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Comprising more than 125 extraordinary works by 43 craft artists, the Jane and Arthur Mason Collection is one of the world's premier collections of lathe-turned wooden objects. This sumptuously illustrated book features illuminating essays by two of the artists as well as by Arthur Mason himself. 141 illustrations, 130 in full color.
MEET THIRTY-ONE CONTEMPORARY ARTISTS PUSHING THE BOUNDARIES OF A CLASSIC CRAFT.They are from different parts of the world but share a common passion: turning wood into sculptural forms of self-expression. You'll see each artist at work--in their studios, homes, and at the lathe--and discover why their stunning work is considered to be preeminent in the respective fields of woodtruning and modern art. A gallery of beautiful photographs is included. New Masters of Woodturning looks beyond the surface of the wood and into the vision and mind of the artist, providing insights that offer a captivating and important perspective of turn-of-the-century art and craft.
The Wood Burn Book teaches you everything you need to know to master the art of pyrography.
A guide to the art of turning delicate bowls and goblets from freshly felled, unseasoned wood
Woodturners learn how to cut and combine pieces of wood to produce multicolored geometric designs in turned bowls and vases in this highly illustrated book. Techniques are provided to achieve the accuracy required in segmented work, and professional tips reveal how to create preliminary blueprints. Step-by-step instructions and hundreds of color photographs explain how to accomplish the often-complicated tasks involved with sphere turning, building a porthole-style ring, and inserting diamonds and round designs.
It is hard to improve upon perfection, but Raffan does, bringing his classic introduction to woodturning up-to-date. Readers are introduced to the lathe, the methods of attaching wood to it, and (most importantly) turning tools and their proper care and use. By mastering these techniques, one can move on to any style of woodturning.
Turning expert Rchard Raffan's easy-to-follow instructions and step-by-step illustrations make this work accessible to anyone interested in woodturning.
This craftsman's companion celebrates the woodturners and innovative artists from around the world who have taken bowl-making to a higher level of aesthetic form. Little Book of Wooden Bowls features 31 of today's finest woodworkers and artisans--Ron Fleming, Liam Flynn, Mark Gardner, Dewey Garrett, Louise Hibbert, Michael Hosaluk, Peter Hromek, Steven Kennard, Ron Layport, Mike Lee, Alain Mailland, Michael Mode, William Moore, Rolly Munro, Christophe Nancey, Graeme Priddle, Vaughn Richmond, Marc Ricourt, Betty Scarpino, Neil Scobie, David Sengel, Hayley Smith, Butch Smuts, Jacques Vesery, Hans Weissflog, Virginia Dodson, Binh Pho, Harvey Fein, Paul Fennell, and Marilyn Campbell--who share their personal motivations, thought processes, and the studio techniques they employ to bring out the breathtaking beauty of wood. Each artist's profile includes full-color, studio-quality photographs of their most spectacular work, including vessels, bowls, platters, and more, along with insights on their design ideas and objectives. Curated by prominent wood art authorities Kevin Wallace and Terry Martin, this book is sure to become a treasure in every woodworking library.
Learn How to Use Dyes and Chemicals Like a Pro If you’re a woodworker looking to take your skills–and your next project–to a higher level of craftsmanship, you might want to consider coloring your wood with chemicals and dyes instead of stains. Unlike stains that can trap light and obscure grain patterns, chemicals and dyes, when handled properly, are one of the best methods for enhancing a wood’s color or accentuating the grain pattern. A classic technique that’s been practiced for centuries, coloring wood is a sure way to infuse a “wow” into your woodworking efforts. With expert guidance by Brian Miller, a professor of Wood Technology who teaches an actual course on coloring wood, The Art of Coloring Wood removes any and all intimidation of working with chemicals and dyes and is the perfect entry point for anyone looking to move on from simple stains to learn the art of coloring wood for dramatic effect. To keep the information accessible and relevant. The Art of Coloring Wood focuses on the six most popular woods used by woodworkers–maple, quartersawn white oak, mahogany, walnut, cherry and alder–and outlines the unique characteristics with regard to coloring each. After the six woods are outlined, The Art of Coloring Wood moves onto the supplies needed, including brushes, sandpaper, and much more, before proceeding into the easy-to-follow and engaging chapters on the different chemicals and dyes that will make your woodworking shine. The beauty of The Art of Coloring Wood is Miller’s simple approach that makes the chemistry very easy to understand. Each chapter offers recipes, insights, and many “a-ha!” moments that make learning about chemicals and dyes both fascinating and within easy reach. With the helpful sidebars throughout the book offering tips, mistakes, and countless nuggets of information, The Art of Coloring Wood will have you understanding the methods and many worthwhile reasons for coloring your wood while chomping at the bit to get a project completed so you can finish it with style and flair.
A Revolution in Wood celebrates the magnificent gift of sixty-six pieces of turned and carved wood to the Renwick Gallery of the Smithsonian American Art Museum by the distinguished collectors Fleur and Charles Bresler. Illustrated in lavish detail, works by this country's best-known wood artists highlight the growing sophistication of American craft's youngest medium and the expressive capacity of its most organic material. Masterpieces by the field's pioneers, including David Ellsworth, William Hunter, Mark and Melvin Lindquist, Edward Moulthrop, and Rude Osolnik, demonstrate the extraordinary range of expression achievable on the lathe, the medium's foundational tool. Compelling recent works by Ron Fleming, Michelle Holzapfel, Hugh McKay, Norm Sartorius, Mark Sfirri, and many others reveal the advent of new techniques, including multi-axis turning, the incorporation of secondary materials, and a strong focus on carving. A wide-ranging essay by Renwick Curator Nicholas R. Bell examines contemporary wood art's historical roots and its rapid growth since the 1970s. Particular attention is given to the medium's development outside the studio craft movement and how that dynamic has shaped the current field. An interview with Fleur Bresler by former Renwick Curator-in-Charge Kenneth R. Trapp offers a window on the collector's passion and highlights her twenty-five-year dedication to wood and to the artists she considers family. The final section, “Wood Art at the Renwick Gallery,” illustrates in color over two hundred works by more than one hundred artists, making this premier public collection available in print for the first time. From James Prestini's original gift of twenty pieces before the Renwick's opening to experimental works by current artists, this guide to the Smithsonian's collection will serve as a reference for years to come.