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Focusing on the painting of the artists JMW Turner, Turner Monet Twombly, and Cy Twombly (1928-2011), this title highlights interests and themes they share, despite the differences in time and geography that separated them that include Romanticism, the sublime, memory and mourning.
"This ambitious exhibition brings together works by J.M.W. Turner (1775-1851), Claude Monet (1840-1926) and Cy Twombly (1928-2011), three of the most prolific and well-known artists of all time. Turner Monet Twombly: Later Paintings explores the similarities between these artists in style, subject and artistic motivation during the last 20-30 years of their lives. Turner Monet Twombly: Later Paintings will feature iconic works such as Monet's fabulous Water Lilies and Turner's much loved Romantic landscapes. The exhibition will also include a major work from Twombly's vibrant and well-received series, Blooming: A Scattering of Blossoms and Other Things, shown in the UK for the first time. Alongside Turner's compelling, atmospheric works and the beautiful and emotive art of Monet, Twombly's original contemporary style adds a fresh and exciting dimension to the exhibition. For those already familiar with the artists' work, this exhibition is a revelation; for new audiences, it is a fascinating introduction. Not to be missed. Get the most out of your visit and pick up a Turner Monet Twombly audio guide for just £2.50. Gain a fresh insight into the works of these iconic artists and enjoy the exhibition at your own pace with this informative guide."--From museum website.
Luscious reproductions of more than 50 of Twombly's paintings, drawings and little-known sculptures, along with classical works of art, tell the story of an American abstractionist's poetical dialogue with antiquity Cy Twombly's first visit to Italy as a young man ignited a lifelong passion for classical culture that is everywhere present in his art. Painted canvases, works on paper and small-scale sculptures reveal the historical soul of Twombly's abstract compositions. Taking on myths and heroes as personal guides, he created a psychologically complex dialogue with the visual and literary art of antiquity. This sumptuously illustrated publication reproduces a carefully chosen selection of the artist's paintings, drawings and sculptures alongside works of classical antiquity, including a number from his personal collection. Illuminating essays by leading scholars and writers, including Anne Carson, Jennifer R. Gross, Brooke Holmes and Mary Jacobus, explore the often enigmatic engagement of Twombly's art with the world of the past. Cy Twombly(1928-2011) was born in Lexington, Virginia, and lived and worked in New York in the early 1950s and at Black Mountain College in North Carolina. After traveling around North Africa, Spain and Italy, he settled in Rome, where he remained for the rest of his life.
Published to accompany the exhibition held at the Art Gallery of Ontario, Toronto, 12 June - 12 September 2004, the Galeries nationales du Grand Palais, Paris, 12 October 2004 - 17 January 2005, and Tate Britain, London, 10 February - 15 May 2005.
Published to accompany the exhibition at the Tate Gallery, Liverpool 23 June - 1 October 2000.
Matthew Marks is pleased to announce his next exhibition will be Cy Twombly Photographs. The exhibition will consist of twenty-nine color photographs. This is the first time Twombly has exhibited work in this medium.Cy Twombly began experimenting with color photography in the early 1980s. About four years ago he started working with the master printers Michel and Jean-Francois Fresson at the Atelier Fresson in Savigny sur Orge, France. The Fresson technique is a unique photographic printing process carried on exclusively by the Fresson family since 1990. The photographs which result have an unusually rich surface and extraordinary, saturated colors over which the artist is able to maintain exceptional control. Fresson prints are the most permanent photographic color images made today.The subject matter of Twombly's photographs are flowers, trees and ancient Roman sculptures. The majority of the works in the exhibition have been put together by the artist into groups of five or six images. Theirs is similar to the way Twombly has presented his paintings and drawings in the past. While not as abstract as his work in other media, the photographs Twombly will show are close in feeling to his larger scale work and are important to an understanding of his subject matter and working methods.The last exhibition in New York consisting of entirely new work by Cy Twombly was held in 1982. -- Press Release (see link).
"Lepanto," Cy Twombly's ravishing suite of 12 large canvases in acrylic, crayon, and graphite, may be the artist's most satisfactory work. First exhibited at the Venice Biennale in the summer of 2001, the series depicts the famous 16th century sea battle raged by the combined European forces under Venetian leadership against the Ottoman invasion. Twombly's glorious, luminously intense sequence of panels is meant to be absorbed as a single image, a panoramic portrayal of war on a heroic scale, with the viewer standing in the midst of a battle that ends in the destruction of the Turkish fleet.
"J.M.W. Turner (1775-1851) is widely regarded as the greatest painter Britain has ever produced. Despite the many books and exhibitions that have been devoted to him, there is one aspect of his extraordinary oeuvre that has never been thoroughly examined. Uniquely in the history of European art, he took on all comers, past and present, that he considered worthy of a challenge, creating his own images in their styles. These works were both acts of homage and a sophisticated form of art criticism, demonstrating his understanding of great art and his ability to equal or better the most celebrated exponents of the landscape tradition. No artist, however revered, was considered beyond challenge. This unique habit is clearly a key to understanding Turner's art, yet the issue is one that has so far never been thoroughly addressed on Turner and on British art of the 18th and 19th centuries. In "Turner and the Masters" leading authorities explore this fascinating aspect of his career, revealing new detail on the debts and rivalries that shaped his work in often unexpected ways. Accompanying a major touring exhibition that brings together works by Turner with masterpieces by Claude, Canaletto, Ruisdael, Van de Velde, Poussin, Rubens and Rembrandt, as well as by Turner's contemporaries including Constable and Bonnington, this book firmly positions Turner in the company of the greatest painters of all time. The contributors include Guillaume Faroult, Sarah Monks, Martin Myrone, Kathleen Nicholson, Philippa Simpson and Ian Warrell." --Book Jacket.
Considers Claude Monet's paintings of buildings in their environment, offering a reappraisal of an artist more often associated with landscapes, seascapes and gardens