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After a hurricane smashes through the Mexican town of Tula, the narrator's friend is missing--seemingly carried off by the storm--but when his car turns up, filled with his papers, the disappeared man's wife is convinced that he ran off with his lover and asks the author to investigate. Reprint. 10,000 first printing.
NOW A MAJOR MOTION PICTURE Starring Helen Mirren, Christopher Plummer, & James McAvoy In 1910, Count Leo Tolstoy, the most famous writer in the world, is caught in the struggle between his devoted wife and an equally devoted acolyte over the master's legacy. Sofya Andreyevna fears that she and the children she has borne Tolstoy will lose all to Vladimir Chertkov and the Tolstoyan movement, which preaches the ideals of poverty, chastity, and pacifism. As Tolstoy seeks peace in his final days, Valentin Bulgakov is hired to be his secretary and enlisted as a spy by both camps. But Valentin's loyalty is to the great man, who in turn recognizes in the young idealist his own youthful struggle with worldly passions. Deftly moving among a colorful cast of characters, drawing on the writings of the people on whom they are based, Jay Parini has created a stunning portrait of an enduring genius and a deeply affecting novel.
From the prizewinning author of Rosehead and the resident writer of the 2015 Amtrak Residency Program, comes a disturbing ghost story about a toy train engine TUBE. Get your ticket ready. And beware. This is a ride not for the faint-hearted. In the winter of 1989 on the Moscow-Simferopol train, on the eve of her twenty-first birthday, Soviet ballerina Olesya Belaya attempts to get rid of her virginity with the help of her new boyfriend and dancing partner, Dima Rumyantsev. But when Dima gets undressed, and when between his legs Olesya sees her long-lost toy train engine TUBE, her reality cracks, and TUBE leads her to the car haunted by her forgotten memories of sick, violent secrets. As Olesya enters the car, she has only her sanity to hold on to, to believe what she sees, and only her five-year-old self, Little Olesya, to guide her along the “other” side of her family, stripped of pretense, and to steady her against the truth. Slowly, Olesya’s disbelief turns to acceptance, until she understands whom she has to face, to come out alive—an unexpected enemy who has a taste for the weak and whom she escaped as a child, only to call him back unwittingly, to finish the carnage… Perfect for fans of Stephen King, Neil Gaiman, and Margaret Atwood, TUBE is at once a surrealistic horror tale, a magical metaphor for overcoming past trauma, and an empowering novel about survival. Anske reminds us that the violent secrets of our childhood forever haunt us until we face them square in the face. Praise for TUBE from readers: “TUBE is a stark, cold, disturbing book of confronting the ghosts of our past. The taboo subject is handled unflinchingly, with vivid descriptions, evocative language, and raw honesty. I enjoyed the novel’s Russianness, the Soviet setting in the 1970s and 1980s is clearly described and detailed.” “This story was harsh, gritty, terrifying, and uncomfortable. But it was so, so beautiful. It brought down all the walls of abuse, it didn't romanticize or try to cover up or beautify the harsh realities. It splayed them out there, broken and bloody, for the world to see, and it showed that hidden memories and unacknowledged hurts only protect you for so long.” “Due to its surrealistic overtones, horror, and isolating nature, TUBE is the train ride no one wants to take but everyone has to experience.” “A powerful story about a woman’s struggle to regain lost memories of past trauma and in the process regain a part of herself that’s been lost as well.” “TUBE is like a giant train of weed while reading Stephen King and Darren Shan.”
At the turn of the twentieth century, as he composes a treatise on melancholy, Jacov Reinhardt sets off from his small Croatian village in search of his hero and unwitting mentor, Emiliano Gomez Carrasquilla, who is rumored to have disappeared into the South American jungle—“not lost, mind you, but retired.” Jacov’s narcissistic preoccupation with melancholy consumes him, and as he desperately recounts the myth of his journey to his trusted but ailing scribe, hope for an encounter with the lost philosopher who holds the key to Jacov’s obsession seems increasingly unlikely. From Croatia to Germany, Hungary to Russia, and finally to the Americas, Jacov and his companions grapple with the limits of art, colonialism, and escapism in this antic debut where dark satire and skewed history converge.
Biology was forged into a single, coherent science only within living memory. In this volume the thinkers responsible for the "modern synthesis" of evolutionary biology and genetics come together to analyze that remarkable event. In a new Preface, Ernst Mayr calls attention to the fact that scientists in different biological disciplines varied considerably in their degree of acceptance of Darwin's theories. Mayr shows us that these differences were played out in four separate periods: 1859 to 1899, 1900 to 1915, 1916 to 1936, and 1937 to 1947. He thus enables us to understand fully why the synthesis was necessary and why Darwin's original theory--that evolutionary change is due to the combination of variation and selection--is as solid at the end of the twentieth century as it was in 1859.
This study demonstrates how Russian rightist organizations attempted to resolve the impasse between autocracy and constitutionalism in the Revolution of 1905. It concludes that they mobilized a substantial segment of public sentiment and helped induce the autocracy to reassert its authority.
Collection of the monthly climatological reports of the United States by state or region with monthly and annual National summaries.
Includes cases argued and determined in the District Courts of the United States and, Mar./May 1880-Oct./Nov. 1912, the Circuit Courts of the United States; Sept./Dec. 1891-Sept./Nov. 1924, the Circuit Courts of Appeals of the United States; Aug./Oct. 1911-Jan./Feb. 1914, the Commerce Court of the United States; Sept./Oct. 1919-Sept./Nov. 1924, the Court of Appeals of the District of Columbia.