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Includes: The Diary of a Superfluous Man, A Tour in the Forest, Yakov Pasinkov, Andrei Kolosov, and A Correspendence. The Diary of a Superfluous Man is an 1850 novella by Russian author Ivan Turgenev. It is written in the first person in the form of a diary by a man who has a few days left to live as he recounts incidents of his life. The story has become the archetype for the Russian literary concept of the superfluous man.
The present volume has as its central aim a reassessment of the works of Ivan Turgenev for the twenty-first century. Against the background of a decline in interest in nineteenth-century literature the articles gathered here seek to argue that the period in general, and his work in particular, still have much to offer the modern sensibility. The volume also offers a great variety of approaches. Some of the contributors tackle major works by Turgenev, including Rudin and Smoke, while others address key themes that run through all his creative work. Yet others address his influence, as well as his broader relationship with Russian and other cultures. A final group of articles examines other key figures in Russian literary culture, including Belinskii, Herzen and Tolstoi. The work will therefore be of interest to students, postgraduates and specialists in the field of Russian literary culture. At the same time, they will stand as a tribute to the life and work of Professor Richard Peace, a long-standing specialist in nineteenth-century Russian literature, in whose honour the volume has been compiled.
Leonard Schapiro, one of the world's most distinguished historians of the Russian past, has written the definitive biography of the enigmatic Ivan Turgenev. Based on new sources that have recently come to light in France and Russia, this work is a graceful and meticulous portrayal of the artist's life--the personal and intellectual preoccupations of the man as he thought and formed opinions about contemporary events. Schapiro's great achievement is his capacity to make Turgenev's personal, political, and artistic concerns emerge whole.
The Essential Turgenev will provide American readers with the first comprehensive, portable edition of this great Russian author's works. It offers an extensive introduction to the writings that established Turgenev as one of the preeminent literary figures of his time, and reveals the breadth of insight into changing social conditions that made Turgenev a portal to Russian intellectual life. Readers will find complete, exemplary translations of Turgenev's finest novels, Rudin, A Nest of Gentry, and Fathers and Sons, along with the lapidary novella First Love. The volume also includes selections from Sportsman's Sketches, seven of Turgenev's most compelling short stories, and fifteen prose poems. It also contains samples of the author's nonfiction drawn from autobiographical sketches, memoirs, public speeches, plus the influential essay "Hamlet and Don Quixote" and correspondence with Dostoevsky, Tolstoy, and others.
Generally thought to be the work that led to the abolishment of serfdom in Russia, "Sketches from a Hunter's Album (A Sportsman's Sketches)" is a series of short stories, written in 1852, that gained Turgenev widespread recognition for his unique writing style. These stories were the result of Turgenev's observations while hunting all over Russia, particularly on his abusive mother's estate at Spasskoye. A definitive work of the Russian Realist tradition, this collection of sketches unveils the author's insights on the lives of everyday Russians, from landowners and their peasants, to bailiffs and mournful doctors, to unhappy wives and mothers. Turgenev captures their tragedies and triumphs, losses and love in a set of stories that condemned the behavior of the ruling class. Considered subversive writing, Turgenev was confined to his mother's estate, yet his "Sketches" opened the eyes of many people of his time, proving him not only an artist but also a social reformer whose abilities ultimately affected the lives of countless Russians.
First English translation of the literary memoirs of the great Russian novelist. Includes an essay on Turgenev by Edmund Wilson.
On one level the novel is about the homecoming of Lavretsky, who, broken and disillusioned by a failed marriage, returns to his estate and finds love again - only to lose it. The sense of loss and of unfulfilled promise, beautifully captured by Turgenev, reflects his underlying theme that humanity is not destined to experience happiness except as something ephemeral and inevitably doomed. On another level Turgenev is presenting the homecoming of a whole generation of young Russians who have fallen under the spell of European ideas that have uprooted them from Russia, their 'home', but have proved ultimately superfluous. In tragic bewilderment, they attempt to find reconciliation with their land.