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O principal objetivo deste livro é o de trazer, tanto ao público leigo quanto ao praticante que está se iniciando na Umbanda, uma visão geral e essencial dessa religião que consiste em uma fusão de cultos africanos, católicos, religiões indígenas e espiritismo kardecista. Seu conteúdo é estruturado em formato de curso, que mostra os rituais existentes, as características dos Orixás, das linhas e falanges, do papel dos Pretos-velhos, das crianças, Exús e Pombagiras, tudo isso embasado no contexto histórico do seu surgimento. Além disso, são abordadas questões controversas como o uso de bebidas, tabaco, sacrifício de animais, entre outras.
A Umbanda, mais que uma religião, é um conjunto de templos com diferenciadas práticas religiosas e múltiplas ramificações. Este livro é, continuando o trabalho iniciado no primeiro volume, uma explicação detalhada a respeito de toda a formação da Umbanda, historicamente, de maneira sucinta e objetiva, descrevendo a estrutura básica de um templo. Questões da doutrina e a prática ritual recebem destaque, são apresentados os Caboclos, Boiadeiros, Marinheiros e Baianos, além de outras incorporações da Encantaria Nacional. Ainda são trazidas em detalhes as Casas centradas na mitologia indígena, as fortes ligações de caboclos com as entidades provenientes dessa cosmogonia, nas quais ouvimos falar prioritariamente de Tupã o Deus Supremo, e do panteão indígena. Tudo o que você precisa saber sobre Umbanda é uma visão geral e essencial dessa religião, constituída da fusão de cultos africanos, católicos, espíritas e indígenas. Inclui ainda um minidicionário da Umbanda Tradicional.
Explains terms used in classical music, from aria, Baroque, and cantata to vibrato, wind instruments, and zarzuela.
This text explores how Afro-Brazilians define their Africanness through Candomblé and Quilombo models, and construct paradigms of blackness with influences from US-based perspectives, through the vectors of public rituals, carnival, drama, poetry, and hip hop.
People from outside of Brasília often dismiss Brazil’s capital as socially divided, boring, corrupt, and emotionally cold. Apparently its founders created not a vibrant capital, but a cultural wasteland. However, as Sophia Beal argues, Brasília’s contemporary artists are out to prove the skeptics wrong. These twenty-first-century artists are changing how people think about the city and animating its public spaces. They are recasting Brasília as a vibrant city of the arts in which cultural production affirms a creative right to the city. Various genres—prose, poetry, film, cultural journalism, music, photography, graffiti, street theater, and street dance—play a part. Brasília’s initial 1960s art was state-sanctioned, carried out mainly by privileged, white men. In contrast, the capital’s contemporary art is marked by its diversity, challenging norms about who has a voice within the Brasília art scene. This art demystifies the capital’s inequities and imagines alternative ways of inhabiting the city.
Publisher Description
João do Rio (1881-1921) was a literary journalist before his time, before the term existed, before anyone saw that journalism could be raised to the level of art by infusing it with intellecual insight and sociological analysis. He went wherever necessary to observe life as Rio de Janeiro struggled to enter the 20th century while clinging to its traditional imperial politics and lifestyle. He flaunted his homosexuality a century before it became socially acceptable. Here, for the first time in English, are João do Rio's reports on the bizarre confluence of European, North American, and African religions that found adherents in Rio de Janeiro. Candomblé, Spiritism, Positivism, Satanism, Judaism, the Cult of the Sea, the New Jerusalem, the Physiolaters, the Priestesses, the Evangelicals...they all fell under his scrutiny. Ana Lessa-Schmidt's translation of As Religiões no Rio, brilliant and true to the original, brings João do Rio's insight and revelations to full light. Just as João do Rio took readers down the dark streets of the low-life and into dark houses of worship, Lessa-Schmidt's translation takes readers into one of the world's most glorious and mysterious cities during its post-imperial heyday at the turn of the 20th century. This bilingual edition is in Portuguese and English.