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The soundscape--a term coined by the author--is our sonic environment, the ever-present array of noises with which we all live. Beginning with the primordial sounds of nature, we have experienced an ever-increasing complexity of our sonic surroundings. As civilization develops, new noises rise up around us: from the creaking wheel, the clang of the blacksmith’s hammer, and the distant chugging of steam trains to the “sound imperialism” of airports, city streets, and factories. The author contends that we now suffer from an overabundance of acoustic information and a proportionate diminishing of our ability to hear the nuances and subtleties of sound. Our task, he maintains, is to listen, analyze, and make distinctions. As a society we have become more aware of the toxic wastes that can enter our bodies through the air we breathe and the water we drink. In fact, the pollution of our sonic environment is no less real. Schafer emphasizes the importance of discerning the sounds that enrich and feed us and using them to create healthier environments. To this end, he explains how to classify sounds, appreciating their beauty or ugliness, and provides exercises and “soundwalks” to help us become more discriminating and sensitive to the sounds around us. This book is a pioneering exploration of our acoustic environment, past and present, and an attempt to imagine what it might become in the future.
A riveting guide to the energy that surrounds us and how tuning into the power of frequencies can help us heal ourselves, and the planet. Can you feel it? Energy is Everywhere. From the light, sound, and electromagnetic waves that flow all around us to the intricate electrical networks that flow through us, energy is a frontier as exciting as it is uncharted. Every year new science suggests that harnessing the extraordinary power of these invisible frequencies may be the key to a variety of innovations to improve our health and wellbeing, and to repair our struggling ecosystems. In Tuning into Frequency, the minds of Sputnik Futures explore cutting-edge discoveries from doctors, physicists, healers, ecologists, technologists, and thought leaders and explore how we can employ frequency to improve not only our physical, mental, and spiritual wellbeing, but the health of the planet. For example, did you know: -That your heart and your brain share an electromagnetic field? -That trees can talk to each other? -That sound can heal the body? -That color affects your mood? -That the sun can help fight depression? With expert voices, bold discoveries, and engaging visuals, this entry in the captivating Alice in Futureland series is a riveting guide to the forces that energize our bodies, our minds, and the planet.
David Michael Hertz explicates the rela­tionship between the music and poetry of the Symbolist movement, tracing it from its inception in Baudelaire’s verse and Wagner’s music to its final transformation into Modernism in the works of Schoen­berg. Hertz begins by examining the con­cept of the period, the well-rounded phrase of verse or music, which was at­tacked first in Wagner’s use of the leitmo­tif and unusual intervals such as the tritone. ­Such musical elements created a feel­ing of emotion directly expressed, un­hampered by convention. This approach was further developed by Mallarmé, who stripped his verse of its conventional framework in an attempt to create images of pure emotion. Mallarmé in turn in­fluenced Debussy. Hertz shows that in setting Mallarmés verse, Debussy moved further away from the standard har­monic structures of the nineteenth cen­tury, particularly in his use of tonal ambiguity. ­Hertz explores the aesthetic of the Symbolist movement as embodied in the unique forms that characterized the era, the tone poem and the lyric play. He dem- onstrates the particular importance of Maeterlinck’s Pelléas et Mé1isande, which was scored by Debussy. A revolutionary work difficult to characterize, it speaks gracefully of the transformation of Ro­manticism into Modernism. Citing examples of art, literature, and music, Hertz finds ultimately that the Symbolist aesthetic came to encompass the entire artistic world. Only a scholar thoroughly at home in both the literary and musical realms and possessing a sov­ereign command of the cultural climate and currents of the period would be able to deliver exactly what his subtitle prom­ises: a musico- literary poetics of the Sym­bolist movement.
How much happier could you be by simply lifting your head up? What possibilities await you when you tell the world that you are open for business? Who could you become with a bigger smile that says, "I'm up for the relationship?" We live in a time when people are so busy and so focused on what's next that they're missing out on what's happening right now. We're lonely yet surrounded by others. There are so many opportunities right in front of us, but we will surely miss them unless we do what to most may seem counter-intuitive to success; we must "slow down to move ahead." Human beings have reached a tipping point. In our short attention span, fast-paced, competitive world, we can no longer relax. We don't know how to deal with downtime. In our race to success, we've incorporated more text and email to save time, more devices, and advances to communicate, more friends and more contacts to get ahead. Yet most of us are falling behind in our spirit. Many of us are discovering that the advancements meant to make our lives less complicated are actually causing us more stress. Rather than freeing us up, they are consuming more of our time. The things that were supposed to connect us have, in some ways, made us retreat. When was the last time you waited in line without reaching for your phone? The last time you sat down for family dinner without an electronic device on? The last time you seized the day rather than seeking the data? We are indeed miracles. God literally hard-wired us humans for connection. But somewhere along the way, we outpaced ourselves. We ran too far ahead, and now many of us are feeling left behind. We've been taken out of context, out of connection and out of communion with the people surrounding us. We're sometimes even strangers in our own homes. The Word tells us that we are the light. That we are not to be placed under a bowl. That we are indeed meant to shine and shine we will. The light in the world is dim and it's time to get TURNED ON.
How can we rethink teaching practices to include and engage the whole student? What would student experience look like if we integrated silence and feeling with empirical analysis? Tuning the Student Mind is the story of one teacher's attempt to answer these questions by creating an innovative college course that marries the spiritual and the theoretical, integrating meditation and self-reflection with more conventional academic curriculum. The book follows Molly Beauregard and her students on their intellectual and spiritual journey over the course of a semester in her class, "Consciousness, Creativity, and Identity." Interweaving personal stories, student writing, and Beauregard's responses, along with recommendations for further reading and a research appendix, it makes the case for the transformative power of consciousness-centered education. Written in a warm, engaging voice that reflects Beauregard's teaching style, Tuning the Student Mind provides an accessible, step-by-step template for other educators, while inviting readers more broadly to reconnect with the joy of learning in and beyond the classroom.
Tuning the Eardrums invites the reader to approach listening as an intentional act. Gary Diggins draws upon his background as a musician and therapist in order to help individuals become more present to the ever-shifting nature of sound, music, words, or even silence. This guidebook considers our aural sense from multiple angles and provides practical ways to relate to someone or something through deep listening. The content mixes personal stories, psycho-spiritual principles, scientific research with mindful and musical practices. In a time when distractions and multi-tasking abound, this book helps us remain attentive as we receive or respond to the unseen world of sound.
Did God Stop Speaking? Or Did We Stop Listening? Hearing the voice of God is like listening to the radio - if you're not dialed in to exactly the right frequency, you'll get nothing but static. Wavelength reveals what happens when a nonreligious businessman learns to tune in God's voice... then dares to obey it. His unorthodox adventures in following Jesus will challenge your thinking, kick over a few sacred cows, and reveal how you can have your own two-way conversations with God. Book jacket.
A basic guide to alternate scales, temperaments and microtuning using synthesizers.