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Austin Returns with a Multi-Generational Historical Novel Geesje de Jonge crossed the ocean at age seventeen with her parents and a small group of immigrants from the Netherlands to settle in the Michigan wilderness. Fifty years later, in 1897, she's asked to write a memoir of her early experiences as the town celebrates its anniversary. Reluctant at first, she soon uncovers memories and emotions hidden all these years, including the story of her one true love. At the nearby Hotel Ottawa Resort on the shore of Lake Michigan, twenty-three-year-old Anna Nicholson is trying to ease the pain of a broken engagement to a wealthy Chicago banker. But her time of introspection is disturbed after a violent storm aboard a steamship stirs up memories of a childhood nightmare. As more memories and dreams surface, Anna begins to question who she is and whether she wants to return to her wealthy life in Chicago. When she befriends a young seminary student who is working at the hotel for the summer, she finds herself asking him all the questions that have been troubling her. Neither Geesje nor Anna, who are different in every possible way, can foresee the life-altering surprises awaiting them before the summer ends.
On Nov. 28, 1969, Betsy Aardsma, a 22-year-old graduate student in English at Penn State, was stabbed to death in the stacks of Pattee Library at the university’s main campus in State College. For more than forty years, her murder went unsolved, though detectives with the Pennsylvania State Police and local citizens worked tirelessly to find her killer. The mystery was eventually solved—after the death of the murderer. This book will reveal the story behind what has been a scary mystery for generations of Penn State students and explain why the Pennsylvania State Police failed to bring her killer to justice. More than a simple true crime story, the book weaves together the events, culture, and attitudes of the late 1960s, memorializing Betsy Aardsma and her time and place in history.
Each year, thousands of communities across the United States celebrate their ethnic heritages, values, and identities through the medium of festivals. Drawing together elements of ethnic pride, nostalgia, religious values, economic motives, cultural memory, and a spirit of celebration, these festivals are performances that promote and preserve a community's unique identity and heritage, while at the same time attempting to place the ethnic community within the larger American experience. Although these aims are pervasive across ethnic heritage celebrations, two festivals that appear similar may nevertheless serve radically different social and political aims. Accordingly, The Dutch American Identity examines five Dutch American festivals-three of which are among the oldest ethnic heritage festivals in the United States-in order to determine what such festivals mean and do for the staging communities. Although Dutch Americans were historically among the first ethnic groups to stage ethnic heritage festivals designed to attract outside audiences, and despite the fact that several Dutch American festivals have met with sustained success, little scholarship has focused on this ethnic group's festivals. Moreover, studies that have considered festivals staged by communities of European descent have typically focused on a single festival. The Dutch American Identity thus, on the one hand, seeks to call attention to the historical development and current sociocultural significance of Dutch American heritage festivals. On the other hand, this study aims to elucidate the ties that bind the five communities that stage these festivals together rather than studying one festival in isolation from the others. Creatively combining several methodologies, The Dutch American Identity describes and analyzes how the social, political, and ethical values of the five communities are expressed (performed, acted out, represented, costumed, and displayed) in their respective festivals. Rather than relying on familiar, even stereotypical, notions of "the Midwest," "rural America," "conservative America," etc., that often appear in contemporary political discourse, Schoone-Jongen shows just how complex and contradictory these festivals are in the ways they represent each community. At the same time, by placing these festivals within the context of American history, Schoone-Jongen also demonstrates how and why each festival is a microcosm of particular cultural, social, and political developments in modern America. The Dutch American Identity is an important book for sociology, performance studies, folklore, immigration history, anthropology, and cultural history collections.
For decades, J nis Ruk ns has been scouring remote and dangerous regions of Europe and Asia to bring back the botanical treasures that he describes in this book. Packed with accounts of his extensive travels, "Buried Treasures" also offers an abundance of trustworthy information about the care and cultivation of every major and minor genus of bulb-forming plant."
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THE TULIP is not a gardening book. It is the story of a flower that has made men mad. Greed, desire, anguish and devotion have all played their part in the development of the tulip into the world-wide phenomenon it is today. No other flower has ever carried so much cultural baggage; it charts political upheavals, illuminates social behaviour, mirrors economic booms and busts, plots the ebb and flow of religious persecution. Pavord tells how the tulip arrived from Turkey and took the whole of Western Europe by storm. Sumptuously illustrated from a wide range of sources, this beautifully produced and irresistible volume will become a bible, a unique source book, a universal gift book and a joy to all who possess it.