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On June 30, 1908, a mysterious explosion erupted in the skies over a vast woodland area of Siberia. Known as the Tunguska Event, it has been a source of wild conjecture over the past century, attributed to causes ranging from meteors to a small black hole to antimatter. In this imaginative book, Michael Hampe sets four fictional men based on real-life scholars—a physicist (Günter Hasinger and Steven Weinberg), a philosopher (Paul Feyerabend), a biologist (Adolf Portmann), and a mathematician (Alfred North Whitehead)—adrift on the open ocean, in a dense fog, to discuss what they think happened. The result is a playful and highly illuminating exploration of the definition of nature, mankind’s role within it, and what its end might be. Tunguska, Or the End of Nature uses its four-man setup to tackle some of today’s burning issues—such as climate change, environmental destruction, and resource management—from a diverse range of perspectives. With a kind of foreboding, it asks what the world was like, and will be like, without us, whether we are negligible and the universe random, whether nature can truly be explained, whether it is good or evil, or whether nature is simply a thought we think. This is a profoundly unique work, a thrillingly interdisciplinary piece of scholarly literature that probes the mysteries of nature and humans alike.
In 1908, thunderous blasts and blazing fires from the sky descended upon the desolate Tunguska territory of Siberia. The explosion knocked down an area of forest larger than London and was powerful enough to obliterate Manhattan. The mysterious nature of the event has prompted a wide array of speculation and investigation, including from those who suspected that aliens from outer space had been involved. In this deeply researched account of the Tunguska explosion and its legacy in Russian society, culture, and the environment, Andy Bruno recounts the intriguing history of the disaster and researchers' attempts to understand it. Taking readers inside the numerous expeditions and investigations that have long occupied scientists, he foregrounds the significance of mystery in environmental history. His engaging and accessible account shows how the explosion has shaped the treatment of the landscape, how uncertainty allowed unusual ideas to enter scientific conversations, and how cosmic disasters have influenced the past and might affect the future.
On June 30, 1908, a mysterious explosion erupted in the skies over a vast woodland area of Siberia. Known as the Tunguska Event, it has been a source of wild conjecture over the past century, attributed to causes ranging from meteors to a small black hole to antimatter. In this imaginative book, Michael Hampe sets four fictional men based on real-life scholars—a physicist (Günter Hasinger and Steven Weinberg), a philosopher (Paul Feyerabend), a biologist (Adolf Portmann), and a mathematician (Alfred North Whitehead)—adrift on the open ocean, in a dense fog, to discuss what they think happened. The result is a playful and highly illuminating exploration of the definition of nature, mankind’s role within it, and what its end might be. Tunguska, Or the End of Nature uses its four-man setup to tackle some of today’s burning issues—such as climate change, environmental destruction, and resource management—from a diverse range of perspectives. With a kind of foreboding, it asks what the world was like, and will be like, without us, whether we are negligible and the universe random, whether nature can truly be explained, whether it is good or evil, or whether nature is simply a thought we think. This is a profoundly unique work, a thrillingly interdisciplinary piece of scholarly literature that probes the mysteries of nature and humans alike.
Hitherto, there has been no book that attempted to sum up the breadth of Umberto Eco’s work and it importance for the study of semiotics, communication and cognition. There have been anthologies and overviews of Eco’s work within Eco Studies; sometimes, works in semiotics have used aspects of Eco’s work. Yet, thus far, there has been no overview of the work of Eco in the breadth of semiotics. This volume is a contribution to both semiotics and Eco studies. The 40 scholars who participate in the volume come from a variety of disciplines but have all chosen to work with a favorite quotation from Eco that they find particularly illustrative of the issues that his work raises. Some of the scholars have worked exegetically placing the quotation within a tradition, others have determined the (epistemic) value of the quotation and offered a critique, while still others have seen the quotation as a starting point for conceptual developments within a field of application. However, each article within this volume points toward the relevance of Eco -- for contemporary studies concerning semiotics, communication and cognition.
What is the state of philosophy today, and what might it be tomorrow? With What Philosophy Is For, Michael Hampe answers these questions by exploring the relationships among philosophy, education, science, and narrative, developing a Socratic critique of philosophical doctrines. Philosophers generally develop systematic theories that lay out the basic structures of human experience, in order to teach the rest of humanity how to rightly understand our place in the world. This “scientific” approach to philosophy, Hampe argues, is too one-sided. In this magnum opus of an essay, Hampe aims to rescue philosophy from its current narrow claims of doctrine and to remind us what it is really for—to productively disillusion us into clearer thinking. Hampe takes us through twenty-five hundred years of intellectual history, starting with Socrates. That archetype of the philosophical teacher did not develop strict doctrines and rules, but rather criticized and refuted doctrines. With the Socratic method, we see the power of narration at work. Narrative and analytical disillusionment, Hampe argues, are the most helpful long-term enterprises of thought, the ones most worth preserving and developing again. What Philosophy Is For is simultaneously an introduction, a critique, and a call to action. Hampe shows how and why philosophy became what it is today, and, crucially, shows what it could be once more, if it would only turn its back on its pretensions to dogma: a privileged space for reflecting on the human condition.
This book explores how the history of philosophy can orient us to the new reality brought on by the climate crisis. If we understand the climate crisis as a deeply existential one, it can help to examine the way past philosophers responded to similar crises in their times. This book explores five past crises, each involving a unique form of collective trauma. These events—war, occupation, exile, scientific revolution and political revolution—inspired the philosophers to remake the whole world in thought, to construct a metaphysics. Williston distills a key intellectual innovation from each metaphysical system: • That political power must be constrained by knowledge of the climate system (Plato) • That ethical and political reasoning must be informed by care or love of the ecological whole (Augustine) • That we must enhance the design of the technosphere (Descartes) • That we must conceive the Earth as an internally complex system (Spinoza) • And that we must grant rights to anyone or anything—ultimately the Earth system itself—whose vital interests are threatened by the effects of climate change (Hegel). Philosophy and the Climate Crisis will be of great interest to students and scholars of climate change, environmental philosophy and ethics and the environmental humanities.
The bold and boundlessly original debut novel from the Oscar®-winning screenwriter of Being John Malkovich, Adaptation, Eternal Sunshine of the Spotless Mind, and Synecdoche, New York. LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE • “A dyspeptic satire that owes much to Kurt Vonnegut and Thomas Pynchon . . . propelled by Kaufman’s deep imagination, considerable writing ability and bull’s-eye wit."—The Washington Post “An astonishing creation . . . riotously funny . . . an exceptionally good [book].”—The New York Times Book Review • “Kaufman is a master of language . . . a sight to behold.”—NPR NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND MEN’S HEALTH B. Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, filmmaker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film made by an enigmatic outsider—a film he’s convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made—a three-month-long stop-motion masterpiece that took its reclusive auteur ninety years to complete—B. knows that it is his mission to show it to the rest of humanity. The only problem: The film is destroyed, leaving him the sole witness to its inadvertently ephemeral genius. All that’s left of this work of art is a single frame from which B. must somehow attempt to recall the film that just might be the last great hope of civilization. Thus begins a mind-boggling journey through the hilarious nightmarescape of a psyche as lushly Kafkaesque as it is atrophied by the relentless spew of Twitter. Desperate to impose order on an increasingly nonsensical existence, trapped in a self-imposed prison of aspirational victimhood and degeneratively inclusive language, B. scrambles to re-create the lost masterwork while attempting to keep pace with an ever-fracturing culture of “likes” and arbitrary denunciations that are simultaneously his bête noire and his raison d’être. A searing indictment of the modern world, Antkind is a richly layered meditation on art, time, memory, identity, comedy, and the very nature of existence itself—the grain of truth at the heart of every joke.
Is Atheism Dead? is an entertaining, impressively wide-ranging, and decidedly provocative answer to that famous 1966 TIME cover that itself provocatively asked “Is God Dead?” In a voice that is by turns witty, muscular, and poetic, Metaxas intentionally echoes C.S. Lewis and G.K. Chesterton in cheerfully and logically making his astonishing case, along the way presenting breathtaking—and often withering—new evidence and arguments against the idea of a Creatorless universe. Taken all together, he shows atheism not merely to be implausible and intellectually sloppy, but now demonstrably ridiculous. Perhaps the only unanswered question on the subject is why we couldn’t see this sooner, and how embarrassed we should be about it.
“[Pynchon's] funniest and arguably his most accessible novel.” —The New York Times Book Review “Raunchy, funny, digressive, brilliant.” —USA Today “Rich and sweeping, wild and thrilling.” —The Boston Globe Spanning the era between the Chicago World's Fair of 1893 and the years just after World War I, and constantly moving between locations across the globe (and to a few places not strictly speaking on the map at all), Against the Day unfolds with a phantasmagoria of characters that includes anarchists, balloonists, drug enthusiasts, mathematicians, mad scientists, shamans, spies, and hired guns. As an era of uncertainty comes crashing down around their ears and an unpredictable future commences, these folks are mostly just trying to pursue their lives. Sometimes they manage to catch up; sometimes it's their lives that pursue them.
An insider's look at the science of near-Earth comets and asteroids Of all the natural disasters that could befall us, only an Earth impact by a large comet or asteroid has the potential to end civilization in a single blow. Yet these near-Earth objects also offer tantalizing clues to our solar system's origins, and someday could even serve as stepping-stones for space exploration. In this book, Donald Yeomans introduces readers to the science of near-Earth objects—its history, applications, and ongoing quest to find near-Earth objects before they find us. In its course around the sun, the Earth passes through a veritable shooting gallery of millions of nearby comets and asteroids. One such asteroid is thought to have plunged into our planet sixty-five million years ago, triggering a global catastrophe that killed off the dinosaurs. Yeomans provides an up-to-date and accessible guide for understanding the threats posed by near-Earth objects, and also explains how early collisions with them delivered the ingredients that made life on Earth possible. He shows how later impacts spurred evolution, allowing only the most adaptable species to thrive—in fact, we humans may owe our very existence to objects that struck our planet. Yeomans takes readers behind the scenes of today’s efforts to find, track, and study near-Earth objects. He shows how the same comets and asteroids most likely to collide with us could also be mined for precious natural resources like water and oxygen, and used as watering holes and fueling stations for expeditions to Mars and the outermost reaches of our solar system.