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“I’ll Build a Stairway to Paradise is like an exquisite string of pearls: the perfect balance of elegance, style, design, and beauty. This book is inspiring, spirited, and totally absorbing.” —Diane von Furstenberg The story of Bunny Mellon, the great landscape and interior designer, becomes a revelatory exploration of extreme wealth in the American century. Bunny Mellon, whose life was marked by astonishing good fortune as well as tragedy and scandal, remains a singular figure in the annals of American design. She had her finger on the pulse of American culture and possessed a rare, once-in-a-generation sense of style and grace. Her most celebrated work—the White House Rose Garden, designed during the presidency of John F. Kennedy—demonstrated how formal restraint and the sparing use of color could be deployed to maximal effect. Later, her understated landscape design for the Kennedy grave site at Arlington National Cemetery changed the face of American public memorials. Mellon was a famously private person, and many of her greatest achievements remained concealed from public view. Her rarely seen gardens and domestic interiors at eight different properties on three continents became legends and models. At Oak Spring Farm in Virginia, the bibliographic riches of her Garden Library were twinned with the expansive flowering gardens lying below the Edward Larrabee Barnes–designed building. At her home on Nantucket, she pruned back the landscape to reveal the elemental forms of nature. Mellon also ranked as one of the great art collectors of her era, encouraging her husband Paul to use his family’s vast wealth to acquire hundreds of nineteenth-century French paintings, many of which were donated to the National Gallery of Art. Her own tastes ranged from Mark Rothko to Richard Diebenkorn—in quantity. In I’ll Build a Stairway to Paradise, Mac Griswold—who knew Mellon personally—delves into her subject’s closely guarded personal archives to construct an unrivaled portrait of a woman as complex and multifaceted as the gardens and homes on which she left her mark. Mellon tested the anodyne 1950s model of woman-as-wife-as-mother by getting a divorce, admitting candidly to her first husband that she wanted a richer one. She imperiously traded old friends for new and ultimately used her reputation, her connections, and above all her money to help fund John Edwards’s short-lived presidential campaign. She led an American version of a royal court that, over the years, included Jackie Kennedy, Hubert de Givenchy, and I. M. Pei. How Mellon’s character, style, and taste developed together to produce her greatest accomplishments—private and public—is the real subject of this biography.
Arguably the most influential French writer of the early twentieth century, André Gide is a paradigmatic figure whose World War II writings offer an exemplary reflection of the challenges facing a leading writer in a time of national collapse. Tracing Gide's circuitous "intellectual itinerary" from the fall of France through the postwar purge, this book examines the ambiguous role of France's senior man of letters during the Second World War. The writer's intricate maneuverings offer privileged insights into three issues of broad significance: the relationship of literature and politics in France during World War II, the repressions and repositionings that continue to fuel controversy about the period, and the role of public intellectuals in times of national crisis. With the exception of the early wartime Journal, Gide's publications during France's "dark years" have received little critical attention. This book scrutinizes the entire wartime oeuvre in depth, tracing the evolution of Gide's political views and, most importantly, reading the wartime texts against each other. It is the interplay among these texts that reveals the full complexity of Gide's political positionings and the rhetorical brilliance he deployed to redress his tarnished image.
New York Times • Times Critics Top Books of 2021 The Times (of London) • Best Books of the Year Excerpted in The New Yorker Profiled in The Los Angeles Times Publishing for the centenary of her birth, Patricia Highsmith’s diaries “offer the most complete picture ever published” of the canonical author (New York Times). Relegated to the genre of mystery during her lifetime, Patricia Highsmith is now recognized as one of “our greatest modernist writers” (Gore Vidal). Beloved by fans who were unaware of the real psychological turmoil behind her prose, the famously secretive Highsmith refused to authorize a biography, instead sequestering herself in her Switzerland home in her final years. Posthumously, her devoted editor Anna von Planta discovered her diaries and notebooks in 1995, tucked in a closet—with tantalizing instructions to be read. For years thereafter, von Planta meticulously culled from over eight thousand pages to help reveal the inscrutable figure behind the legendary pen. Beginning with her junior year at Barnard in 1941, Highsmith ritualistically kept a diary and notebook—the former to catalog her day, the latter to brainstorm stories and hone her craft. This volume weaves diary and notebook simultaneously, exhibiting precisely how Highsmith’s personal affairs seeped into her fiction—and the sheer darkness of her own imagination. Charming yet teetering on the egotistical, young “Pat” lays bare her dizzying social life in 1940s Greenwich Village, barhopping with Judy Holliday and Jane Bowles, among others. Alongside Flannery O’Conner and Chester Himes, she attended—at the recommendation of Truman Capote—the Yaddo artist colony in 1948, where she drafted Strangers on a Train. Published in 1950 and soon adapted by Alfred Hitchcock, this debut novel brought recognition and brief financial security, but left a heartsick Highsmith agonizing: “What is the life I choose?” Providing extraordinary insights into gender and sexuality in mid-twentieth-century America, Highsmith’s diaries convey her euphoria writing The Price of Salt (1951). Yet her sophomore novel would have to be published under a pseudonym, so as not to tarnish her reputation. Indeed, no one could anticipate commercial reception for a novel depicting love between two women in the McCarthy era. Seeking relief from America, Highsmith catalogs her peripatetic years in Europe, subsisting on cigarettes and growing more bigoted and satirical with age. After a stay in Positano with a new lover, she reflects in her notebooks on being an expat, and gleefully conjures the unforgettable The Talented Mr. Ripley (1955); it would be this sociopathic antihero who would finally solidify her true fame. At once lovable, detestable, and mesmerizing, Highsmith put her turbulent life to paper for five decades, acutely aware there must be “a few usable things in literature.” A memoir as significant in our own century as Sylvia Plath’s journals and Simone de Beauvoir’s writings were to another time, Patricia Highsmith: Her Diaries and Notebooks is an historic work that chronicles a woman’s rise against the conventional tide to unparalleled literary prominence.
Enrique Vila-Matas’s new novel is perhaps his greatest: “playful and funny and among the best Spanish novelists” (Colm Tóibín) Mac is currently unemployed and lives on his wife’s earnings. An avid reader, he decides at the age of sixty to keep a diary. Mac’s wife, a dyslexic, thinks he is simply wasting his time and risking sliding further into depression—but Mac persists, and is determined that this diary won't turn into a novel. However, one day, he has a chance encounter with a neighbor, a successful author of a collection of enigmatic, willfully obscure stories. Mac decides that he will read, revise, and improve his neighbor’s stories, which are mostly narrated by a ventriloquist who has lost the ability to speak in different voices. As Mac embarks on this task, he finds that the stories have a strange way of imitating life. Or is life imitating the stories? As the novel progresses, Mac becomes more adrift from reality, and both he and we become ever more immersed in literature: a literature haunted by death, but alive with the sheer pleasure of writing.
In the final stages of his career, Roland Barthes abandoned his long-standing suspicion of photographic representation to write Camera Lucida, at once an elegy to his dead mother and a treatise on photography. In Writing the Image After Roland Barthes, Jean-Michel Rabaté and nineteen contributors examine the import of Barthes's shifting positions on photography and visual representation and the impact of his work on current developments in cultural studies and theories of the media and popular culture.
A hilarious, deftly written debut novel about a woman whose wanderlust is about to show her that sometimes you don’t have to travel very far to become the person you want to be… There are many reasons women shouldn’t travel alone. But as foul-mouthed, sweet-toothed Kika Shores knows, there are many more reasons why they should. After all, most women want a lot more out of life than just having fun. Kika, for one, wants to experience the world. But ever since she returned from her yearlong backpacking tour, she’s been steeped in misery, battling rush hour with all the other suits. Getting back on the road is all she wants. So when she’s offered a nanny job in London – the land of Cadbury Cream Eggs – she’s happy at the prospect of going back overseas and getting paid for it. But as she’s about to discover, the most exhilarating adventures can happen when you stay in one place… Wise, witty, and hilarious, Girls Who Travel is an unforgettable novel about the highs and lows of getting what you want—and how it’s the things you least expect that can change your life.
Containing more than 600 entries, this valuable resource presents all aspects of travel writing. There are entries on places and routes (Afghanistan, Black Sea, Egypt, Gobi Desert, Hawaii, Himalayas, Italy, Northwest Passage, Samarkand, Silk Route, Timbuktu), writers (Isabella Bird, Ibn Battuta, Bruce Chatwin, Gustave Flaubert, Mary Kingsley, Walter Ralegh, Wilfrid Thesiger), methods of transport and types of journey (balloon, camel, grand tour, hunting and big game expeditions, pilgrimage, space travel and exploration), genres (buccaneer narratives, guidebooks, New World chronicles, postcards), companies and societies (East India Company, Royal Geographical Society, Society of Dilettanti), and issues and themes (censorship, exile, orientalism, and tourism). For a full list of entries and contributors, a generous selection of sample entries, and more, visit the Literature of Travel and Exploration: An Encyclopedia website.
THE NEW YORK TIMES BESTSELLER Transform your life using the Bullet Journal Method, the revolutionary organisational system and worldwide phenomenon. The Bullet Journal Method will undoubtedly transform your life, in more ways than you can imagine' Hal Elrod, author of The Miracle Morning In his long-awaited first book, Ryder Carroll, the creator of the enormously popular Bullet Journal organisational system, explains how to use his method to: * TRACK YOUR PAST: using nothing more than a pen and paper, create a clear, comprehensive, and organised record of your thoughts and goals. * ORDER YOUR PRESENT: find daily calm by prioritising and minimising your workload and tackling your to-do list in a more mindful and productive way. * PLAN YOUR FUTURE: establish and appraise your short-term and long-term goals, plan more complex projects simply and effectively, and live your life with meaning and purpose. Like many of us, Ryder Carroll tried everything to get organised - countless apps, systems, planners, you name it. Nothing really worked. Then he invented his own simple system that required only pen and paper, which he found both effective and calming. He shared his method with a few friends, and before long he had a worldwide viral movement. The system combines elements of a wishlist, a to-do list, and a diary. It helps you identify what matters and set goals accordingly. By breaking long-term goals into small actionable steps, users map out an approachable path towards continual improvement, allowing them to stay focused despite the crush of incoming demands. But this is much more than a time management book. It's also a manifesto for what Ryder calls "intentional living": making sure that your beliefs and actions align. Even if you already use a Bullet Journal, this book gives you new exercises to become more calm and focused, new insights on how to prioritise well, and a new awareness of the power of analogue tools in a digital world. *** This book has been printed with three different colour designs, black, Nordic blue and emerald. We are unable to accept requests for a specific cover. The different covers will be assigned to orders at random. ***