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Two centuries of dramatic change are covered by this exciting and richly illustrated work. Eighteen leading scholars explore the political, social, religious, and cultural history of the period when monarchs based in south-east England imperfectly attempted to extend their authority over thewhole of the British Isles. These centuries witnessed the Reformation, the civil wars, and two revolutions, in which two monarchs, two wives of a king, and two archbishops of Canterbury were tried and executed, and hundreds of men and women tortured and burned in the name of religion. Yet in the same period, an explosion ofliteracy and the printed word, transformations in landscapes and townscapes, new forms of wealth, new structures of power, and new forms of political participation freed minds and broadened horizons. These centuries marked the beginning of Britain's imperial power and its emergence as perhaps themost liberal and mature of European states. The integrated illustrations and maps form an essential part of the book, complementing all aspects of the text. It also contains a Chronology, Glossary, Family Trees of the monarchy, Further Reading, and an extensive Index.
The story of the Stuart dynasty is a breathless soap opera played out in just a hundred years in an array of buildings that span Europe from Scotland, via Denmark, Holland and Spain to England.
Moments of royal succession, which punctuate the Stuart era (1603-1714), occasioned outpourings of literature. Writers, including most of the major figures of the seventeenth century from Jonson, Daniel, and Donne to Marvell, Dryden, and Behn, seized upon these occasions: to mark the transition of power; to reflect upon the political structures and values of their nation; and to present themselves as authors worthy of patronage and recognition. This volume of essays explores this important category of early modern writing. It contends that succession literature warrants attention as a distinct category: appreciated by contemporaries, acknowledged by a number of scholars, but never investigated in a coherent and methodical manner, it helped to shape political reputations and values across the period. Benefitting from the unique database of such writing generated by the AHRC-funded Stuart Successions Project, the volume brings together a distinguished group of authors to address a subject which is of wide and growing interest to students both of history and of literature. It illuminates the relation between literature and politics in this pivotal century of English political and cultural history. Interdisciplinary in scope, the volume will be indispensable to scholars of early modern British literature and history as well as undergraduates and postgraduates in both fields.
To the extent that she is popularly known, Katherine Parr (1512–48) is the woman who survived King Henry VIII as his sixth and last wife. She merits far greater recognition, however, on several other fronts. Fluent in French, Italian, and Latin, Parr also began, out of necessity, to learn Spanish when she ascended to the throne in 1543. As Henry’s wife and queen of England, she was a noted patron of the arts and music and took a personal interest in the education of her stepchildren, Princesses Mary and Elizabeth and Prince Edward. Above all, Parr commands interest for her literary labors: she was the first woman to publish under her own name in English in England. For this new edition, Janel Mueller has assembled the four publications attributed to Parr—Psalms or Prayers, Prayers or Meditations, The Lamentation of a Sinner, and a compilation of prayers and Biblical excerpts written in her hand—as well as her extensive correspondence, which is collected here for the first time. Mueller brings to this volume a wealth of knowledge of sixteenth-century English culture. She marshals the impeccable skills of a textual scholar in rendering Parr’s sixteenth-century English for modern readers and provides useful background on the circumstances of and references in Parr’s letters and compositions. Given its scope and ambition, Katherine Parr: Complete Works and Correspondence will be an event for the English publishing world and will make an immediate contribution to the fields of sixteenth-century literature, reformation studies, women’s writing, and Tudor politics.
Margaret Bertha Synge (1861-1939) was a British author of books for children at the end of the nineteenthand beginning of the twentieth-century. Her works include: Cookas Voyages (1892), The Story of Scotland (1896), A Child of the Mews (1897), A Book of Scottish Poetry (edited) (1897), Brave Men and Brave Deeds (1898), A Helping Hand (1898), Life of Gladstone (1899), The Queenas Namesake (1899), Life of General Charles Gordon (1900), The Story of the World for the Children of the British Empire (5 vols., 1903), The Struggle for Sea Power (1903), The Awakening of Europe (1903), The Worldas Childhood: Stories of the Fairies Simply Told (2 vols., 1905), A Short History of Social Life in England (1906), Molly (1907), Martha Wren: A Story of Faithful Service (1908), The Great Victorian Age for Children (1908), Great Englishwomen (1911), A Book of Discovery (1912), Simple Garments for Children (1913), Simple Garments for Infants (1914), The Reign of Queen Victoria (1916) and The Story of the World at War (1926).
Reveals how, from even before the Reformation, the Tudors sought to sustain and enhance their authority by representing themselves to their people through the media of building, print, art, material culture and speech.
Film can be an invaluable teaching resource. Tudors and Stuarts on Film provides analyses of films about the Tudor and Stuart period from leading historians. The accuracy of each film is assessed, and they are also placed within the context of the period in which they were made, and the influence they have had on popular conceptions of early modern England.
The papers collected in these volumes revolve around the political, constitutional and personal problems of the English government between the end of the fifteenth-century civil wars and the beginning of those of the seventeenth century. Previously published in a great variety of places, none of them appeared in book form before. They are arranged in four groups (Tudor Politics and Tudor Government in Volume I, Parliament and Political Thought in Volume II) but these groups interlock. Though written in the course of some two decades, all the pieces bear variously on the same body of major issues and often illuminate details only touched upon in Professor Elton's books. Several investigate the received preconceptions of historians and suggest new ways of approaching familiar subjects. They are reprinted unaltered, but some new footnotes have been added to correct errors and draw attention to later developments.
The struggle between the fecund Stewarts and the barren Tudors is generally seen only in terms of the relationship between Elizabeth I and her cousin, Mary Queen of Scots. But very little has been said about the background to their intense rivalry. Here, Linda Porter examines the ancient and intractable power struggle between England and Scotland, a struggle intensified during the reigns of Elizabeth and Mary's grandfathers. Henry VII aimed to provide stability when he married his daughter, Margaret, to James IV of Scotland in 1503. But he must also have known that Margaret's descendants might seek to rule the entire island. Crown of Thistles is the story of a divided family, of flamboyant kings and queens, cultured courts and tribal hatreds, blood feuds, rape and sexual licence on a breath-taking scale, and violent deaths. It also brings alive a neglected aspect of British history - the blood-spattered steps of two small countries on the fringes of Europe towards an awkward unity that would ultimately forge a great nation. Beginning with the unlikely and dramatic victories of two usurping kings, one a rank outsider and the other a fourteen-year-old boy who rebelled against his own father, the book sheds new light on Henry VIII, his daughter, Elizabeth, and on his great-niece, Mary Queen of Scots, still seductive more than 400 years after her death.