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A passion project from celebrated portrait photographer Perou with accompanying text from Karl Hyde of dance music duo Underworld, Tunnel Vision is a hypnotic portrait of England's underpasses. Photographed at night, you can almost hear the ominous hum of the broken strip-lighting, the knot of fear in the gut, the prickling silence of these desolate, urban landscapes. These unloved spaces are notoriously menacing, graffiti-ridden, inconvenient and prone to flooding. Yet through Perou's lens, the architecture is also elevated to something beyond itself, at times even ethereal.
When Jake Lukin, eighteen, reveals his psychic ability, he's forced to become a government asset in order to keep his mother and sister safe, but Rachel, the girl he likes, tries to help him live his own life instead of tunneling through others.
Tunnel Vision is a book unlike any other. A documentary of the narrator's post-adolescent relationships; an account of time in Chemnitz, Bergen, Dublin, Paris, Gwangju, Munich and Madrid; an exploration in artifice and honesty; an autobiography of a compulsive liar whose intimate portrayals of political inaction, sexual repression, masculinities in crisis and addiction to drugs and pornography collide with six piercingly intelligent critical essays - written with the narrative precision of John Berger, Janet Malcolm or Teju Cole - on photographic self-portraiture and the personal diary. Whether writing about the sale of Susan Sontag's archive, or the reframing of André Kertész's wedding photograph, Breathnach's writing - brave, wild, and genre-bending - inaugurates a dazzling new voice in art and literature.
Samira Vivette's third poetry and prose collection takes you to the carnival, painting mature and relatable themes with the light-hearted filter of a vivid, bustling atmosphere. Words pirouetting across the black and white pages specific to the unique elements of a fair, this book's emphasis lies within its atmospheric ability to take the reader on an adventure with interactive prompts, metaphors, and poetic imagery scattered throughout. Welcome to the Heartbreak Carnivale! An immersive experience you will never forget. A first of its kind poetry book With interactive elements— An adventure through the fair Without leaving your bed. Tangled between these pages are poems Sprinkled with puzzles and activities To simulate a night out on stomach-churning rides, Tipsy turvy highs, cotton candy lies, ultraviolet lights. Join the journey which mirrors past mistakes, Lovers and heartbreak, toxic entanglements Turned passionate through rose-colored glasses. Samira Vivette will be your guide As she immerses you in her rhymes: But beware, they are not for the young or faint-hearted With mature themes and profanity sprinkled like candy. Chapters: Come One, Come All An atmospheric introduction of the carnival nightlife to set the scene. Themes of rebellion, freedom, tributes to youth, adrenaline. Ferris Wheel A showcase of the ups and downs of an inconsistent and unrequited love interest. Themes of endearment, nostalgia, sexuality, love. Clowns with Peeling Faces The exploration of involvement with someone who drains the vibrancy from your spirit. Themes of betrayal, anger, deception. The Major Prize Empowerment that stems from redemption of yourself and who you always were. Themes of self-love, power, contentment. Buckle in and enjoy the ride!
A beautiful woman wanders through a gay disco and engages a man, confident that he will follow her. Perversely and dispassionately, she offers her body as the ground of a ritualistic game in which, over the course of three evenings, the two explore the numbing mechanics of sexual brutality.
Ayesha Siddiqui, 31 and independent, has just proposed to the man she loves. His silence makes her crash through the windshield of her car. In her comatose state, Ayesha floats between Time Past and Time Present. The narrative meanders through Ayesha's life, throwing up startling facts about her immediate family, relatives and friends. It brings to the fore her anguish, her love-hate relationship with her mother and her failed relationships with men, as she struggles to survive and build a career and an identity in a male-dominated society. The story is set against the backdrop of Karachi - a city where the past, present and future battle it out on billboards, TV and the backs of rickshaws. The throes of flux, fluidity and transition being witnessed by the country provide a parallel to Ayesha's own angst.
Andy must travel through every tube station in London in a single day to retrieve the Eurostar tickets he needs to get to his wedding in Paris.
A NEW YORK TIMES EDITORS' CHOICE A FINALIST FOR THE NATIONAL JEWISH BOOK AWARD From the award-winning, internationally acclaimed Israeli author, a suspenseful and poignant story of a family coping with the sudden mental decline of their beloved husband and father--an engineer who they discover is involved in an ominous secret military project Until recently, Zvi Luria was a healthy man in his seventies, an engineer living in Tel Aviv with his wife, Dina, visiting with their two children whenever possible. Now he is showing signs of early dementia, and his work on the tunnels of the Trans-Israel Highway is no longer possible. To keep his mind sharp, Zvi decides to take a job as the unpaid assistant to Asael Maimoni, a young engineer involved in a secret military project: a road to be built inside the massive Ramon Crater in the northern Negev Desert. The challenge of the road, however, is compounded by strange circumstances. Living secretly on the proposed route, amid ancient Nabatean ruins, is a Palestinian family under the protection of an enigmatic archaeological preservationist. Zvi rises to the occasion, proposing a tunnel that would not dislodge the family. But when his wife falls sick, circumstances begin to spiral . . . The Tunnel--wry, wistful, and a tour de force of vital social commentary--is Yehoshua at his finest.
Thresholes is both a doorway and an absence, a roadmap and a remembering. In this almanac of place and memory, Lara Mimosa Montes writes of her family’s past, returning to the Bronx of the 70s and 80s and the artistry that flourished there. What is the threshold between now and then, and how can the poet be the bridge between the two?
Poetry. Alyse Knorr's MEGA-CITY REDUX is a marvel. In 1405, Christine de Pizan, the world's first female professional writer, published an allegorical work called The Book of the City of Ladies, in which she imagined constructing (with the help of her fairy godmothers Reason, Rectitude, and Justice) a walled city where women could live safe from sexism, misogyny, and gendered violence. Six hundred years later, women across the world still find themselves in need of such a city. MEGA-CITY REDUX, a novel in verse remix of Pizan's allegory, charts a modern-day road-trip search for the mythical city, with the help of 21st- century feminist heroes Buffy the Vampire Slayer, Xena Warrior Princess, and Dana Scully from The X-Files.