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The extensive travels of J.M.W. Turner (1775-1851) through Britain and continental Europe provided an inexhaustible source of inspiration for his visionary color compositions, imaginative landscapes, and turbulent, often violent marine paintings. In Switzerland, he experienced both the beauty and the menace of the Alps, while by the sea, he observed the colorful harmonies of diffuse light. These experiences laid the groundwork for Turner to elevate landscape painting to an eminence that rivaled history painting. But how did he get there? Presenting this incomparably original artist on his route to autonomy in art, Turner traces the London artist's travels as he extended his search for motifs to Central Europe during the continent's temporary peace in 1802. He spent much time journeying through the mountains of Switzerland, constantly sketching his impressions of the scenes around him. Upon his return to London, he developed the unique imagery of his sublime landscape paintings. Through one hundred color illustrations that tell a story about the forces of nature of the sea and the Swiss mountain landscapes, the authors here examine the change Turner brought to the portrayal of the sublime and the subject of weather phenomena. Other essays explore Turner's role as the forerunner of modernism and reflect on the relationship between the artist and travel. Bringing together the symphony of colors that composed Turner's view of Switzerland's awe-inspiring landscapes, this book sheds new light on the artist's vision of the Alps and the sea.
The life of one of Western art's most admired and misunderstood painters J.M.W. Turner is one of the most important figures in Western art, and his visionary work paved the way for a revolution in landscape painting. Over the course of his lifetime, Turner strove to liberate painting from an antiquated system of patronage. Bringing a new level of expression and color to his canvases, he paved the way for the modern artist. Turner was very much a man of his changing era. In his lifetime, he saw Britain ravaged by Napoleonic wars, revived by the Industrial Revolution, and embarked upon a new moment of Imperial glory with the ascendancy of Queen Victoria. His own life embodied astonishing transformation. Born the son of a barber in Covent Garden, he was buried amid pomp and ceremony in St. Paul's Cathedral. Turner was accepted into the prestigious Royal Academy at the height of the French Revolution when a climate of fear dominated Britain. Unable to travel abroad he explored at home, reimagining the landscape to create some of the most iconic scenes of his country. But his work always had a profound human element. When a moment of peace allowed travel into Europe, Turner was one of the first artists to capture the beauty of the Alps, to revive Venice as a subject, and to follow in Byron’s footsteps through the Rhine country. While he was commercially successful for most of his career, Turner's personal life remained fraught. His mother suffered from mental illness and was committed to Bedlam. Turner never married but had several long-term mistresses and illegitimate daughters. His erotic drawings were numerous but were covered up by prurient Victorians after his death. Turner's late, impressionistic work was held up by his Victorian detractors as example of a creeping madness. Affection for the artist’s work soured. John Ruskin, the greatest of all 19th century art critics, did what he could to rescue Turner’s reputation, but Turner’s very last works confounded even his greatest defender. TURNER humanizes this surprising genius while placing him in his fascinating historical context. Franny Moyle brilliantly tells the story of the man to give us an astonishing portrait of the artist and a vivid evocation of Britain and Europe in flux.
The Alps are Europe's highest mountain range: their broad arc stretches right across the center of the continent, encompassing a wide range of traditions and cultures. Andrew Beattie explores the turbulent past and vibrant present of this landscape, where early pioneers of tourism, mountaineering, and scientific research, along with the enduring legacies of historical regimes from the Romans to the Nazis, have all left their mark.
This is the guide to the exhibition, Turner and the Whale at the Hull Maritime Museum in Autumn 2017, which brings together for the first time in the UK, 3 of the 4 whaling pictures Turner was at work on in 1845-1846. As part of the city of Hull's year as the UK Capital of Culture the exhibition guide will bring the Turner whaling pictures into context with key parts of the Hull collections, including natural historical specimens, whaler carvings and Inuit art.
Honest and insightful, this memoir is a revealing picture of our recent past, of sport and poetry, the spirit of New Zealand's south and its distinctive people. This is the story of a typical Dunedin childhood, surrounded by 'nobies' - an extended family of eccentric grandparents and uncles, cousins and neighbours - who made a huge impact on a young mind. It's also the story of a not-so-typical family that was fanatical about sport - cycling, hockey, cricket, golf, fishing - and went on to produce top-ranking sportsmen. It's also the story of the growth of one of New Zealand's most loved poets. It shows three boys who became somebodies, but no better nor worse than the nobodies who inspired them. This is Brian Turner's view of the world: the landscape and people he was surrounded by; the principles he was taught; his sporting achievements; the early development of his brothers; his time moving between jobs as distinct as rabbiting in Central Otago and working in Customs; and his entry into the world of books.
For English read British which is not to quibble with the title but, as Jim Ring himself explains, 'During the period on which this book focuses, it was the custom - in the words of a Scot - ''to let the part - the larger part - speak for the whole.'' Those countries which received them - France, Italy, Austria, Germany, and above all Switzerland - all talked of the English, and the presence of the English in the Alps was precisely so described. To use the term British would thus have been an anachronism.' The nineteenth century will forever be associated with the growth of the British Empire, but nearer home there was a quieter conquest taking place. Gradually the English were taking over the Alps, scaling their peaks, driving railways through them, and introducing both winter sports and those quintessential English institutions - tea, baths, lawn tennis and churches - to remote mountain villages. Jim Ring tells the remarkable story of the English love affair with the Alps, from its beginnings with the Romantic movement, when poets such as Byron and Shelly wrote of the mountains with awed delight, through the great days of the 1850s and 1860s and the formation of the Alpine Club, to the inter-war years when the English assured the future prosperity of the alpine resorts by virtually inventing and then popularizing downhill-skiing. Part history, part biography, How the English made the Alps brings the characters - the artists, the scientists, the gentleman-adventurers, the invalids, the aristocrats, eccentrics and mountain-scramblers - vividly to life. 'Jim Rings's book cannot be bettered.' Daily Mail 'Fascinating' Stephen Venables, Daily Telegraph 'Evocative and entertaining' Financial Times 'A comprehensive, well-written account of a fascinating subject' Guardian
British painting past and present meet as Ken Howard (b. 1932), one of England’s most popular contemporary artists, follows the trail of world-renowned painter J.M.W. Turner, one of his heroes. Over the last several years Howard has been exploring the Swiss journeys of his illustrious predecessor, using Turner’s travels there as his inspiration for an exciting new body of work. This handsome book contains an introduction to Turner’s experience of the breathtaking Swiss lakes and mountains, some 100 striking new paintings by Howard, and photographs of him at work in the Alpine landscape.
Stretching 1,200 kilometres across six countries, the colossal mountains of the Alps dominate Europe, geographically and historically. Enlightenment thinkers felt the sublime and magisterial peaks were the very embodiment of nature, Romantic poets looked to them for divine inspiration, and Victorian explorers tested their ingenuity and courage against them. Located at the crossroads between powerful states, the Alps have played a crucial role in the formation of European history, a place of intense cultural fusion as well as fierce conflict between warring nations. A diverse range of flora and fauna have made themselves at home in this harsh environment, which today welcomes over 100 million tourists a year. Leading Alpine scholar Jon Mathieu tells the story of the people who have lived in and been inspired by these mountains and valleys, from the ancient peasants of the Neolithic to the cyclists of the Tour de France. Far from being a remote and backward corner of Europe, the Alps are shown by Mathieu to have been a crucible of new ideas and technologies at the heart of the European story.