of the Flint Hills grasslands, the hardships her grandfather endured, and the continued discovery of his teachings.
How American is Miss America? For Susan Supernaw, a Muscogee (Creek) and Munsee Native American, the question wasn't just academic. Throughout a childhood clouded by poverty, alcoholism, abuse, and a physical disability, Supernaw sought escape in school and dance and the Native American Church. She became a presidential scholar, won a scholarship to college, and was crowned Miss Oklahoma in 1971. Supernaw might not have won the Miss America pageant that year, but she did call attention to the Native peoples living largely invisible lives throughout their own American land. And she did at long last earn her Native American name. Chronicling a quest to escape poverty and find meaning, Supernaw's story is revealing, humorous, and deeply moving. Muscogee Daughter is the story of finding a Native American identity among the distractions and difficulties of American life and of discerning an identity among competing notions of what it is to be a woman, a Native American, and a citizen of the world.
A memoir expresses the poverty, personal hardships, and prejudice of the author's life growing up as a second generation Crow Indian on a reservation, and the bond she formed with her grandmother, a medicine woman.
The Columbia Guide to American Indian Literatures of the United States Since 1945 is the first major volume of its kind to focus on Native literatures in a postcolonial context. Written by a team of noted Native and non-Native scholars, these essays consider the complex social and political influences that have shaped American Indian literatures in the second half of the twentieth century, with particular emphasis on core themes of identity, sovereignty, and land. In his essay comprising part I of the volume, Eric Cheyfitz argues persuasively for the necessary conjunction of Indian literatures and federal Indian law from Apess to Alexie. Part II is a comprehensive survey of five genres of literature: fiction (Arnold Krupat and Michael Elliott), poetry (Kimberly Blaeser), drama (Shari Huhndorf), nonfiction (David Murray), and autobiography (Kendall Johnson), and discusses the work of Vine Deloria Jr., N. Scott Momaday, Joy Harjo, Simon Ortiz, Louise Erdrich, Leslie Marmon Silko, Gerald Vizenor, Jimmy Santiago Baca, and Sherman Alexie, among many others. Drawing on historical and theoretical frameworks, the contributors examine how American Indian writers and critics have responded to major developments in American Indian life and how recent trends in Native writing build upon and integrate traditional modes of storytelling. Sure to be considered a groundbreaking contribution to the field, The Columbia Guide to American Indian Literatures of the United States Since 1945 offers both a rich critique of history and a wealth of new information and insight.